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catalog contributor b8166884.
catalog created "[c1902]".
catalog date "1902".
catalog date "[c1902]".
catalog dateCopyrighted "[c1902]".
catalog description "I. Fundamental principles of 2-voice polyphony : 1. The conduct of the single melodic part : Conjunct movement ; Disjunct movement ; Natural and acquired tendencies ; Repetitions ; Ties ; Rests ; Harmonic influence ; Minor -- 2. Association of two melodic parts : Essential tones ; Exercise ; Unessential tones ; Diatonic harmony ; Chromatic harmony ; Modulation ; Notation of minor -- 3. Rhythmic relation of the melodic parts -- 4. Various modes of imitation : Strict limitation ; Free imitation ; Unessential melodic changes ; Essential melodic changes ; Unessential rhythmic changes ; Essential rhythmic changes ; Complex forms ; Miscellaneous ; The contrapuntal associate ; The stretto".
catalog description "II. The invention forms : 5. The two-voice invention : Structural factors: motive, imitations, counterpoint, episodes ; Sectional form ; The first section ; Influence of harmonic bent, episodes, sequence, unusual species of imitation ; The second section ; The third, as final, section ; Additional sections ; The invention in 2-part song-form ; Primary grade ; Genuine 2-part form ; The invention in three-part song-form ; Primary grade ; Genuine 3-part form ; The gigue ; Two or more motives ; The lyric invention ; Student's attitude toward the prescribed tasks ; The natural species of double-counterpoint -- 6. Rules of three-voice polyphony : Association of 3 parts ; Details of 3-voice polyphony ; Leading part -- 7. The three-voice invention : Sectional form ; First section ; The remaining sections ; Other structural designs: 2-part song form ; Gigue form ; 3-part song form, animated counter-motive in part 2 ; Song form with trio ; Distinctions of style ; Exceptional species: invention in contrary motion ; Independent lower part -- 8. The invention for more than three voices : Details of 4-voice polyphony ; The 4-voice invention ; First section ; Remaining sections ; Other structural designs ; Distinctions of style ; The 5-voice invention -- 9. Free polyphonic forms : Distinction between homophonic and polyphonic forms ; The prelude ; The toccata ; The fantasia ; Mixed forms ; Homophonic forms with polyphonic episodes".
catalog description "III. Chorale-figuration : 10. Small species of chorale-figuration : Cantus firmus ; Harmonization ; Thematic accompaniment ; Table of chorales ; Independent pedal-part ; Embellished cantus firmus ; Motive derived from chorale ; Independent parts ; Three-voice elaboration ; Five-voice -- 11. Large species of chorale figuration : Invention with chorale ; F in soprano ; F in bass ; In tenor ; In alto ; In alternate voices ; Chorale as invention group ; Chorale as aria ; Ritornelle with chorale ; Chorale-fantasia ; Chorale invention ; Chorale variations".
catalog description "IV. The fugue : Fugue subject : Construction of the "response" ; Real response ; Tonal response ; -- 12. The four-voice fugue : The exposition ; The first "counterpoint" or counter theme ; Order of voices ; Irregular expositions ; Episode ; Cadence ; The fughetta ; The sectional form ; Retaining the contrapuntal associate ; Additional rules ; Two-part song form ; Three-part song form ; Special design -- 13. The fugue with less or more than 4 parts : The 3-voice fugue ; The 2-voice fugue ; The 5-voice fugue ; Fugue with six or more parts -- 14. Miscellaneous fugue forms : The concert fugue ; Prelude ; Fugue for string quartet ; Vocal fugue ; Fugue with chorale ; Chorale as fugue group ; Chorale fugue ; Group fugue ; Fugue in contrary motion ; Fugue in augmentation or diminution ; Irregular species -- 15. The double-fugue : Incipient form ; Fugue with thematic counterpoint ; Genuine double fugue ; First species ; Second species ; Artificial double-counterpoint ; Double counterpoint in 12th, 11th, 10th, 13th ; Duplication in thirds ; Double counterpoint in 9th and 7th ; Other varieties of double counterpoint ; Third species of double-fugue ; Irregular species -- 16. The triple-fugue : Inversions ; First species ; Second species ; Third species ; Quadruple counterpoint".
catalog description "V. The canon : 17. The round canon : Definitions and rules ; Lyric canon -- 18. The progressive canon : 2-voice canon, in the 8th octave, unaccompanied, in the 2nd, in the 7th, in the 3rd and 6th, in the 5th and 4th ; In contrary motion ; In augmentation ; In diminution -- 19. Two-voice canon, accompanied : Instrumental ; Auxiliary part ; Significance of canon form ; Canon as conventional style ; Two-voice canon, vocal, accompanied -- 20. Canon for more than two parts : Three-voice canon ; In contrary motion ; Four-voice canon -- 21. Double canon, etc : Definitions ; Triple canon -- 22. Canon as chorale elaboration : Chorale as cannon ; Accompanied ; Canon with chorale ; Canonic compositions.".
catalog extent "ix, 318 p.".
catalog hasFormat "Counterpoint applied in the invention, fugue, canon and other polyphonic forms.".
catalog isFormatOf "Counterpoint applied in the invention, fugue, canon and other polyphonic forms.".
catalog issued "1902".
catalog issued "[c1902]".
catalog language "eng".
catalog publisher "New York, G. Schirmer".
catalog relation "Counterpoint applied in the invention, fugue, canon and other polyphonic forms.".
catalog subject "Counterpoint.".
catalog subject "MT55 .G59".
catalog tableOfContents "I. Fundamental principles of 2-voice polyphony : 1. The conduct of the single melodic part : Conjunct movement ; Disjunct movement ; Natural and acquired tendencies ; Repetitions ; Ties ; Rests ; Harmonic influence ; Minor -- 2. Association of two melodic parts : Essential tones ; Exercise ; Unessential tones ; Diatonic harmony ; Chromatic harmony ; Modulation ; Notation of minor -- 3. Rhythmic relation of the melodic parts -- 4. Various modes of imitation : Strict limitation ; Free imitation ; Unessential melodic changes ; Essential melodic changes ; Unessential rhythmic changes ; Essential rhythmic changes ; Complex forms ; Miscellaneous ; The contrapuntal associate ; The stretto".
catalog tableOfContents "II. The invention forms : 5. The two-voice invention : Structural factors: motive, imitations, counterpoint, episodes ; Sectional form ; The first section ; Influence of harmonic bent, episodes, sequence, unusual species of imitation ; The second section ; The third, as final, section ; Additional sections ; The invention in 2-part song-form ; Primary grade ; Genuine 2-part form ; The invention in three-part song-form ; Primary grade ; Genuine 3-part form ; The gigue ; Two or more motives ; The lyric invention ; Student's attitude toward the prescribed tasks ; The natural species of double-counterpoint -- 6. Rules of three-voice polyphony : Association of 3 parts ; Details of 3-voice polyphony ; Leading part -- 7. The three-voice invention : Sectional form ; First section ; The remaining sections ; Other structural designs: 2-part song form ; Gigue form ; 3-part song form, animated counter-motive in part 2 ; Song form with trio ; Distinctions of style ; Exceptional species: invention in contrary motion ; Independent lower part -- 8. The invention for more than three voices : Details of 4-voice polyphony ; The 4-voice invention ; First section ; Remaining sections ; Other structural designs ; Distinctions of style ; The 5-voice invention -- 9. Free polyphonic forms : Distinction between homophonic and polyphonic forms ; The prelude ; The toccata ; The fantasia ; Mixed forms ; Homophonic forms with polyphonic episodes".
catalog tableOfContents "III. Chorale-figuration : 10. Small species of chorale-figuration : Cantus firmus ; Harmonization ; Thematic accompaniment ; Table of chorales ; Independent pedal-part ; Embellished cantus firmus ; Motive derived from chorale ; Independent parts ; Three-voice elaboration ; Five-voice -- 11. Large species of chorale figuration : Invention with chorale ; F in soprano ; F in bass ; In tenor ; In alto ; In alternate voices ; Chorale as invention group ; Chorale as aria ; Ritornelle with chorale ; Chorale-fantasia ; Chorale invention ; Chorale variations".
catalog tableOfContents "IV. The fugue : Fugue subject : Construction of the "response" ; Real response ; Tonal response ; -- 12. The four-voice fugue : The exposition ; The first "counterpoint" or counter theme ; Order of voices ; Irregular expositions ; Episode ; Cadence ; The fughetta ; The sectional form ; Retaining the contrapuntal associate ; Additional rules ; Two-part song form ; Three-part song form ; Special design -- 13. The fugue with less or more than 4 parts : The 3-voice fugue ; The 2-voice fugue ; The 5-voice fugue ; Fugue with six or more parts -- 14. Miscellaneous fugue forms : The concert fugue ; Prelude ; Fugue for string quartet ; Vocal fugue ; Fugue with chorale ; Chorale as fugue group ; Chorale fugue ; Group fugue ; Fugue in contrary motion ; Fugue in augmentation or diminution ; Irregular species -- 15. The double-fugue : Incipient form ; Fugue with thematic counterpoint ; Genuine double fugue ; First species ; Second species ; Artificial double-counterpoint ; Double counterpoint in 12th, 11th, 10th, 13th ; Duplication in thirds ; Double counterpoint in 9th and 7th ; Other varieties of double counterpoint ; Third species of double-fugue ; Irregular species -- 16. The triple-fugue : Inversions ; First species ; Second species ; Third species ; Quadruple counterpoint".
catalog tableOfContents "V. The canon : 17. The round canon : Definitions and rules ; Lyric canon -- 18. The progressive canon : 2-voice canon, in the 8th octave, unaccompanied, in the 2nd, in the 7th, in the 3rd and 6th, in the 5th and 4th ; In contrary motion ; In augmentation ; In diminution -- 19. Two-voice canon, accompanied : Instrumental ; Auxiliary part ; Significance of canon form ; Canon as conventional style ; Two-voice canon, vocal, accompanied -- 20. Canon for more than two parts : Three-voice canon ; In contrary motion ; Four-voice canon -- 21. Double canon, etc : Definitions ; Triple canon -- 22. Canon as chorale elaboration : Chorale as cannon ; Accompanied ; Canon with chorale ; Canonic compositions.".
catalog title "Counterpoint applied in the invention, fugue, canon and other polyphonic forms; an exhaustive treatise on the structural and formal details of the polyphonic or contrapuntal forms of music, for the use of general and special students of music, by Percy Goetschius.".
catalog type "text".