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- catalog contributor b8334671.
- catalog created "[1968]".
- catalog date "1968".
- catalog date "[1968]".
- catalog dateCopyrighted "[1968]".
- catalog description "Part I : Vanishing orthodoxies -- The old men. A formula from Tillich ; Three twentieth-century church pieces ; Romanticism ; Romantic music ; Pedagogy ; Pedagogic music -- The new men. A formula from C.P. Snow ; Modern music's cultural background ; Music and the new science ; What Stockhausen said ; Music and the new men -- Part II : Problems of authority -- Traditions of disobedience : five refutations of classical fundamentalism. Interpretation ; Free ornament and cadenza ; Continuo ; Romantic versus Baroque ; Textual criticism -- The defect of fundamentalism. The music-lover's orthodoxy ; The challenge of jazz ; Standards ; Ambiguous moralities ; The organist's guilty secret ; Fundamentalism -- Part III : Assault on conformity -- The urge to conform. The proud piano ; The unsociable piano ; The antisocial piano ; The lonely piano ; The antivocal piano ; The organ uneasily enthroned ; The pianists -- Alien forms of music. The insular music-lover ; More about jazz ; The case for and against jazz ; The cult of pop ; The case again pop ; Folk song -- Part IV : The dimension of drama -- Worship and the Anglicans. Worship is drama ; Audience participation ; Illustration from coventry ; Domestic or ceremonious? ; Music and this drama ; Evensong as programming -- Drama and the protestants. "Nine lessons and carols" ; Drama of the mind ; The drama of rhetoric ; The fading of drama -- The theater of faith. "Noye's fludde" ; The drama of the upper room ; Music at the eucharist -- Part V : Church music transformed -- Drama and church music. Return to the New Testament ; Misconceptions removed ; Impediments to drama ; Application to music ; The recovery of worship ; The disabilities of the artist are largely illusory ; Old music--new drama -- New music. The church in secular society ; Farewell to pedagogy ; Let music be music ; "Treason of the clerks" ; New styles ; A man dies--for what? ; "Would that all the Lord's people were artists!"".
- catalog extent "224 p.".
- catalog hasFormat "Words, music, and the church.".
- catalog isFormatOf "Words, music, and the church.".
- catalog issued "1968".
- catalog issued "[1968]".
- catalog language "eng".
- catalog publisher "Nashville, Abingdon Press".
- catalog relation "Words, music, and the church.".
- catalog subject "783/.0904".
- catalog subject "Church music 20th century.".
- catalog subject "Church music Protestant churches.".
- catalog subject "ML3106 .R69".
- catalog tableOfContents "Part I : Vanishing orthodoxies -- The old men. A formula from Tillich ; Three twentieth-century church pieces ; Romanticism ; Romantic music ; Pedagogy ; Pedagogic music -- The new men. A formula from C.P. Snow ; Modern music's cultural background ; Music and the new science ; What Stockhausen said ; Music and the new men -- Part II : Problems of authority -- Traditions of disobedience : five refutations of classical fundamentalism. Interpretation ; Free ornament and cadenza ; Continuo ; Romantic versus Baroque ; Textual criticism -- The defect of fundamentalism. The music-lover's orthodoxy ; The challenge of jazz ; Standards ; Ambiguous moralities ; The organist's guilty secret ; Fundamentalism -- Part III : Assault on conformity -- The urge to conform. The proud piano ; The unsociable piano ; The antisocial piano ; The lonely piano ; The antivocal piano ; The organ uneasily enthroned ; The pianists -- Alien forms of music. The insular music-lover ; More about jazz ; The case for and against jazz ; The cult of pop ; The case again pop ; Folk song -- Part IV : The dimension of drama -- Worship and the Anglicans. Worship is drama ; Audience participation ; Illustration from coventry ; Domestic or ceremonious? ; Music and this drama ; Evensong as programming -- Drama and the protestants. "Nine lessons and carols" ; Drama of the mind ; The drama of rhetoric ; The fading of drama -- The theater of faith. "Noye's fludde" ; The drama of the upper room ; Music at the eucharist -- Part V : Church music transformed -- Drama and church music. Return to the New Testament ; Misconceptions removed ; Impediments to drama ; Application to music ; The recovery of worship ; The disabilities of the artist are largely illusory ; Old music--new drama -- New music. The church in secular society ; Farewell to pedagogy ; Let music be music ; "Treason of the clerks" ; New styles ; A man dies--for what? ; "Would that all the Lord's people were artists!"".
- catalog title "Words, music, and the church.".
- catalog type "text".