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- catalog abstract "Rewriting Theatre undertakes a study of the refundicion or "recast" of the Spanish Golden Age comedia in the late eighteenth and nineteenth centuries. The Reception Theory orientation discusses how the recast was received in its time; performance reviews contemporary with the new versions of old plays indicate the controversy elicited between those who believed, on the one hand, that the "classics" should be preserved as they have been handed down, and on the other, that a work of art is never "finished" and is always open to new stagings and interpretations. Lope de Vega, Tirso de Molina, Pedro Calderon de la Barca, and others have been and continue to be reinterpreted in the light of new literary, social, and political orientations. By studying the refundiciones we can begin to acquire a much broader understanding not only of the comedia's reception but also of the ramifications for the development of Spanish theatre.".
- catalog contributor b6218654.
- catalog created "c1994.".
- catalog date "1994".
- catalog date "c1994.".
- catalog dateCopyrighted "c1994.".
- catalog description "Approaching the Refundición -- King Sancho revisited: La estrella de Sevilla and Sancho Ortiz de las Roelas -- Marta la piasdosa: Tirso at the hands of reworkers -- Art and politics: Adelardo López de Ayala and El alcalde de Zalamea -- Future directions.".
- catalog description "Includes bibliographical references (p. [261]-270) and index.".
- catalog description "Rewriting Theatre undertakes a study of the refundicion or "recast" of the Spanish Golden Age comedia in the late eighteenth and nineteenth centuries. The Reception Theory orientation discusses how the recast was received in its time; performance reviews contemporary with the new versions of old plays indicate the controversy elicited between those who believed, on the one hand, that the "classics" should be preserved as they have been handed down, and on the other, that a work of art is never "finished" and is always open to new stagings and interpretations. Lope de Vega, Tirso de Molina, Pedro Calderon de la Barca, and others have been and continue to be reinterpreted in the light of new literary, social, and political orientations. By studying the refundiciones we can begin to acquire a much broader understanding not only of the comedia's reception but also of the ramifications for the development of Spanish theatre.".
- catalog extent "xi, 273 p. ;".
- catalog hasFormat "Rewriting theatre.".
- catalog identifier "0838752594 (alk. paper)".
- catalog isFormatOf "Rewriting theatre.".
- catalog issued "1994".
- catalog issued "c1994.".
- catalog language "eng".
- catalog publisher "Lewisburg [Pa.] : Bucknell University Press ; London : Associated University Presses,".
- catalog relation "Rewriting theatre.".
- catalog spatial "Spain".
- catalog subject "862/.509 20".
- catalog subject "PQ6113 .G36 1994".
- catalog subject "Spanish drama 19th century History and criticism.".
- catalog subject "Spanish drama Classical period, 1500-1700 Adaptations.".
- catalog subject "Theater Spain History 19th century.".
- catalog tableOfContents "Approaching the Refundición -- King Sancho revisited: La estrella de Sevilla and Sancho Ortiz de las Roelas -- Marta la piasdosa: Tirso at the hands of reworkers -- Art and politics: Adelardo López de Ayala and El alcalde de Zalamea -- Future directions.".
- catalog title "Rewriting theatre : the comedia and the nineteenth-century refundición / Charles Ganelin.".
- catalog type "Adaptations. fast".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "History. fast".
- catalog type "text".