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• catalog abstract "Ben Jonson was one of the most important writers of the English Renaissance, and this study both reflects and contributes to the growing focus on the concrete details of his art and career. By examining specific works, particular historical circumstances, and complex relations with various individuals, author Robert C. Evans tries to locate Jonson's writings in the contexts that helped shape their artistry. This book presumes that the more one knows about Jonson's various contexts, the more richly one can appreciate the complicated significance of the texts he produced. In fact, a major purpose of the book is the presentation of new archival data. The individual chapters all assume that Jonson could not ignore his relations with other people and the effects that those relations might have had on his life and writings. The first chapter raises explicitly many of the questions involved in the historical study of literature, contributing to recent dialogue about the meaning and value of the so-called New Historicism. This chapter also offers one of the few sustained examinations of one of Jonson's most typical and significant poems, the epistle to Edward Sackville. Chapter 2 suggests why Jonson's relations with rivals and patrons were particularly significant. It discusses one of his most important rivalries - the "poetomachia"--And its significance for the early years of his life as a writer. The chapter then jumps to the end of Jonson's career and emphasizes works he addressed to the Earl of Newcastle, one of his most important later patrons. This initial emphasis on patronage and rivalry recurs in one way or another in all the subsequent chapters, which follow a roughly chronological scheme. Chapter 3 looks at the earliest and perhaps still the best of Jonson's great plays, Volpone, and explores new evidence suggesting that Jonson may have used this comedy to mock a powerful and wellknown contemporary. Chapter 4 explores The Devil is an Ass (1616) and attempts to suggest the very complicated political and social circumstances in which it was enmeshed. Chapter 5 tries to show how the important masque entitled Pleasure Reconciled to Virtue offered a detailed response to another aristocratic entertainment written a few months earlier, and chapter 6 surveys the poet's apparently contentious relations with the highly talented Thomas Campion. Chapters 7 and 8 focus on the closing years of Jonson's career. They explore his little-known friendship with Joseph Webbe, an important language theorist whose ideas were quite controversial at the time, and examine Jonson's relations with significant Caroline patrons in an attempt to show the complicated ways in which the patronage "system" - so often discussed in the abstract could operate in actuality. A brief afterword summarizes some of the general critical assumptions on which all the preceding chapters are based.".
• catalog contributor b4920053.
• catalog created "c1994.".
• catalog date "1994".
• catalog date "c1994.".
• catalog dateCopyrighted "c1994.".
• catalog description "Ben Jonson was one of the most important writers of the English Renaissance, and this study both reflects and contributes to the growing focus on the concrete details of his art and career. By examining specific works, particular historical circumstances, and complex relations with various individuals, author Robert C. Evans tries to locate Jonson's writings in the contexts that helped shape their artistry. This book presumes that the more one knows about Jonson's various contexts, the more richly one can appreciate the complicated significance of the texts he produced. In fact, a major purpose of the book is the presentation of new archival data. The individual chapters all assume that Jonson could not ignore his relations with other people and the effects that those relations might have had on his life and writings. ".
• catalog description "Chapter 3 looks at the earliest and perhaps still the best of Jonson's great plays, Volpone, and explores new evidence suggesting that Jonson may have used this comedy to mock a powerful and wellknown contemporary. Chapter 4 explores The Devil is an Ass (1616) and attempts to suggest the very complicated political and social circumstances in which it was enmeshed. Chapter 5 tries to show how the important masque entitled Pleasure Reconciled to Virtue offered a detailed response to another aristocratic entertainment written a few months earlier, and chapter 6 surveys the poet's apparently contentious relations with the highly talented Thomas Campion. Chapters 7 and 8 focus on the closing years of Jonson's career. ".
• catalog description "Includes bibliographical references (p. 213-222) and index.".
• catalog description "The first chapter raises explicitly many of the questions involved in the historical study of literature, contributing to recent dialogue about the meaning and value of the so-called New Historicism. This chapter also offers one of the few sustained examinations of one of Jonson's most typical and significant poems, the epistle to Edward Sackville. Chapter 2 suggests why Jonson's relations with rivals and patrons were particularly significant. It discusses one of his most important rivalries - the "poetomachia"--And its significance for the early years of his life as a writer. The chapter then jumps to the end of Jonson's career and emphasizes works he addressed to the Earl of Newcastle, one of his most important later patrons. This initial emphasis on patronage and rivalry recurs in one way or another in all the subsequent chapters, which follow a roughly chronological scheme. ".
• catalog description "They explore his little-known friendship with Joseph Webbe, an important language theorist whose ideas were quite controversial at the time, and examine Jonson's relations with significant Caroline patrons in an attempt to show the complicated ways in which the patronage "system" - so often discussed in the abstract could operate in actuality. A brief afterword summarizes some of the general critical assumptions on which all the preceding chapters are based.".
• catalog extent "xiv, 226 p. ;".
• catalog hasFormat "Jonson and the contexts of his time.".
• catalog identifier "0838752683 (alk. paper)".
• catalog isFormatOf "Jonson and the contexts of his time.".
• catalog issued "1994".
• catalog issued "c1994.".
• catalog language "eng".
• catalog publisher "Lewisburg : Bucknell University Press ; London ; Cranbury, NJ : Associated University Presses,".
• catalog relation "Jonson and the contexts of his time.".
• catalog spatial "England".
• catalog subject "822/.3 20".
• catalog subject "Jonson, Ben, 1573?-1637 Criticism and interpretation.".
• catalog subject "Jonson, Ben, 1573?-1637.".
• catalog subject "Literature and history England History 17th century.".
• catalog subject "PR2642.H5 E93 1994".
• catalog title "Jonson and the contexts of his time / Robert C. Evans.".
• catalog type "Criticism, interpretation, etc. fast".
• catalog type "History. fast".
• catalog type "text".