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- catalog abstract "A study of Max Ophuls (1902-1957), a major film and theatrical director of the French New Wave whose prodigious output included the direction of 200 plays, 21 films, several operettas and a number of radio plays, possibly the most famous of which was "Goodnight Hitler", broadcast from Paris.".
- catalog contributor b7549435.
- catalog created "c1995.".
- catalog date "1995".
- catalog date "c1995.".
- catalog dateCopyrighted "c1995.".
- catalog description "1. Circulation and Scapegoating in Lachende Erben (Happy Heirs). Die verkaufte Braut (The Bartered Bride), and Liebelei -- 2. The Economy of the Feminine in Madame de ... Komedie om Geld (Comedy about Money), Sans Lendemain (No Tomorrow), and The Reckless Moment -- 3. Directorial Protocol and the Failed Sacrifice in De Mayerling a Sarajevo -- 4. Aggressivity, Image, and Sound in Letter from an Unknown Woman -- 5. To Hear Is to Obey: The Acoustical Imperative in La Signora di Tutti, Werther, and Lachende Erben -- 6. Spectacle, Economics, and the Perils of Directorship in Le Plaisir, La Ronde, and Caught -- 7. Closing the Circle: Lola Montes, Divine, and La Tendre Ennemie.".
- catalog description "A study of Max Ophuls (1902-1957), a major film and theatrical director of the French New Wave whose prodigious output included the direction of 200 plays, 21 films, several operettas and a number of radio plays, possibly the most famous of which was "Goodnight Hitler", broadcast from Paris.".
- catalog description "Filmography: p. [365]-371.".
- catalog description "Includes bibliographical references (p. [305]-364) and index.".
- catalog extent "384 p. :".
- catalog identifier "0231101120 (cl) :".
- catalog identifier "0231101139 (pa) :".
- catalog isPartOf "Film and culture".
- catalog issued "1995".
- catalog issued "c1995.".
- catalog language "eng".
- catalog publisher "New York : Columbia University Press,".
- catalog subject "791.43/0233/092 20".
- catalog subject "Ophuls, Max, 1902-1957 Criticism and interpretation.".
- catalog subject "PN1998.3.O64 W5 1995".
- catalog subject "Women in motion pictures.".
- catalog tableOfContents "1. Circulation and Scapegoating in Lachende Erben (Happy Heirs). Die verkaufte Braut (The Bartered Bride), and Liebelei -- 2. The Economy of the Feminine in Madame de ... Komedie om Geld (Comedy about Money), Sans Lendemain (No Tomorrow), and The Reckless Moment -- 3. Directorial Protocol and the Failed Sacrifice in De Mayerling a Sarajevo -- 4. Aggressivity, Image, and Sound in Letter from an Unknown Woman -- 5. To Hear Is to Obey: The Acoustical Imperative in La Signora di Tutti, Werther, and Lachende Erben -- 6. Spectacle, Economics, and the Perils of Directorship in Le Plaisir, La Ronde, and Caught -- 7. Closing the Circle: Lola Montes, Divine, and La Tendre Ennemie.".
- catalog title "The cinema of Max Ophuls : magisterial vision and the figure of woman / Susan M. White.".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "text".