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• catalog abstract "Surrealism was ostensibly directed at the emancipation of the human spirit, but it represented only male aspirations and fantasies until a number of women artists began to redefine its agenda in the later 1930s. This book addresses the former, using a "thick description" of the historically specific circumstances which required the male Surrealists to manufacture a sexual reputation of narcissism and misogyny. These circumstances were determined by "hegemonic masculinity," an ideological construct which had little to do with individual masculinities. In male Surrealism, the "beribboned bomb" signified something both attractive and volatile, a specific instance of the Surrealist principle of convulsive beauty. In hegemonic masculinity, similar devices served as metaphors of the sexuality all men were supposed to possess. The intersection of these two axes produced an imagery of unrepentant violence.".
• catalog contributor b7695845.
• catalog created "c1995.".
• catalog date "1995".
• catalog date "c1995.".
• catalog dateCopyrighted "c1995.".
• catalog description "1. A Synoptic History of Surrealism -- 2. Surrealism as Cultural Autoeroticism -- 3. Tropes of Autoeroticism. 3.1. Surrealism's History of the Mind. 3.2. The Psychic Grab-Bag. 3.3. Freudian Glosses. 3.4. Rereading Freud and Reading re Freud. 3.5. Meta-Collages of Some Other Mental Illnesses -- 4. Tropes of Perversion. 4.1. Literary Origins of Surrealist Misogyny. 4.2. Automatism as Secretarial Science. 4.3. Nietzsche. 4.4. Baudelaire. 4.5. From Hoffmann to Freud. 4.6. Sade and the Sadeian Personality. 4.7. Lautreamont -- 5. Tropes of Novelty. 5.1. Tradition and the Ineffable States. 5.2. Irreligion: Anti-clericalism and the Black Mass. 5.3. Sacrifice and Sade: Bataille's Contribution. 5.4. Agriculture and Earth-Mothers. 5.5. Alchemy and Androgynes -- 6. Men's Woman, Women's Woman. 6.1. "Our Polished Members" 6.2. An Hysterical Interlude. 6.3. "A Ribbon Around a Bomb" -- 7. Conclusion.".
• catalog description "Includes bibliographical references (p. 275-298) and index.".
• catalog description "Surrealism was ostensibly directed at the emancipation of the human spirit, but it represented only male aspirations and fantasies until a number of women artists began to redefine its agenda in the later 1930s. This book addresses the former, using a "thick description" of the historically specific circumstances which required the male Surrealists to manufacture a sexual reputation of narcissism and misogyny. These circumstances were determined by "hegemonic masculinity," an ideological construct which had little to do with individual masculinities. In male Surrealism, the "beribboned bomb" signified something both attractive and volatile, a specific instance of the Surrealist principle of convulsive beauty. In hegemonic masculinity, similar devices served as metaphors of the sexuality all men were supposed to possess. The intersection of these two axes produced an imagery of unrepentant violence.".
• catalog extent "xxxv, 316 p. :".
• catalog hasFormat "Beribboned bomb.".
• catalog identifier "1895176549 :".
• catalog isFormatOf "Beribboned bomb.".
• catalog issued "1995".
• catalog issued "c1995.".
• catalog language "eng".
• catalog publisher "Calgary : University of Calgary Press,".
• catalog relation "Beribboned bomb.".
• catalog subject "704.9/424/081 20".
• catalog subject "Art, Modern 20th century.".
• catalog subject "NX600.S9 B42 1995".
• catalog subject "Surrealism.".
• catalog subject "Women in art.".
• catalog tableOfContents "1. A Synoptic History of Surrealism -- 2. Surrealism as Cultural Autoeroticism -- 3. Tropes of Autoeroticism. 3.1. Surrealism's History of the Mind. 3.2. The Psychic Grab-Bag. 3.3. Freudian Glosses. 3.4. Rereading Freud and Reading re Freud. 3.5. Meta-Collages of Some Other Mental Illnesses -- 4. Tropes of Perversion. 4.1. Literary Origins of Surrealist Misogyny. 4.2. Automatism as Secretarial Science. 4.3. Nietzsche. 4.4. Baudelaire. 4.5. From Hoffmann to Freud. 4.6. Sade and the Sadeian Personality. 4.7. Lautreamont -- 5. Tropes of Novelty. 5.1. Tradition and the Ineffable States. 5.2. Irreligion: Anti-clericalism and the Black Mass. 5.3. Sacrifice and Sade: Bataille's Contribution. 5.4. Agriculture and Earth-Mothers. 5.5. Alchemy and Androgynes -- 6. Men's Woman, Women's Woman. 6.1. "Our Polished Members" 6.2. An Hysterical Interlude. 6.3. "A Ribbon Around a Bomb" -- 7. Conclusion.".
• catalog title "The beribboned bomb : the image of woman in male surrealist art / Robert Belton.".
• catalog type "text".