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- catalog abstract "Interpreting Ladies explores the defense by the Restoration comedy of manners of an ideal of aristocratic, conservative, English masculinity against the heavily satirized encroachments of French foppishness and the pretensions of the aspiring merchant class. Using Freud's theory of obscene wit, in which obscene jokes become reassuring testimonies of male privilege, as well as more recent theoretical descriptions of the discursive processes of meaning and desire, Gill considers the position of both the female protagonists and the female spectators in Restoration satire. She sketches the historical events and issues that create the link between morality and rhetoric and that serve to connect each to class and status. Gill posits that the moral indeterminacy and slippage in satiric language is closely linked to male uneasiness about female honesty, and the dramatists' arguments in defense of their satiric treatments of female hypocrisy, duplicity, and sexual desire expose the gap in the moral premise of Restoration comic satire. It is a gap, Gill contends, that has everything to do with women - with female characters and putative female spectators - and it is why she states that "any reading that proposes to account for the equivocal satiric practice of Restoration comedy must therefore of necessity include a feminist critique."".
- catalog contributor b6538767.
- catalog created "c1994.".
- catalog date "1994".
- catalog date "c1994.".
- catalog dateCopyrighted "c1994.".
- catalog description "Includes bibliographical references (p. 159-203) and index.".
- catalog description "Interpreting Ladies explores the defense by the Restoration comedy of manners of an ideal of aristocratic, conservative, English masculinity against the heavily satirized encroachments of French foppishness and the pretensions of the aspiring merchant class. Using Freud's theory of obscene wit, in which obscene jokes become reassuring testimonies of male privilege, as well as more recent theoretical descriptions of the discursive processes of meaning and desire, Gill considers the position of both the female protagonists and the female spectators in Restoration satire. She sketches the historical events and issues that create the link between morality and rhetoric and that serve to connect each to class and status. Gill posits that the moral indeterminacy and slippage in satiric language is closely linked to male uneasiness about female honesty, and the dramatists' arguments in defense of their satiric treatments of female hypocrisy, duplicity, and sexual desire expose the gap in the moral premise of Restoration comic satire. It is a gap, Gill contends, that has everything to do with women - with female characters and putative female spectators - and it is why she states that "any reading that proposes to account for the equivocal satiric practice of Restoration comedy must therefore of necessity include a feminist critique."".
- catalog extent "ix, 209 p. ;".
- catalog identifier "0820316644".
- catalog issued "1994".
- catalog issued "c1994.".
- catalog language "eng".
- catalog publisher "Athens : University of Georgia Press,".
- catalog spatial "Great Britain".
- catalog subject "822/.052309352042/09032 20".
- catalog subject "English drama (Comedy) History and criticism.".
- catalog subject "English drama Restoration, 1660-1700 History and criticism.".
- catalog subject "Ethics in literature.".
- catalog subject "Manners and customs in literature.".
- catalog subject "PR698.W6 G55 1994".
- catalog subject "Women and literature Great Britain History 17th century.".
- catalog title "Interpreting ladies : women, wit, and morality in the Restoration comedy of manners / Pat Gill.".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "History. fast".
- catalog type "text".