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- catalog contributor b8067576.
- catalog created "[1969]".
- catalog date "1969".
- catalog date "[1969]".
- catalog dateCopyrighted "[1969]".
- catalog description "10. Recognition of phrase relationships : Non-modulating and modulating melodies (completion of melodies) ; Non-modulating melodies from literature (completion of melodies) ; Harmonic intervals of the m3, Tritone, P5, m6, M6, m7 (identify and write intervals) ; Melodic sequences (dictation of sequential patterns) -- 11. Melodic dictation (complete the melody, key signature, time signature, etc) : Melodies which modulate to closely related keys (complete the melody) ; Two voice dictation (name the intervals: complete the melodies) ; All intervals played harmonically (identify and write intervals) -- 12. Simple modulations to closely related keys (completion of melodies) : Accidentals (add the proper accidentals to melodies) ; More difficult two voice compositions (complete the two voices) ; Intervals (complete a succession of intervals) -- 13. Modal melodies (identify the mode of a melody) : Modal dictation (completion of modal melodies) ; Two modal compositions (complete the two voices) ; Intervals in modal patterns (complete a succession of intervals) -- 14. Melodic dictation (completion of melodies) : Modal dictation (completion of modal melodies) ; Two voice modal composition (complete the two voices) ; Recognition of various scale formations -- 15. Melodic dictation (completion of melodies) : Accompanied melody (complete the melody and indicate the harmony) ; Harmonic intervals (complete a succession of harmonic intervals) ; More difficult melodic intervals (complete a succession of non-tonally oriented melodic intervals) -- 16. Melodic dictation (completion of melodies) : Accompanied melody (complete the melody and indicate the harmony) ; Two voice compositions (complete the two voices) ; Sequence patterns in melodic intervals (complete a series of non-tonally oriented melodic intervals)".
- catalog description "10. Recognition of the I, V, VII, IV, II, and V 7 Chord : Bass and soprano factors (writing bass and soprano factors plus optional remaining voices) ; Chord in scrambled order (place chords in correct order) ; Identification of non-harmonic devices (identify the types of non-harmonic tones) -- 11. Recognition of the I, V, VII, IV, II, V, and VI chord (multiple choice) : Recognition of errors in four-part writing (circle incorrect notes in four-part writing) ; Recognition of background harmony (write harmonic analysis of accompaniment) ; Bass factors, soprano factors, chord quality (write bass and soprano factors and identify chord quality) -- ".
- catalog description "12. Recognition of the I, V, VII, IV, II, V, VI, and III triads (supply missing parts to four-part harmony) : Soprano factors, bass factors, chord quality (write soprano and bass factors and identify chord quality) ; Identification of non-harmonic devices (identify and name non-harmonic tones) ; Recognition of the III triad (identify and name the III triad) -- 13. Recognition of modulation to the dominant, subdominant, and relative minor key (identify and name modulation) : Dictation of modulating exercises using harmonic language studied to date (write soprano and bass voices on staff and provide analysis) ; Recognition of authentic, half, plagal, and deceptive cadences in non-modulating exercises (identify and name cadences) ; Easier, non-modulating exercises for speed in dictating (write soprano and bass voices on staff and provide analysis) -- ".
- catalog description "14. Recognition of the I, V, VII, IV, II, V, VI, and III chords (comparison of two dictated exercises, same or different) : Dictation of modulating exercises using all diatonic triads and the V chord (write soprano and bass voices on staff and provide analysis) ; Errors in dictated pieces of different textures (identify and circle errors in harmonic exercises) ; Recognition of modulation to all five closely related keys (identify and name modulations) -- 15. Recognition of the major, minor, augmented, and diminished triads (identify and determine the order of chord qualities) : Dictation of four part exercises (complete all four parts on staff and make harmonic analysis) ; Dictation of exercises in modulation (write soprano and bass on staff and make harmonic analysis) ; Dictation of non-harmonic tones (complete four part harmony and name non-harmonic tones) -- ".
- catalog description "16. Review of all triads and the V chord (comparison of two dictated exercises: same or different) : Bass factors, soprano factors, chord quality (write bass and soprano factors and identify chord quality) ; Key feeling (name key of dictated exercises with one chord given) ; Recognition of chord progressions (reconstruct soprano and bass notes and analysis with final tones only given)".
- catalog description "4. Dictation of melodies employing scalewise passages and arpeggiations of the I and V triads (completion of melodies) : Errors in the dictation of melody (errors in the dictated version of melodies) ; Two voice exercises (Name the interval, complete the melodies) ; Intervals of the m2, M2, M3, P4, M7, P8 -- 5. Melodies outlining the I, V, VII, and IV triads (completion of melodies) : Melodies involving leaps outlining the I, IV, and V triads (completion of melodies) ; Key feeling and melodic memory ; Intervals of the m3, Tritone (T), P5, m6, M6, m7 -- 6. Accompanied melody (dictation of melody with accompaniment : Harmonic intervals in two voice writing (name the intervals formed by two melodies) ; Two part dictation (name the intervals formed by two melodies) ; Intervals of the m6, M6, m7, M7 -- ".
- catalog description "4. Recognition of the I, V, and VII triad (multiple choice) : Recognition of the I, V, and VII triads (Identify and write I, V, or VII) ; Implied harmony in two-voice writing, I, IV, and V ; Recognition of the major, minor and diminished triad (multiple choice) ; Soprano factors and chord analysis (identify and write soprano and bass factors) -- 5. Recognition of the I, V, VII and IV triads (Unscramble chord analysis) : Recognizing soprano and bass factors (identify and write soprano and bass factors) ; Recognition of major, minor, and diminished triads (identify and write chord qualities) ; Dictation of I, V, VII, and IV triads (write soprano and bass notes and complete analysis) -- ".
- catalog description "6. Recognition of the I, V, VII and IV triads (write soprano and bass notes and complete analysis) : Recognition of soprano and bass factors (identify and write soprano and bass factor numbers) ; Recognizing and writing major, minor, and diminished triads (writing triads with one factor given) ; Dictation of the I, V, VII and IV triads (supply missing notes to four part harmony) -- 7. Recognition of the I, V, VII and IV triads (multiple choice) : Dictation of bass and soprano melody line (write soprano and bass melody and analyze) ; Recognition of the I, V, VII, IV, and II triad (write soprano and bass melody and analyze) ; Recognition of errors in four-part writing (circle the errors in four-part writing)".
- catalog description "7. Key feeling and melodic memory (complete the melodies) : Comparing melodies: same or different ; Two voice compositions with errors (errors in the written melodies) ; All intervals (name and write intervals) -- 8. Melodic dictation (dictation of complete melodies) : Multiple choice ; Two part dictation (complete two melodies) ; All intervals (name and write intervals) -- 9. Accompanied melody (dictation of melody with accompaniment) ; Intervals formed by two melodic lines (name the intervals formed by two melodic lines) ; Two voice dictation (name the intervals: complete the two voices) ; The harmonic intervals of the P8, P4, M7, M2, m2, M3 (identify and write the intervals)".
- catalog description "8. Recognition of the passing tone, neighboring tone, and anticipation (add non-harmonic tones to four part harmony) : Four part dictation (add missing chords and make analysis) ; Recognizing and writing major, minor, and diminished triads (writing triads with one factor given) ; Recognition of the I, V, VII, IV, and II triad (identify harmonic analysis from dictation) -- 9. Recognition of the suspension, escape tone, and appoggiatura (add non-harmonic tones to four-part harmony) : Errors in four-part writing (circle errors in four-part harmonizations) ; Soprano factors, bass factors, chord quality (write soprano factors, bass factors, and identify chord quality) ; Recognition of I, V, VII, IV, and II triad, recognition of the major, minor and diminished triad (determine harmonic analysis and chord quality) -- ".
- catalog description "9. Introduction of compound meters with half sub-beat values (multiple choice) : Compound meters with half sub-beat values (write rhythmic dictation on staff in notation) ; Compound meters with half sub-beat values (provide bar lines and meter signatures) -- 10. Introduction of the subdivided triplet in simple meter (multiple choice) : Subdivided triplet in simple meter (write rhythmic dictation on staff in notation) ; More difficult rhythms in two-voice exercises -- 11. Introduction of the quartolet in compound meter (identify errors) : Quartolet in compound meter (write rhythmic dictation on staff in notation) ; Quartolet in compound meter (provide bar lines and meter signatures) -- 12. Simple and compound meter; introduction of the basic beat divided in eighths in simple meter (write rhythmic dictation on staff in notation) : Simple and compound meter, beat unit subdivided in eighths (identify errors) ; More difficult rhythms in two-voice exercises (write rhythmic dictation on staff in notation) -- 13. Simple and compound meter, introduction of the super triplet (write rhythmic dictation on staff in notation) : Simple and compound meter, super triplet (Identify errors) ; More difficult exercises (write rhythmic dictation on staff in notation) -- 14. Simple and compound meter, introduction of the super triplet in both simple and compound meters (write rhythmic dictation on staff in notation) : Simple and compound meter, subtriplet in both simple and compound meters (identify errors) ; More difficult exercises (write rhythmic dictation on staff in notation) -- 15. Simple and compound meter, introduction of subtriplets on the quarter beat in simple meter, sub-beat divided into quartolets in compound meter (write rhythmic dictation on staff in notation) ; Review of all rhythmic problems studied so far ; More difficult exercises -- 16. Introduction of mixed meter and review of previous material ; Review ; More difficult exercises.".
- catalog description "Harmony : 1. Recognition of the major tonic triad (recognize and circle the tonic triad) : Recognition of the major triad (recognize and circle the major triad) ; Recognition of triad factor in the soprano (identify soprano factor) ; Playing soprano factors on the staff (write the soprano voice on the staff) -- 2. Recognition of the minor tonic triad (identify and circle minor tonic triad) : Recognition of the minor triad (identify and circle minor triad) ; Recognition of the triad factor in the soprano (identify and circle the soprano factor number) ; Recognition of open and close position -- 3. Recognition of the I and V triad (identify and write I and V) : Recognition of the I and V triad (identify and write I, V, and "X" triads) ; Recognizing the major and minor triad (identify and write M or m) ; Triad factors in the bass voice (identify and circle the factor number in the bass) -- ".
- catalog description "Melody : 1. Scalewise melodies (same or different) : Scalewise melodies (multiple choice) ; Scalewise melodies (completion of melodies) ; Intervals of the P8, P4, M7, M2 -- 2. Recognition of non-diatonic notes : Melodies involving leaps outlining the tonic triad (errors in the written melody) ; Melodies involving leaps outlining the tonic triads (completion of melodies) ; Intervals of the m2, M3, tritone (T), M6 ; Parallel, similar, oblique, and contrary motion -- 3. Diatonic melodies outlining leaps between factors of the I and V triads (completion of melodies) ; Diatonic melodies outlining leaps between factors of the I and V triads (multiple choice) ; Intervals formed by two melodic lines (name the intervals) ; Intervals of the m3, P5, m6, m7 -- ".
- catalog description "Rhythm : 1. Simple meter, one and two beat values (multiple choice) : Incompleted exercises in simple meter, one and two beat values (complete the rhythm on the staff in notation) ; Meter signatures (identify and name meter signatures) -- 2. Two beat value syncopations, simple meter (provide bar lines and meter signatures) : Incompleted exercises in simple meter, half-beat values introduced ; Meter signatures (identify and name meter signatures) -- 3. Detection of errors (find the beat where the rhythm is incorrectly written ) : Incompleted exercises, half-beat values introduced (write the rhythm on the staff in notation) ; Simple meter (provide bar lines and meter signatures) -- 4. Simple meter, half-beat values emphasized (complete the rhythm on the staff in notation) : Multiple choice, half-beat values emphasized ; Simple meter, two voice exercises (write two voice rhythmic dictation on staff in notation) -- 5. Multiple choice, half-beat values emphasized : Simple meter, half-beat values in syncopation (write rhythmic dictation on staff in notation) ; Half-beat values in syncopation -- 6. Simple meter, introduction of quarter-beat values (multiple choice) : Quarter-beat values (write rhythmic dictation on staff in notation) ; Quarter-beat values (provide bar lines and meter signatures) -- 7. Introduction of the beat unit divided into triplets (multiple choice) -- Beat unit divided into triplets (write rhythmic dictation on staff in notation) ; Beat unit divided into triplets (provide bar lines and meter signatures) -- 8. Compound meter, introduction of compound meter (write rhythmic dictation on staff in notation) : Multiple choice compound meter ; Compound meter (provide bar lines and meter signatures)".
- catalog extent "xxi,265p.".
- catalog hasFormat "Teacher's dictation manual in ear training.".
- catalog isFormatOf "Teacher's dictation manual in ear training.".
- catalog issued "1969".
- catalog issued "[1969]".
- catalog language "eng".
- catalog publisher "Dubuque, Iowa, W. C. Brown".
- catalog relation "Teacher's dictation manual in ear training.".
- catalog subject "Ear training.".
- catalog subject "MT35 .B484".
- catalog tableOfContents "10. Recognition of phrase relationships : Non-modulating and modulating melodies (completion of melodies) ; Non-modulating melodies from literature (completion of melodies) ; Harmonic intervals of the m3, Tritone, P5, m6, M6, m7 (identify and write intervals) ; Melodic sequences (dictation of sequential patterns) -- 11. Melodic dictation (complete the melody, key signature, time signature, etc) : Melodies which modulate to closely related keys (complete the melody) ; Two voice dictation (name the intervals: complete the melodies) ; All intervals played harmonically (identify and write intervals) -- 12. Simple modulations to closely related keys (completion of melodies) : Accidentals (add the proper accidentals to melodies) ; More difficult two voice compositions (complete the two voices) ; Intervals (complete a succession of intervals) -- 13. Modal melodies (identify the mode of a melody) : Modal dictation (completion of modal melodies) ; Two modal compositions (complete the two voices) ; Intervals in modal patterns (complete a succession of intervals) -- 14. Melodic dictation (completion of melodies) : Modal dictation (completion of modal melodies) ; Two voice modal composition (complete the two voices) ; Recognition of various scale formations -- 15. Melodic dictation (completion of melodies) : Accompanied melody (complete the melody and indicate the harmony) ; Harmonic intervals (complete a succession of harmonic intervals) ; More difficult melodic intervals (complete a succession of non-tonally oriented melodic intervals) -- 16. Melodic dictation (completion of melodies) : Accompanied melody (complete the melody and indicate the harmony) ; Two voice compositions (complete the two voices) ; Sequence patterns in melodic intervals (complete a series of non-tonally oriented melodic intervals)".
- catalog tableOfContents "10. Recognition of the I, V, VII, IV, II, and V 7 Chord : Bass and soprano factors (writing bass and soprano factors plus optional remaining voices) ; Chord in scrambled order (place chords in correct order) ; Identification of non-harmonic devices (identify the types of non-harmonic tones) -- 11. Recognition of the I, V, VII, IV, II, V, and VI chord (multiple choice) : Recognition of errors in four-part writing (circle incorrect notes in four-part writing) ; Recognition of background harmony (write harmonic analysis of accompaniment) ; Bass factors, soprano factors, chord quality (write bass and soprano factors and identify chord quality) -- ".
- catalog tableOfContents "12. Recognition of the I, V, VII, IV, II, V, VI, and III triads (supply missing parts to four-part harmony) : Soprano factors, bass factors, chord quality (write soprano and bass factors and identify chord quality) ; Identification of non-harmonic devices (identify and name non-harmonic tones) ; Recognition of the III triad (identify and name the III triad) -- 13. Recognition of modulation to the dominant, subdominant, and relative minor key (identify and name modulation) : Dictation of modulating exercises using harmonic language studied to date (write soprano and bass voices on staff and provide analysis) ; Recognition of authentic, half, plagal, and deceptive cadences in non-modulating exercises (identify and name cadences) ; Easier, non-modulating exercises for speed in dictating (write soprano and bass voices on staff and provide analysis) -- ".
- catalog tableOfContents "14. Recognition of the I, V, VII, IV, II, V, VI, and III chords (comparison of two dictated exercises, same or different) : Dictation of modulating exercises using all diatonic triads and the V chord (write soprano and bass voices on staff and provide analysis) ; Errors in dictated pieces of different textures (identify and circle errors in harmonic exercises) ; Recognition of modulation to all five closely related keys (identify and name modulations) -- 15. Recognition of the major, minor, augmented, and diminished triads (identify and determine the order of chord qualities) : Dictation of four part exercises (complete all four parts on staff and make harmonic analysis) ; Dictation of exercises in modulation (write soprano and bass on staff and make harmonic analysis) ; Dictation of non-harmonic tones (complete four part harmony and name non-harmonic tones) -- ".
- catalog tableOfContents "16. Review of all triads and the V chord (comparison of two dictated exercises: same or different) : Bass factors, soprano factors, chord quality (write bass and soprano factors and identify chord quality) ; Key feeling (name key of dictated exercises with one chord given) ; Recognition of chord progressions (reconstruct soprano and bass notes and analysis with final tones only given)".
- catalog tableOfContents "4. Dictation of melodies employing scalewise passages and arpeggiations of the I and V triads (completion of melodies) : Errors in the dictation of melody (errors in the dictated version of melodies) ; Two voice exercises (Name the interval, complete the melodies) ; Intervals of the m2, M2, M3, P4, M7, P8 -- 5. Melodies outlining the I, V, VII, and IV triads (completion of melodies) : Melodies involving leaps outlining the I, IV, and V triads (completion of melodies) ; Key feeling and melodic memory ; Intervals of the m3, Tritone (T), P5, m6, M6, m7 -- 6. Accompanied melody (dictation of melody with accompaniment : Harmonic intervals in two voice writing (name the intervals formed by two melodies) ; Two part dictation (name the intervals formed by two melodies) ; Intervals of the m6, M6, m7, M7 -- ".
- catalog tableOfContents "4. Recognition of the I, V, and VII triad (multiple choice) : Recognition of the I, V, and VII triads (Identify and write I, V, or VII) ; Implied harmony in two-voice writing, I, IV, and V ; Recognition of the major, minor and diminished triad (multiple choice) ; Soprano factors and chord analysis (identify and write soprano and bass factors) -- 5. Recognition of the I, V, VII and IV triads (Unscramble chord analysis) : Recognizing soprano and bass factors (identify and write soprano and bass factors) ; Recognition of major, minor, and diminished triads (identify and write chord qualities) ; Dictation of I, V, VII, and IV triads (write soprano and bass notes and complete analysis) -- ".
- catalog tableOfContents "6. Recognition of the I, V, VII and IV triads (write soprano and bass notes and complete analysis) : Recognition of soprano and bass factors (identify and write soprano and bass factor numbers) ; Recognizing and writing major, minor, and diminished triads (writing triads with one factor given) ; Dictation of the I, V, VII and IV triads (supply missing notes to four part harmony) -- 7. Recognition of the I, V, VII and IV triads (multiple choice) : Dictation of bass and soprano melody line (write soprano and bass melody and analyze) ; Recognition of the I, V, VII, IV, and II triad (write soprano and bass melody and analyze) ; Recognition of errors in four-part writing (circle the errors in four-part writing)".
- catalog tableOfContents "7. Key feeling and melodic memory (complete the melodies) : Comparing melodies: same or different ; Two voice compositions with errors (errors in the written melodies) ; All intervals (name and write intervals) -- 8. Melodic dictation (dictation of complete melodies) : Multiple choice ; Two part dictation (complete two melodies) ; All intervals (name and write intervals) -- 9. Accompanied melody (dictation of melody with accompaniment) ; Intervals formed by two melodic lines (name the intervals formed by two melodic lines) ; Two voice dictation (name the intervals: complete the two voices) ; The harmonic intervals of the P8, P4, M7, M2, m2, M3 (identify and write the intervals)".
- catalog tableOfContents "8. Recognition of the passing tone, neighboring tone, and anticipation (add non-harmonic tones to four part harmony) : Four part dictation (add missing chords and make analysis) ; Recognizing and writing major, minor, and diminished triads (writing triads with one factor given) ; Recognition of the I, V, VII, IV, and II triad (identify harmonic analysis from dictation) -- 9. Recognition of the suspension, escape tone, and appoggiatura (add non-harmonic tones to four-part harmony) : Errors in four-part writing (circle errors in four-part harmonizations) ; Soprano factors, bass factors, chord quality (write soprano factors, bass factors, and identify chord quality) ; Recognition of I, V, VII, IV, and II triad, recognition of the major, minor and diminished triad (determine harmonic analysis and chord quality) -- ".
- catalog tableOfContents "9. Introduction of compound meters with half sub-beat values (multiple choice) : Compound meters with half sub-beat values (write rhythmic dictation on staff in notation) ; Compound meters with half sub-beat values (provide bar lines and meter signatures) -- 10. Introduction of the subdivided triplet in simple meter (multiple choice) : Subdivided triplet in simple meter (write rhythmic dictation on staff in notation) ; More difficult rhythms in two-voice exercises -- 11. Introduction of the quartolet in compound meter (identify errors) : Quartolet in compound meter (write rhythmic dictation on staff in notation) ; Quartolet in compound meter (provide bar lines and meter signatures) -- 12. Simple and compound meter; introduction of the basic beat divided in eighths in simple meter (write rhythmic dictation on staff in notation) : Simple and compound meter, beat unit subdivided in eighths (identify errors) ; More difficult rhythms in two-voice exercises (write rhythmic dictation on staff in notation) -- 13. Simple and compound meter, introduction of the super triplet (write rhythmic dictation on staff in notation) : Simple and compound meter, super triplet (Identify errors) ; More difficult exercises (write rhythmic dictation on staff in notation) -- 14. Simple and compound meter, introduction of the super triplet in both simple and compound meters (write rhythmic dictation on staff in notation) : Simple and compound meter, subtriplet in both simple and compound meters (identify errors) ; More difficult exercises (write rhythmic dictation on staff in notation) -- 15. Simple and compound meter, introduction of subtriplets on the quarter beat in simple meter, sub-beat divided into quartolets in compound meter (write rhythmic dictation on staff in notation) ; Review of all rhythmic problems studied so far ; More difficult exercises -- 16. Introduction of mixed meter and review of previous material ; Review ; More difficult exercises.".
- catalog tableOfContents "Harmony : 1. Recognition of the major tonic triad (recognize and circle the tonic triad) : Recognition of the major triad (recognize and circle the major triad) ; Recognition of triad factor in the soprano (identify soprano factor) ; Playing soprano factors on the staff (write the soprano voice on the staff) -- 2. Recognition of the minor tonic triad (identify and circle minor tonic triad) : Recognition of the minor triad (identify and circle minor triad) ; Recognition of the triad factor in the soprano (identify and circle the soprano factor number) ; Recognition of open and close position -- 3. Recognition of the I and V triad (identify and write I and V) : Recognition of the I and V triad (identify and write I, V, and "X" triads) ; Recognizing the major and minor triad (identify and write M or m) ; Triad factors in the bass voice (identify and circle the factor number in the bass) -- ".
- catalog tableOfContents "Melody : 1. Scalewise melodies (same or different) : Scalewise melodies (multiple choice) ; Scalewise melodies (completion of melodies) ; Intervals of the P8, P4, M7, M2 -- 2. Recognition of non-diatonic notes : Melodies involving leaps outlining the tonic triad (errors in the written melody) ; Melodies involving leaps outlining the tonic triads (completion of melodies) ; Intervals of the m2, M3, tritone (T), M6 ; Parallel, similar, oblique, and contrary motion -- 3. Diatonic melodies outlining leaps between factors of the I and V triads (completion of melodies) ; Diatonic melodies outlining leaps between factors of the I and V triads (multiple choice) ; Intervals formed by two melodic lines (name the intervals) ; Intervals of the m3, P5, m6, m7 -- ".
- catalog tableOfContents "Rhythm : 1. Simple meter, one and two beat values (multiple choice) : Incompleted exercises in simple meter, one and two beat values (complete the rhythm on the staff in notation) ; Meter signatures (identify and name meter signatures) -- 2. Two beat value syncopations, simple meter (provide bar lines and meter signatures) : Incompleted exercises in simple meter, half-beat values introduced ; Meter signatures (identify and name meter signatures) -- 3. Detection of errors (find the beat where the rhythm is incorrectly written ) : Incompleted exercises, half-beat values introduced (write the rhythm on the staff in notation) ; Simple meter (provide bar lines and meter signatures) -- 4. Simple meter, half-beat values emphasized (complete the rhythm on the staff in notation) : Multiple choice, half-beat values emphasized ; Simple meter, two voice exercises (write two voice rhythmic dictation on staff in notation) -- 5. Multiple choice, half-beat values emphasized : Simple meter, half-beat values in syncopation (write rhythmic dictation on staff in notation) ; Half-beat values in syncopation -- 6. Simple meter, introduction of quarter-beat values (multiple choice) : Quarter-beat values (write rhythmic dictation on staff in notation) ; Quarter-beat values (provide bar lines and meter signatures) -- 7. Introduction of the beat unit divided into triplets (multiple choice) -- Beat unit divided into triplets (write rhythmic dictation on staff in notation) ; Beat unit divided into triplets (provide bar lines and meter signatures) -- 8. Compound meter, introduction of compound meter (write rhythmic dictation on staff in notation) : Multiple choice compound meter ; Compound meter (provide bar lines and meter signatures)".
- catalog title "Teacher's dictation manual in ear training.".
- catalog type "text".