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• catalog abstract ""Eve Kosofsky Sedgwick is best known as a cultural and literary critic, as one of the primary forces behind the development of queer and gay/lesbian studies, and as author of several influential books: Tendencies, Epistemology of the Closet, and Between Men: English Literature and Male Homosocial Desire. The publication of Fat Art, Thin Art, Sedgwick's first volume of poetry, opens up another dimension of her continuing project of crossing and re-crossing the electrified boundaries between theory, lyric, and narrative. Embodying a decades-long adventure, the poems collected here offer the most accessible and definitive formulations to appear anywhere in Sedgwick's writing on some characteristic subjects and some new ones: passionate attachments within and across genders; queer childhoods of many kinds; the performativity of a long, unconventional marriage; depressiveness, hilarity, and bliss; grave illness; despised and magnetic bodies and bodily parts. In two long fictional poems, a rich narrative momentum engages readers in the mysterious places - including Victorian novels - where characters, sexualities, and fates are unmade and made. Sedgwick's poetry opens an unfamiliar, intimate, daring space that steadily refigures not only what a critic may be, but what a poem can do."--Publisher description.".
• catalog contributor b6621972.
• catalog coverage "United States.".
• catalog created "1994.".
• catalog date "1994".
• catalog date "1994.".
• catalog dateCopyrighted "1994.".
• catalog description ""Eve Kosofsky Sedgwick is best known as a cultural and literary critic, as one of the primary forces behind the development of queer and gay/lesbian studies, and as author of several influential books: Tendencies, Epistemology of the Closet, and Between Men: English Literature and Male Homosocial Desire. The publication of Fat Art, Thin Art, Sedgwick's first volume of poetry, opens up another dimension of her continuing project of crossing and re-crossing the electrified boundaries between theory, lyric, and narrative. Embodying a decades-long adventure, the poems collected here offer the most accessible and definitive formulations to appear anywhere in Sedgwick's writing on some characteristic subjects and some new ones: passionate attachments within and across genders; queer childhoods of many kinds; the performativity of a long, unconventional marriage; depressiveness, hilarity, and bliss; grave illness; despised and magnetic bodies and bodily parts. In two long fictional poems, a rich narrative momentum engages readers in the mysterious places - including Victorian novels - where characters, sexualities, and fates are unmade and made. Sedgwick's poetry opens an unfamiliar, intimate, daring space that steadily refigures not only what a critic may be, but what a poem can do."--Publisher description.".
• catalog description ""Who fed this muse?" -- Joy. He's himself today! He knows me! -- "Grave, never offering back the face of my dear" -- "Guys who were 35 last year are 70 this year" -- The Navajo Rug -- A Vigil -- The Use of Being Fat -- "For years it drove me crazy" -- Performative (Toronto) -- Performative (San Francisco) -- "What I would be when I grew up" -- "Not like the clownish, friendly way you talk" -- Sh -- "I can tune my mind today" -- "All I know is I woke up thinking" -- Snapsh -- "Crushed. Dilapidated." -- The 58 1/2 Minute Hour -- How Not to Be There -- "Mobility, speech, sight" -- "A scar, just a scar" -- "When I got so sick it never occurred to me" -- "Little kid at the airport practicing" -- "In dreams they're interchangeable" -- Our -- "It seems there are two kinds of marriage" -- "One of us falls asleep on the other's shoulder" -- Not -- Nicht Mehr Leben -- "I'm safe so long as the single feather of one wing" -- "In dreams on which decades of marriage haven't" -- Trace at 46 -- An Essay on the Picture Plane -- Everything Always Distracts -- Sexual Hum -- Penn Central: New Haven Line -- Poet -- Sestina Lente -- The Warm Decembers -- Note on "The Warm Decembers."".
• catalog extent "vi, 160 p. :".
• catalog hasFormat "Fat art, thin art.".
• catalog identifier "0822315017".
• catalog identifier "0822315122 (pbk.)".
• catalog isFormatOf "Fat art, thin art.".
• catalog issued "1994".
• catalog issued "1994.".
• catalog language "eng".
• catalog publisher "Durham : Duke University Press,".
• catalog relation "Fat art, thin art.".
• catalog spatial "United States.".
• catalog subject "811/.54 20".
• catalog subject "English poetry.".
• catalog subject "PS3569.E316 F37 1994".
• catalog tableOfContents ""Who fed this muse?" -- Joy. He's himself today! He knows me! -- "Grave, never offering back the face of my dear" -- "Guys who were 35 last year are 70 this year" -- The Navajo Rug -- A Vigil -- The Use of Being Fat -- "For years it drove me crazy" -- Performative (Toronto) -- Performative (San Francisco) -- "What I would be when I grew up" -- "Not like the clownish, friendly way you talk" -- Sh -- "I can tune my mind today" -- "All I know is I woke up thinking" -- Snapsh -- "Crushed. Dilapidated." -- The 58 1/2 Minute Hour -- How Not to Be There -- "Mobility, speech, sight" -- "A scar, just a scar" -- "When I got so sick it never occurred to me" -- "Little kid at the airport practicing" -- "In dreams they're interchangeable" -- Our -- "It seems there are two kinds of marriage" -- "One of us falls asleep on the other's shoulder" -- Not -- Nicht Mehr Leben -- "I'm safe so long as the single feather of one wing" -- "In dreams on which decades of marriage haven't" -- Trace at 46 -- An Essay on the Picture Plane -- Everything Always Distracts -- Sexual Hum -- Penn Central: New Haven Line -- Poet -- Sestina Lente -- The Warm Decembers -- Note on "The Warm Decembers."".
• catalog title "Fat art, thin art / Eve Kosofsky Sedgwick.".
• catalog type "text".