Matches in Harvard for { <http://id.lib.harvard.edu/aleph/004648336/catalog> ?p ?o. }
Showing items 1 to 26 of
26
with 100 items per page.
- catalog abstract ""From the radical 1960s through the neo-conservative 1980s and into the early 1990s, the provocative cinematic careers of French director Jean-Luc Godard and Italian director Bernardo Bertolucci have captured the imagination of filmgoers and critics alike. Although their films differ greatly -- Godard produces highly cerebral and theoretical work while Bertolucci creates films with more spectacle and emotionalism -- their careers have sparked lively discussion and debate, mostly centered around the notion of an Oedipal struggle between them. The Radical Faces of Godard and Bertolucci, however, provides new insight into their relationship by specifically addressing their influences upon each other. This careful analysis of their films pays special attention to the more recent and often critically neglected films, and locates their work within the cultural critiques of feminism, postmodernism, and multiculturalism."--Publisher description.".
- catalog contributor b6579362.
- catalog created "c1995.".
- catalog date "1995".
- catalog date "c1995.".
- catalog dateCopyrighted "c1995.".
- catalog description ""From the radical 1960s through the neo-conservative 1980s and into the early 1990s, the provocative cinematic careers of French director Jean-Luc Godard and Italian director Bernardo Bertolucci have captured the imagination of filmgoers and critics alike. Although their films differ greatly -- Godard produces highly cerebral and theoretical work while Bertolucci creates films with more spectacle and emotionalism -- their careers have sparked lively discussion and debate, mostly centered around the notion of an Oedipal struggle between them. The Radical Faces of Godard and Bertolucci, however, provides new insight into their relationship by specifically addressing their influences upon each other. This careful analysis of their films pays special attention to the more recent and often critically neglected films, and locates their work within the cultural critiques of feminism, postmodernism, and multiculturalism."--Publisher description.".
- catalog description "Filmography: p. 265-274.".
- catalog description "Includes bibliographical references (p. 251-264) and index.".
- catalog description "Introduction: Anxiety of Influence/Celebration of Influence -- Ch. 1. The Radical Period of Godard: 1968-1978. The Influence of May 1968. From Le Gai Savoir to the Films of the Dziga Vertov Group. The Intermediate Stage: Tout va bien. A New Turn: The Collaboration with Mieville -- Ch. 2. The Radical Period of Bertolucci: 1968-1976. The Politicization of Memory: From Partner to The Conformist. The Politicization of the Love Story: Eros and Civilization Revisited in Last Tango in Paris. Politicization of Politics: 1900 -- Ch. 3. Dialogue with the Cosmos: The Films after the Revolution. The "Spiralling Negativity" of the Terrorist Game: Bertolucci's Tragedy of a Ridiculous Man. The Transition to the Cosmic Period: Godard's "Trilogy of the Sublime."".
- catalog extent "286 p. :".
- catalog identifier "0814324460 (alk. paper)".
- catalog identifier "0814324479 (pbk. : alk. paper)".
- catalog isPartOf "Contemporary film and television series".
- catalog issued "1995".
- catalog issued "c1995.".
- catalog language "eng".
- catalog publisher "Detroit : Wayne State University,".
- catalog subject "791.43/0233/0922 20".
- catalog subject "Bertolucci, Bernardo Criticism and interpretation.".
- catalog subject "Godard, Jean Luc, 1930- Criticism and interpretation.".
- catalog subject "PN1998.3.G63 L67 1995".
- catalog tableOfContents "Introduction: Anxiety of Influence/Celebration of Influence -- Ch. 1. The Radical Period of Godard: 1968-1978. The Influence of May 1968. From Le Gai Savoir to the Films of the Dziga Vertov Group. The Intermediate Stage: Tout va bien. A New Turn: The Collaboration with Mieville -- Ch. 2. The Radical Period of Bertolucci: 1968-1976. The Politicization of Memory: From Partner to The Conformist. The Politicization of the Love Story: Eros and Civilization Revisited in Last Tango in Paris. Politicization of Politics: 1900 -- Ch. 3. Dialogue with the Cosmos: The Films after the Revolution. The "Spiralling Negativity" of the Terrorist Game: Bertolucci's Tragedy of a Ridiculous Man. The Transition to the Cosmic Period: Godard's "Trilogy of the Sublime."".
- catalog title "The radical faces of Godard and Bertolucci / Yosefa Loshitzky.".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "text".