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- catalog abstract "Eero Tarasti advances a semiotic theory of music based on information provided by the history of Western music and by various sign theories. A Theory of Musical Semiotics is at the same time a study of music as a narrative art. It analyzes musical works through the theoretical frameworks of narratology and French structural semiotics, especially that of A.J. Greimas. Tarasti views other theories from the "classical" semiotic tradition, from Saussure to Peirce to Lotman, as possible foundations of musical semiotics. A Theory of Musical Semiotics provides a model for the semiotic analysis of both musical structure and semantics. It introduces the English-language reader to musical narratology, a field of inquiry that until recently has remained largely the province of European researchers.".
- catalog contributor b5590352.
- catalog created "c1994.".
- catalog date "1994".
- catalog date "c1994.".
- catalog dateCopyrighted "c1994.".
- catalog description "Eero Tarasti advances a semiotic theory of music based on information provided by the history of Western music and by various sign theories. A Theory of Musical Semiotics is at the same time a study of music as a narrative art. It analyzes musical works through the theoretical frameworks of narratology and French structural semiotics, especially that of A.J. Greimas. Tarasti views other theories from the "classical" semiotic tradition, from Saussure to Peirce to Lotman, as possible foundations of musical semiotics. A Theory of Musical Semiotics provides a model for the semiotic analysis of both musical structure and semantics. It introduces the English-language reader to musical narratology, a field of inquiry that until recently has remained largely the province of European researchers.".
- catalog description "Foreword / Thomas A. Sebeok -- pt. 1. Theoretical Background. I. In Search of a Theory. II. Musical Time. III. Musical Space. IV. Musical Actors -- pt. 2. Analyses. V. Semiosis of the Classical Style: Beethoven's "Waldstein" VI. Narrativity in Chopin. VII. Music and Literature. VIII. Music and Visual Arts: Pictures and Promenades -- A Peircean Excursion into the Semiosis of Musorgsky. IX. The Semiotics of Symphonism: A Deconstruction of National Meanings in Sibelius's Fourth Symphony. X. Toward the Modern Scene.".
- catalog description "Includes bibliographical references and index.".
- catalog extent "xvi, 328 p. :".
- catalog identifier "0253356490 (cloth)".
- catalog isPartOf "Advances in semiotics".
- catalog issued "1994".
- catalog issued "c1994.".
- catalog language "eng".
- catalog publisher "Bloomington : Indiana University Press,".
- catalog subject "781/.1 20".
- catalog subject "ML3845 .T35 1994".
- catalog subject "Music Semiotics.".
- catalog subject "Music theory.".
- catalog subject "Musical analysis.".
- catalog tableOfContents "Foreword / Thomas A. Sebeok -- pt. 1. Theoretical Background. I. In Search of a Theory. II. Musical Time. III. Musical Space. IV. Musical Actors -- pt. 2. Analyses. V. Semiosis of the Classical Style: Beethoven's "Waldstein" VI. Narrativity in Chopin. VII. Music and Literature. VIII. Music and Visual Arts: Pictures and Promenades -- A Peircean Excursion into the Semiosis of Musorgsky. IX. The Semiotics of Symphonism: A Deconstruction of National Meanings in Sibelius's Fourth Symphony. X. Toward the Modern Scene.".
- catalog title "A theory of musical semiotics / Eero Tarasti.".
- catalog type "text".