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• catalog abstract "This is a collection of stories by Emilia Pardo Bazan (1851-1921), a Spanish author who often found the subject matter of her stories in the mysteries and vicissitudes of life. Some of her tales are fictional accounts of actual occurrences or people ("The Pardon," "A Galician Mother," and "The Lady Bandit"); others are a defense of women subjugated by a double standard ("The Guilty Woman" and "The Faithful Fiancee"); a number focus on the figure of the rural priest ("A Descendant of the Cid" and "Don Carmelo's Salvation," for example). One highly symbolic story - "The White Horse"--Qualifies Pardo Bazan as the godmother of the Generation of 98, the group of writers who exhorted Spain to begin anew, ridding itself of inertia, apathy, and fixation on past glories. Several of the collected tales are like contemporary suspense thrillers (such as "The Cuff Link" and "The White Hair"), while many others reveal a keen psychological insight ("The Torn Lace," "The Substitute," "Scissors," "The Nurse," and "Rescue"). Pardo Bazan's themes are fear, love, hatred, forgiveness, cruelty, poverty, necrophilia, repentance, homesickness, and madness - that is, naked reality, bitter reality, and often an ugly, vicious reality. One of the indisputable giants of the nineteenth-century short story is Guy de Maupassant. Pardo Bazan met him (along with Daudet and Zola) in France and considered him - author of "The Horla" - to be the master of short story writers. However, although Maupassant influenced her (most notably in psychological inquiry and careful attention to realistic detail), Pardo Bazan put her own stamp on her stories and developed a style sui generis, the most striking feature of which is brevity. The essence of Pardo Bazan's approach is to engage the reader as quickly as possible, certainly in the first paragraph, frequently in the first few sentences. Some aspect of a character or an episode is brought to light and the story unfolds rapidly. There are third-person narratives in which the author occasionally injects herself or her point of view. Other narratives are presented wholly in the first person - some by an omniscient narrator, some by the "players"; and, from time to time, Pardo Bazan has someone else tell the story to her, and then as narrator she becomes the audience. It is entirely plausible that some of her graphic descriptions were intended to blunt accusations of softness (i.e., femininity) that in her era would - foolishly, but automatically - have been associated with a woman writer. Still, when the time came to represent the plight of women - in terms of natural, understandable sexual needs and intellectual acceptance - Pardo Bazan captured the anguish and inferior status of her Spanish sisters.".
• catalog alternative "Short stories. Selections. English".
• catalog contributor b4770821.
• catalog contributor b4770822.
• catalog coverage "Spain Social life and customs Fiction.".
• catalog created "c1993.".
• catalog date "1993".
• catalog date "c1993.".
• catalog dateCopyrighted "c1993.".
• catalog description "Includes bibliographical references (p. 158-163).".
• catalog description "Several of the collected tales are like contemporary suspense thrillers (such as "The Cuff Link" and "The White Hair"), while many others reveal a keen psychological insight ("The Torn Lace," "The Substitute," "Scissors," "The Nurse," and "Rescue"). Pardo Bazan's themes are fear, love, hatred, forgiveness, cruelty, poverty, necrophilia, repentance, homesickness, and madness - that is, naked reality, bitter reality, and often an ugly, vicious reality. One of the indisputable giants of the nineteenth-century short story is Guy de Maupassant. Pardo Bazan met him (along with Daudet and Zola) in France and considered him - author of "The Horla" - to be the master of short story writers. However, although Maupassant influenced her (most notably in psychological inquiry and careful attention to realistic detail), Pardo Bazan put her own stamp on her stories and developed a style sui generis, the most striking feature of which is brevity.".
• catalog description "Still, when the time came to represent the plight of women - in terms of natural, understandable sexual needs and intellectual acceptance - Pardo Bazan captured the anguish and inferior status of her Spanish sisters.".
• catalog description "The essence of Pardo Bazan's approach is to engage the reader as quickly as possible, certainly in the first paragraph, frequently in the first few sentences. Some aspect of a character or an episode is brought to light and the story unfolds rapidly. There are third-person narratives in which the author occasionally injects herself or her point of view. Other narratives are presented wholly in the first person - some by an omniscient narrator, some by the "players"; and, from time to time, Pardo Bazan has someone else tell the story to her, and then as narrator she becomes the audience. It is entirely plausible that some of her graphic descriptions were intended to blunt accusations of softness (i.e., femininity) that in her era would - foolishly, but automatically - have been associated with a woman writer.".
• catalog description "The pardon (1883) -- A descendant of the Cid (1883) -- First prize (1883) -- On the streetcar (1890) -- The gravedigger (1891) -- Don Juan's last illusion (1893) -- The guilty woman (1893) -- The faithful fiancee (1894) -- Christ's thirst (1895) -- Blood bond (1895) -- The vision of the three magi (1895) -- A Galician mother (1896) -- Soft-boiled eggs (1896) -- The torn lace (1897) -- Logic (1897) -- The substitute (1897) -- From the beyond (1897) -- Consolation (1898) -- The white horse (1899) -- Scissors (1899) -- The lady bandit (1902) -- The nurse (1903) -- The cuff link (1903) -- Rescue (1906) -- The broken windowpane (1907) -- The white hair (1911) -- Don Carmelo's salvation (1914).".
• catalog description "This is a collection of stories by Emilia Pardo Bazan (1851-1921), a Spanish author who often found the subject matter of her stories in the mysteries and vicissitudes of life. Some of her tales are fictional accounts of actual occurrences or people ("The Pardon," "A Galician Mother," and "The Lady Bandit"); others are a defense of women subjugated by a double standard ("The Guilty Woman" and "The Faithful Fiancee"); a number focus on the figure of the rural priest ("A Descendant of the Cid" and "Don Carmelo's Salvation," for example). One highly symbolic story - "The White Horse"--Qualifies Pardo Bazan as the godmother of the Generation of 98, the group of writers who exhorted Spain to begin anew, ridding itself of inertia, apathy, and fixation on past glories.".
• catalog extent "163 p. :".
• catalog hasFormat "White horse" and other stories.".
• catalog identifier "0838752586 (alk. paper)".
• catalog isFormatOf "White horse" and other stories.".
• catalog issued "1993".
• catalog issued "c1993.".
• catalog language "eng spa".
• catalog language "eng".
• catalog publisher "Lewisburg : Bucknell University Press ; London ; Cranbury, NJ : Associated University Presses,".
• catalog relation "White horse" and other stories.".
• catalog spatial "Spain Social life and customs Fiction.".
• catalog subject "863/.5 20".
• catalog subject "PQ6629.A7 A24 1993".
• catalog subject "Pardo Bazán, Emilia, condesa de, 1852-1921 Translations into English.".
• catalog tableOfContents "The pardon (1883) -- A descendant of the Cid (1883) -- First prize (1883) -- On the streetcar (1890) -- The gravedigger (1891) -- Don Juan's last illusion (1893) -- The guilty woman (1893) -- The faithful fiancee (1894) -- Christ's thirst (1895) -- Blood bond (1895) -- The vision of the three magi (1895) -- A Galician mother (1896) -- Soft-boiled eggs (1896) -- The torn lace (1897) -- Logic (1897) -- The substitute (1897) -- From the beyond (1897) -- Consolation (1898) -- The white horse (1899) -- Scissors (1899) -- The lady bandit (1902) -- The nurse (1903) -- The cuff link (1903) -- Rescue (1906) -- The broken windowpane (1907) -- The white hair (1911) -- Don Carmelo's salvation (1914).".
• catalog title ""The white horse" and other stories / Emilia Pardo Bazán ; translated from the Spanish by Robert M. Fedorchek.".
• catalog title "Short stories. Selections. English".
• catalog type "Fiction. fast".
• catalog type "Translations. fast".
• catalog type "text".