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- catalog abstract "This work rewrites the history of documentary film to take account of technological change. Winston explores the role of such figures as Grierson, Flaherty and Dziga Vertov, and examines both the principles and practice of the major movements in documentary, such as "cinema verite."".
- catalog contributor b7488089.
- catalog contributor b7488090.
- catalog created "1995.".
- catalog date "1995".
- catalog date "1995.".
- catalog dateCopyrighted "1995.".
- catalog description "Includes bibliographical references (p. 277-294) and index.".
- catalog description "This work rewrites the history of documentary film to take account of technological change. Winston explores the role of such figures as Grierson, Flaherty and Dziga Vertov, and examines both the principles and practice of the major movements in documentary, such as "cinema verite."".
- catalog description "pt. 1. The Creative Treatment of Actuality. 1. The Documentary, Scitex and Harry. 2. The Documentary Film in 1914. 3. The Documentary as the Creative Treatment of Actuality -- pt. 2. Creative: Documentary as Art. 4. Photography as Art. 5. The Documentarist as Explorer/Artist. 6. The Griersonian Artist. 7. Documentary Film and Realist Painting. 8. The Politics of Realism. 9. Running Away from Social Meaning. 10. Poor, Suffering Characters: Victims and Problem Moments. 11. Serious-Minded Chaps: Politics and Poetics. 12. He Never Used the Word Revolution. 13. To Command, and Cumulatively Command, the Mind of a Generation. 14. Running Away from Social Meaning in America. 15. Staatspolitisch Besonders Wertvoll. 16. To Win New Comrades for the Cause. 17. A Curious Comment -- pt. 3. Treatment: Documentary as Drama. 18. Life as Narrativised. 19. Chrono-Logic. 20. Non-Narrative: Works Better in the Head than on the Screen. 21. Sincere and Justifiable Reconstruction.".
- catalog extent "301 p. ;".
- catalog hasFormat "Claiming the real.".
- catalog identifier "0851704638 (cased)".
- catalog identifier "0851704646 (pbk)".
- catalog isFormatOf "Claiming the real.".
- catalog issued "1995".
- catalog issued "1995.".
- catalog language "eng".
- catalog publisher "London : British Film Institute,".
- catalog relation "Claiming the real.".
- catalog subject "070.1/8 20".
- catalog subject "Documentary films History and criticism.".
- catalog subject "Documentary films.".
- catalog subject "Grierson, John, 1898-1972.".
- catalog subject "PN1995.9.D6 W48 1995".
- catalog tableOfContents "pt. 1. The Creative Treatment of Actuality. 1. The Documentary, Scitex and Harry. 2. The Documentary Film in 1914. 3. The Documentary as the Creative Treatment of Actuality -- pt. 2. Creative: Documentary as Art. 4. Photography as Art. 5. The Documentarist as Explorer/Artist. 6. The Griersonian Artist. 7. Documentary Film and Realist Painting. 8. The Politics of Realism. 9. Running Away from Social Meaning. 10. Poor, Suffering Characters: Victims and Problem Moments. 11. Serious-Minded Chaps: Politics and Poetics. 12. He Never Used the Word Revolution. 13. To Command, and Cumulatively Command, the Mind of a Generation. 14. Running Away from Social Meaning in America. 15. Staatspolitisch Besonders Wertvoll. 16. To Win New Comrades for the Cause. 17. A Curious Comment -- pt. 3. Treatment: Documentary as Drama. 18. Life as Narrativised. 19. Chrono-Logic. 20. Non-Narrative: Works Better in the Head than on the Screen. 21. Sincere and Justifiable Reconstruction.".
- catalog title "Claiming the real : the Griersonian documentary and its legitimations / Brian Winston.".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "text".