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• catalog abstract "Rachel Felix (1821-58), the homely daughter of poor Jewish peddlers, was the first stage actress to achieve international stardom - and the last person one would have expected to resurrect the cultural patrimony of France. Yet her passionate, startling performances of the works of Racine and Corneille saved them from almost certain obsolescence after the fall of Napoleon (who had relished classical French tragedy) and the emergence of Romanticism. Audiences in Paris, London, Boston, and Moscow thrilled to her voice, and devoured the rumors of her offstage promiscuity and extravagance. Her fame - equal parts popularity and notoriety - was so great that she could nonchalantly dispose of her last name. La grande Rachel virtually invented the role of the superstar, while remaining a symbol of the highest art and most serious cultural pursuits. Indeed, her identity was fraught with such contradictions - which intrigued the public all the more. From the moment she was discovered playing the guitar on the streets of Lyons, to her debut on the Parisian stage at the age of fifteen, to her critical and commercial triumphs as Camille, Phedre, and other tormented women, Rachel's career was exhaustively "managed." A series of theater gurus, influential reviewers, and impresarios - including her brash and opportunistic father - claimed the credit for her astonishing success. What this abundance of male managers has always obscured is Rachel's own decisiveness and control over her time and money - not only did she play her various champions (and high-profile lovers) against one another, she openly defied them. Some called her stubborn, even perverse; in these pages, we come to recognize her as a woman ahead of her time, a charismatic individual very much in charge of her own destiny. As her fascination with all things Napoleonic suggests, Rachel liked power - both personal and professional - and had the talent to command it. This remarkable biography (Rachel Brownstein's first book since the acclaimed Becoming a Heroine) explores the themes of Rachel's brief, intense life and appropriately tragic death, as well as her afterlife as a character in novels and a figure of legend. Rachel's appearances - more or less disguised - in Charlotte Bronte, George Eliot, and Henry James are crucial to an understanding of her profound appeal. Combining brilliant literary analysis with impeccable historical research, favoring thematic coherence and narrative imagination over a strictly chronological treatment, Brownstein delivers the full impact of Rachel's personality and the full significance of her accomplishments.".
• catalog contributor b4272315.
• catalog created "1993.".
• catalog date "1993".
• catalog date "1993.".
• catalog dateCopyrighted "1993.".
• catalog description "Ch. 1. Tragedy -- Ch. 2. Stars -- Ch. 4. Origins -- Ch. 4. Playing Rachel. Young Princess. Fortunate Fall. Fatal Woman. Statue. Symbolic Moves. Stage Empress -- Ch. 5. Afterlives. A Woman and an Artist: Vashti. Separateness and Connections. Tragicomic Muse.".
• catalog description "From the moment she was discovered playing the guitar on the streets of Lyons, to her debut on the Parisian stage at the age of fifteen, to her critical and commercial triumphs as Camille, Phedre, and other tormented women, Rachel's career was exhaustively "managed." A series of theater gurus, influential reviewers, and impresarios - including her brash and opportunistic father - claimed the credit for her astonishing success. What this abundance of male managers has always obscured is Rachel's own decisiveness and control over her time and money - not only did she play her various champions (and high-profile lovers) against one another, she openly defied them. Some called her stubborn, even perverse; in these pages, we come to recognize her as a woman ahead of her time, a charismatic individual very much in charge of her own destiny. As her fascination with all things Napoleonic suggests, Rachel liked power - both personal and professional - and had the talent to command it. ".
• catalog description "Includes bibliographical references (p. 263-305) and index.".
• catalog description "Rachel Felix (1821-58), the homely daughter of poor Jewish peddlers, was the first stage actress to achieve international stardom - and the last person one would have expected to resurrect the cultural patrimony of France. Yet her passionate, startling performances of the works of Racine and Corneille saved them from almost certain obsolescence after the fall of Napoleon (who had relished classical French tragedy) and the emergence of Romanticism. Audiences in Paris, London, Boston, and Moscow thrilled to her voice, and devoured the rumors of her offstage promiscuity and extravagance. Her fame - equal parts popularity and notoriety - was so great that she could nonchalantly dispose of her last name. La grande Rachel virtually invented the role of the superstar, while remaining a symbol of the highest art and most serious cultural pursuits. Indeed, her identity was fraught with such contradictions - which intrigued the public all the more. ".
• catalog description "This remarkable biography (Rachel Brownstein's first book since the acclaimed Becoming a Heroine) explores the themes of Rachel's brief, intense life and appropriately tragic death, as well as her afterlife as a character in novels and a figure of legend. Rachel's appearances - more or less disguised - in Charlotte Bronte, George Eliot, and Henry James are crucial to an understanding of her profound appeal. Combining brilliant literary analysis with impeccable historical research, favoring thematic coherence and narrative imagination over a strictly chronological treatment, Brownstein delivers the full impact of Rachel's personality and the full significance of her accomplishments.".
• catalog extent "xii, 318 p., [8] p. of col. plates :".
• catalog hasFormat "Tragic muse.".
• catalog identifier "0394574516 :".
• catalog isFormatOf "Tragic muse.".
• catalog issued "1993".
• catalog issued "1993.".
• catalog language "eng".
• catalog publisher "New York : Knopf,".
• catalog relation "Tragic muse.".
• catalog spatial "France".
• catalog spatial "France.".
• catalog subject "792/.028/092 B 20".
• catalog subject "Actors France Biography.".
• catalog subject "Comédie-Française.".
• catalog subject "PN2638.R3 B7 1993".
• catalog subject "Rachel, 1821?-1858.".
• catalog subject "Theater France History 19th century.".
• catalog subject "Theater and society France.".
• catalog tableOfContents "Ch. 1. Tragedy -- Ch. 2. Stars -- Ch. 4. Origins -- Ch. 4. Playing Rachel. Young Princess. Fortunate Fall. Fatal Woman. Statue. Symbolic Moves. Stage Empress -- Ch. 5. Afterlives. A Woman and an Artist: Vashti. Separateness and Connections. Tragicomic Muse.".
• catalog title "Tragic muse : Rachel of the Comédie-Française / Rachel M. Brownstein.".
• catalog type "Biography. fast".
• catalog type "History. fast".
• catalog type "text".