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• catalog abstract "The military cameramen of World War II provided us with the enduring and powerful images that have shaped our memory of that conflict as well as our ideas about warfare and its impact. Now, drawing on years of interviews with surviving combat cameramen, including his own father, the distinguished military historian Peter Maslowski tells the story of these men who risked their lives to be front line witnesses to the horrors and heroism of war. World War II's combat cameramen were unsung heroes who served alongside the Marines, Army, Army Air Forces, and Navy, in trenches and jungles, in fighter planes and bombers, aboard destroyers and aircraft carriers - to capture the war's visual essence. Often they were among the first to enter battles, and they were invariably in the front ranks as Allied forces liberated villages and cities from Nazi and Japanese occupation. In the most dangerous places and under the heaviest fire, they dared to record history's most memorable images. Military photographers were responding to a triple imperative. Their commanders needed accurate and detailed pictures in order to design effective military tactics and strategy. Striking photographs and newsreels were also crucial in bolstering homefront morale - they showed what American boys were experiencing and why civilian help in the war effort was essential. Finally, combat cameramen profoundly understood that they were compiling a historical record of this global war, and they used their artistic flair and their technical expertise to take the best possible pictures for posterity. In our own time, as the media and the military hotly debate the role of photography in warfare, Peter Maslowski's book explores the historic importance of cameramen on the battlefield and adds a new chapter to the history of military/media relations. At last, the unparalleled excitement of the military photographers' experience and the richness of their legacy are revealed in this remarkable narrative history.".
• catalog contributor b5222935.
• catalog created "c1993.".
• catalog date "1993".
• catalog date "c1993.".
• catalog dateCopyrighted "c1993.".
• catalog description "1. "Those Guys Went Out Hunting Trouble" The Ubiquitous but Anonymous Combat Cameraman -- 2. "Survival of the Cleverest" The Joy and Travail of Combat Photography -- 3. "Jeez, This Is Just Like in the Movies" Real War versus Hollywood War -- 4. "We Shoot 'em with a Camera -- Only" The Army's 163rd Signal Photographic Company -- 5. "Sticking Their Necks Out Doing Their Weird Things" The Army's 166th Signal Photographic Company -- 6. "It Seemed Like a Lifetime" The Army's 832nd Signal Service Battalion -- 7. "Some Incident of Danger to Maintain Their Good Humor" The Army Air Forces' 9th Combat Camera Unit -- 8. "The New Battlefront, the Air Front" The Making of The Memphis Belle and Thunderbolt -- 9. "Frankly, I Wouldn't Have Picked This as an Assignment" The Navy's Combat Photography Unit #1 -- 10. "Old Glory Was Raised and, Boy, Tears Ran Down My Cheeks" The Cameramen of the Marine Corps -- 11. "The Fringe Necessities" Supporting the Combat Cameramen at the Front.".
• catalog description "12. "My Pictures Are at Least Doing a Little Bit of Good" Combat Film on the Home Front -- 13. "That Weapon Is Film" Combat Film on the Fighting Fronts -- 14. "Pix for a Price" Casualties -- and the War's Historical Image.".
• catalog description "Includes bibliographical references (p. 377-391) and index.".
• catalog description "Military photographers were responding to a triple imperative. Their commanders needed accurate and detailed pictures in order to design effective military tactics and strategy. Striking photographs and newsreels were also crucial in bolstering homefront morale - they showed what American boys were experiencing and why civilian help in the war effort was essential. Finally, combat cameramen profoundly understood that they were compiling a historical record of this global war, and they used their artistic flair and their technical expertise to take the best possible pictures for posterity. In our own time, as the media and the military hotly debate the role of photography in warfare, Peter Maslowski's book explores the historic importance of cameramen on the battlefield and adds a new chapter to the history of military/media relations. At last, the unparalleled excitement of the military photographers' experience and the richness of their legacy are revealed in this remarkable narrative history.".
• catalog description "The military cameramen of World War II provided us with the enduring and powerful images that have shaped our memory of that conflict as well as our ideas about warfare and its impact. Now, drawing on years of interviews with surviving combat cameramen, including his own father, the distinguished military historian Peter Maslowski tells the story of these men who risked their lives to be front line witnesses to the horrors and heroism of war. World War II's combat cameramen were unsung heroes who served alongside the Marines, Army, Army Air Forces, and Navy, in trenches and jungles, in fighter planes and bombers, aboard destroyers and aircraft carriers - to capture the war's visual essence. Often they were among the first to enter battles, and they were invariably in the front ranks as Allied forces liberated villages and cities from Nazi and Japanese occupation. In the most dangerous places and under the heaviest fire, they dared to record history's most memorable images.".
• catalog extent "xii, 412 p., [24] p. of plates :".
• catalog hasFormat "Armed with cameras.".
• catalog identifier "0029202655 :".
• catalog isFormatOf "Armed with cameras.".
• catalog issued "1993".
• catalog issued "c1993.".
• catalog language "eng".
• catalog publisher "New York : Free Press ; Toronto : Maxwell Macmillan Canada ; New York : Maxwell Macmillan International,".
• catalog relation "Armed with cameras.".
• catalog spatial "United States.".
• catalog subject "940.54 20".
• catalog subject "D810.P4 M37 1993".
• catalog subject "United States. Army Photographers.".
• catalog subject "War photographers United States.".
• catalog subject "World War, 1939-1945 Photography.".
• catalog tableOfContents "1. "Those Guys Went Out Hunting Trouble" The Ubiquitous but Anonymous Combat Cameraman -- 2. "Survival of the Cleverest" The Joy and Travail of Combat Photography -- 3. "Jeez, This Is Just Like in the Movies" Real War versus Hollywood War -- 4. "We Shoot 'em with a Camera -- Only" The Army's 163rd Signal Photographic Company -- 5. "Sticking Their Necks Out Doing Their Weird Things" The Army's 166th Signal Photographic Company -- 6. "It Seemed Like a Lifetime" The Army's 832nd Signal Service Battalion -- 7. "Some Incident of Danger to Maintain Their Good Humor" The Army Air Forces' 9th Combat Camera Unit -- 8. "The New Battlefront, the Air Front" The Making of The Memphis Belle and Thunderbolt -- 9. "Frankly, I Wouldn't Have Picked This as an Assignment" The Navy's Combat Photography Unit #1 -- 10. "Old Glory Was Raised and, Boy, Tears Ran Down My Cheeks" The Cameramen of the Marine Corps -- 11. "The Fringe Necessities" Supporting the Combat Cameramen at the Front.".
• catalog tableOfContents "12. "My Pictures Are at Least Doing a Little Bit of Good" Combat Film on the Home Front -- 13. "That Weapon Is Film" Combat Film on the Fighting Fronts -- 14. "Pix for a Price" Casualties -- and the War's Historical Image.".
• catalog title "Armed with cameras : the American military photographers of World War II / Peter Maslowski.".
• catalog type "text".