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• catalog contributor b8349810.
• catalog created "c1980.".
• catalog date "1980".
• catalog date "c1980.".
• catalog dateCopyrighted "c1980.".
• catalog description "Introduction: musical communication -- The process of musical communication -- Why study music? -- Recordings and live performances -- How to listen --Unit 1: The language of music. -- Musical time -- Rhythmic patterns -- Rythmic notation -- Tonal Organization. -- Pitch notation -- Scales -- The basic principle of tonality -- Tonal organization in the 20th Century -- Melody. -- Melodic countour -- Melodic continuity -- Melodic themes -- Harmony. -- The origins of harmony -- Triads -- Tonality and dissonance in the 20th century -- Instruments and voices. -- Properties of instruments -- The human voice -- Instruments -- The Symphony Orchestra --Unit 2: Musical forms. -- Sectional forms. -- "Becoming' music and "being' music -- Themes: the melodic basis of form -- Form in tonal music -- Two-part forms -- Three-part forms -- Through-composed forms -- Minuet and trio forms -- The Scherzo -- Rondo and variation forms. -- Refrain forms -- Rondo forms -- Variation forms -- ".
• catalog description "Music without structure -- Movements toward musical synthesis.".
• catalog description "Solo song: the German Lied -- Vocal music in the 20th Century -- Piano music. -- The sonata -- Character pieces -- Piano idioms in the 20th Century -- Chamber Music. -- Early instrumental music -- The Classical String Quartet -- Expansion of the Classical Genres -- 20th-Century Chamber idioms -- Orchestral Music. -- Origins of the symphony -- The Classical symphony -- Beethoven's Symphonies -- Romantic Orchestral music -- Orchestral music in the 20th Century -- The Concerto. -- The Baroque Concerto -- The Classical Concerto -- Expansion in the 19th Century -- 20th-Century practices -- Introduction to Opera. -- The Libretto -- Staging -- Singers -- Conductor, orchestra, and chorus -- The formal structure of opera -- Serious and comic opera -- Opera. -- The origins of Opera -- Opera in the Classical Period: Mozart -- Romantic Opera: Wagner and Verdi -- Opera in the 20th Century --Unit 5: The Music of today. -- New materials, forms, and genres. -- New coloristic resources -- ".
• catalog description "Sonata form. -- Structure of multi-movement works -- Sonata form procedures -- Sonata form in the 19th Century -- Sonata form in the 20th Century -- Contrapuntal forms. -- Contrapuntal procedures -- Strict imitation: canon and rounds -- Freer imitative forms -- The fugue -- Counterpoint in later music -- Unit 3: Musical styles. -- Medieval, Renaissance, and Baroque Styles. -- The Medieval Period, 900-1450 -- The Renaissance, 1450-1600 -- Baroque Music, 1600-1750 -- Classical and Romantic Music. -- Classical style, 1770-1830 -- Romantic style, 1830-1900 -- An Age of Stylistic Diversity, 1900-1945. -- Impressionism: Claude Debussy -- Free Atonality: Arnold Schönberg -- Serialism -- The emancipation of rhythm: Igor Stravinsky -- Neoclassicism -- National influences and idioms -- Principal composers of the early 20th Century --Unit 4: Musical genres. -- Vocal Music -- Vocal genres -- The Renaissance: Mass and madrigal -- The Baroque Period: Handel and Bach -- ".
• catalog extent "xiii, 432 p., [1] leaf of plates :".
• catalog hasFormat "Listening to music.".
• catalog identifier "0030399068".
• catalog isFormatOf "Listening to music.".
• catalog issued "1980".
• catalog issued "c1980.".
• catalog language "eng".
• catalog publisher "New York : Holt, Rinehart and Winston,".
• catalog relation "Listening to music.".
• catalog subject "780/.15".
• catalog subject "MT6.S293 L6".
• catalog subject "Music appreciation.".
• catalog tableOfContents "Introduction: musical communication -- The process of musical communication -- Why study music? -- Recordings and live performances -- How to listen --Unit 1: The language of music. -- Musical time -- Rhythmic patterns -- Rythmic notation -- Tonal Organization. -- Pitch notation -- Scales -- The basic principle of tonality -- Tonal organization in the 20th Century -- Melody. -- Melodic countour -- Melodic continuity -- Melodic themes -- Harmony. -- The origins of harmony -- Triads -- Tonality and dissonance in the 20th century -- Instruments and voices. -- Properties of instruments -- The human voice -- Instruments -- The Symphony Orchestra --Unit 2: Musical forms. -- Sectional forms. -- "Becoming' music and "being' music -- Themes: the melodic basis of form -- Form in tonal music -- Two-part forms -- Three-part forms -- Through-composed forms -- Minuet and trio forms -- The Scherzo -- Rondo and variation forms. -- Refrain forms -- Rondo forms -- Variation forms -- ".
• catalog tableOfContents "Music without structure -- Movements toward musical synthesis.".
• catalog tableOfContents "Solo song: the German Lied -- Vocal music in the 20th Century -- Piano music. -- The sonata -- Character pieces -- Piano idioms in the 20th Century -- Chamber Music. -- Early instrumental music -- The Classical String Quartet -- Expansion of the Classical Genres -- 20th-Century Chamber idioms -- Orchestral Music. -- Origins of the symphony -- The Classical symphony -- Beethoven's Symphonies -- Romantic Orchestral music -- Orchestral music in the 20th Century -- The Concerto. -- The Baroque Concerto -- The Classical Concerto -- Expansion in the 19th Century -- 20th-Century practices -- Introduction to Opera. -- The Libretto -- Staging -- Singers -- Conductor, orchestra, and chorus -- The formal structure of opera -- Serious and comic opera -- Opera. -- The origins of Opera -- Opera in the Classical Period: Mozart -- Romantic Opera: Wagner and Verdi -- Opera in the 20th Century --Unit 5: The Music of today. -- New materials, forms, and genres. -- New coloristic resources -- ".
• catalog tableOfContents "Sonata form. -- Structure of multi-movement works -- Sonata form procedures -- Sonata form in the 19th Century -- Sonata form in the 20th Century -- Contrapuntal forms. -- Contrapuntal procedures -- Strict imitation: canon and rounds -- Freer imitative forms -- The fugue -- Counterpoint in later music -- Unit 3: Musical styles. -- Medieval, Renaissance, and Baroque Styles. -- The Medieval Period, 900-1450 -- The Renaissance, 1450-1600 -- Baroque Music, 1600-1750 -- Classical and Romantic Music. -- Classical style, 1770-1830 -- Romantic style, 1830-1900 -- An Age of Stylistic Diversity, 1900-1945. -- Impressionism: Claude Debussy -- Free Atonality: Arnold Schönberg -- Serialism -- The emancipation of rhythm: Igor Stravinsky -- Neoclassicism -- National influences and idioms -- Principal composers of the early 20th Century --Unit 4: Musical genres. -- Vocal Music -- Vocal genres -- The Renaissance: Mass and madrigal -- The Baroque Period: Handel and Bach -- ".
• catalog title "Listening to music / Allan Schindler.".
• catalog type "text".