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catalog contributor b8153029.
catalog contributor b8153030.
catalog contributor b8153031.
catalog created "1958.".
catalog date "1958".
catalog date "1958.".
catalog dateCopyrighted "1958.".
catalog description "Includes bibliographical references and index.".
catalog description "Part I. The composer and his materials : 1. Raw materials of music : Sound and silence -- 2. Tone color : The human voice ; The orchestra ; string choir ; woodwind choir ; brass choir ; percussion section ; instrumentation -- 3. Rhythm : Tempo ; Meter ; Rhythm -- 4 Dynamics -- 5. Melody -- 6. The harmonic complex : Intervals ; Chords ; Scales ; Keys ; Chord progressions ; Modulation ; Consonance and dissonance -- 7. The contrapuntal complex : Part writing ; Ostinato ; Continuo ; Canon ; Fugue".
catalog description "Part II. The composer and his product : 8. Principles of organization -- 9. Principle of recurrence : Simple sectional structures ; The variation idea ; Idea of multiple recurrences: rondo -- 10. Principle of development: sonata form : Sonata form -- 11. Principle of polarity: concerto : Concerto grosso ; Solo concerto".
catalog description "Part III. The composer and the allied arts : 12. Music and the other arts -- 13. Union of word and tone: song : Prosody ; Types of song ; The German lied ; The song cycle -- 14. Union of body movement and tone: dance and ballet : The dance suite ; Ballet -- 15. Union of music and drama : Opera ; Oratorio -- 16. Union of architecture and music -- 17. Union of imagery and music : Programme music".
catalog description "Part IV. The composer and the world : 18. Music in history -- 19. Ancient, medieval, and renaissance influences and styles : The Greek heritage; The church father ; Early Christian chant ; Secular music ; Middle ages to Renaissance (Ars Nova) ; The Renaissance -- 20. The Baroque styles : The stylistic background ; Venice and the concerting style ; The camerata ; Moteverdi and early opera ; Baroque as international style ; Lully and French opera ; Purcell, Handel, and English opera ; Bach and the reformation tradition ; Baroque synthesis ; Bach and Handel -- 21. The classical style : The stylistic background ; Vienna, the crossroads ; Gluck and operatic idea ; Haydn and the chamber music idea ; Mozart and the concerting idea ; Schubert and the lyrical idea ; Beethoven and the symphonic idea -- 22. The romantic style : The stylistic background ; New voices and vocabulary ; Berlioz, Weber, Schumann ; Rise of virtuosity ; Paganini, Liszt, Chopin ; Liszt and the symphonic poem ; Nationalism ; Italian opera ; Verdi ; Romantic synthesis ; Wagner, Brahms -- 23. Contemporary styles I : The national idea ; Sibelius ; Impressionism and symbolism ; Debussy, Ravel, Falla, Respighi ; Realism (Verismo) ; Puccini ; Expressionism ; Strauss, Mahler -- 24. Contemporary styles II : Expressionism and the twelve-tone method ; Schoenberg, Berg, Webern ; Antiromanticism -- The Primitivist revolt, Stravinskey ; Antiromanticism -- The neoclassic revolt, Stravinsky ; The Six ; Eclecticism -- Music history revisited ; The new nationalism -- Ives, Bartok ; "Modern Music" -- Past and present.".
catalog extent "452 p.".
catalog hasFormat "Understanding music.".
catalog isFormatOf "Understanding music.".
catalog issued "1958".
catalog issued "1958.".
catalog language "eng".
catalog publisher "New York, Holt,".
catalog relation "Understanding music.".
catalog subject "780.15*".
catalog subject "MT6 .F62".
catalog subject "Music Handbooks, manuals, etc.".
catalog subject "Music appreciation.".
catalog subject "Music theory.".
catalog tableOfContents "Part I. The composer and his materials : 1. Raw materials of music : Sound and silence -- 2. Tone color : The human voice ; The orchestra ; string choir ; woodwind choir ; brass choir ; percussion section ; instrumentation -- 3. Rhythm : Tempo ; Meter ; Rhythm -- 4 Dynamics -- 5. Melody -- 6. The harmonic complex : Intervals ; Chords ; Scales ; Keys ; Chord progressions ; Modulation ; Consonance and dissonance -- 7. The contrapuntal complex : Part writing ; Ostinato ; Continuo ; Canon ; Fugue".
catalog tableOfContents "Part II. The composer and his product : 8. Principles of organization -- 9. Principle of recurrence : Simple sectional structures ; The variation idea ; Idea of multiple recurrences: rondo -- 10. Principle of development: sonata form : Sonata form -- 11. Principle of polarity: concerto : Concerto grosso ; Solo concerto".
catalog tableOfContents "Part III. The composer and the allied arts : 12. Music and the other arts -- 13. Union of word and tone: song : Prosody ; Types of song ; The German lied ; The song cycle -- 14. Union of body movement and tone: dance and ballet : The dance suite ; Ballet -- 15. Union of music and drama : Opera ; Oratorio -- 16. Union of architecture and music -- 17. Union of imagery and music : Programme music".
catalog tableOfContents "Part IV. The composer and the world : 18. Music in history -- 19. Ancient, medieval, and renaissance influences and styles : The Greek heritage; The church father ; Early Christian chant ; Secular music ; Middle ages to Renaissance (Ars Nova) ; The Renaissance -- 20. The Baroque styles : The stylistic background ; Venice and the concerting style ; The camerata ; Moteverdi and early opera ; Baroque as international style ; Lully and French opera ; Purcell, Handel, and English opera ; Bach and the reformation tradition ; Baroque synthesis ; Bach and Handel -- 21. The classical style : The stylistic background ; Vienna, the crossroads ; Gluck and operatic idea ; Haydn and the chamber music idea ; Mozart and the concerting idea ; Schubert and the lyrical idea ; Beethoven and the symphonic idea -- 22. The romantic style : The stylistic background ; New voices and vocabulary ; Berlioz, Weber, Schumann ; Rise of virtuosity ; Paganini, Liszt, Chopin ; Liszt and the symphonic poem ; Nationalism ; Italian opera ; Verdi ; Romantic synthesis ; Wagner, Brahms -- 23. Contemporary styles I : The national idea ; Sibelius ; Impressionism and symbolism ; Debussy, Ravel, Falla, Respighi ; Realism (Verismo) ; Puccini ; Expressionism ; Strauss, Mahler -- 24. Contemporary styles II : Expressionism and the twelve-tone method ; Schoenberg, Berg, Webern ; Antiromanticism -- The Primitivist revolt, Stravinskey ; Antiromanticism -- The neoclassic revolt, Stravinsky ; The Six ; Eclecticism -- Music history revisited ; The new nationalism -- Ives, Bartok ; "Modern Music" -- Past and present.".
catalog title "Understanding music; style, structure, and history [by] William Fleming and Abraham Veinus.".
catalog type "Handbooks, manuals, etc. fast".
catalog type "text".