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- catalog abstract "In this collection of nine essays some of the preeminent art historians in the United States consider the relationship between art and craft, between the creative idea and its realization, in Renaissance and Baroque Italy. The essays, all previously unpublished, are devoted to the pictorial arts and are accompanied by nearly 150 illustrations. Examining works by such artists as Michelangelo, Titian, Volterrano, Giovanni di Paolo, and Annibale Carracci (along with aspects of the artists' creative processes, work habits, and aesthetic convictions), the essayists explore the ways in which art was conceived and produced at a time when collaboration with pupils, assistants, or independent masters was an accepted part of the artistic process. The consensus of the contributors amounts to a revision, or at least a qualification, of Bernard Berenson's interpretation of the emergent Renaissance ideal of individual "genius" as a measure of original artistic achievement. This new perspective accords greater influence to the collaborative, appropriative conventions and practices of the craft workshop, which persisted into and beyond the Renaissance from its origins in the Middle Ages. Consequently, say the contributors, we must acknowledge the sometimes rather ordinary beginnings of some of the world's great works of art. Such an admission will open new avenues of study and enhance our understanding of the complex connections between invention and execution.".
- catalog contributor b8429598.
- catalog contributor b8429599.
- catalog contributor b8429600.
- catalog contributor b8429601.
- catalog contributor b8429602.
- catalog contributor b8429603.
- catalog contributor b8429604.
- catalog created "c1995.".
- catalog date "1995".
- catalog date "c1995.".
- catalog dateCopyrighted "c1995.".
- catalog description "In this collection of nine essays some of the preeminent art historians in the United States consider the relationship between art and craft, between the creative idea and its realization, in Renaissance and Baroque Italy. The essays, all previously unpublished, are devoted to the pictorial arts and are accompanied by nearly 150 illustrations. Examining works by such artists as Michelangelo, Titian, Volterrano, Giovanni di Paolo, and Annibale Carracci (along with aspects of the artists' creative processes, work habits, and aesthetic convictions), the essayists explore the ways in which art was conceived and produced at a time when collaboration with pupils, assistants, or independent masters was an accepted part of the artistic process.".
- catalog description "Includes bibliographical references and index.".
- catalog description "The Artist's hand / Paul Barolsky -- The Craftsman's genius: painters, patrons, and drawings in trecento Siena / Hayden B.J. Maginnis -- Sources and resources: the lost sketchbooks of Giovanni di Paolo / Andrew Ladis -- Titian and the idea of originality in the Renaissance / Bruce Cole -- Instruction and originality in Michelangelo's drawings / W.E. Wallace -- The Earliest collaborations of Pontormo and Bronzino: the Certosa, the Capponi chapel, and the Dead Christ with the virgin and Magdalen / Elizabeth Pilliod -- Drawings as means to an end: preparatory methods in the Carracci school / Diane de Grazia -- De Rossi and Falda: a successful collaboration in the print industry of seventeenth-century Rome / Francesca Consagra -- Volterrano and the role of Imitatio in the seventeenth-century practice of art in Florence / Malcolm Campbell.".
- catalog description "The consensus of the contributors amounts to a revision, or at least a qualification, of Bernard Berenson's interpretation of the emergent Renaissance ideal of individual "genius" as a measure of original artistic achievement. This new perspective accords greater influence to the collaborative, appropriative conventions and practices of the craft workshop, which persisted into and beyond the Renaissance from its origins in the Middle Ages. Consequently, say the contributors, we must acknowledge the sometimes rather ordinary beginnings of some of the world's great works of art. Such an admission will open new avenues of study and enhance our understanding of the complex connections between invention and execution.".
- catalog extent "viii, 243 p. :".
- catalog identifier "0820316482 (alk. paper)".
- catalog issued "1995".
- catalog issued "c1995.".
- catalog language "eng".
- catalog publisher "Athens : University of Georgia Press,".
- catalog spatial "Italy".
- catalog subject "709/.45 20".
- catalog subject "Art, Baroque Italy Congresses.".
- catalog subject "Art, Italian Congresses.".
- catalog subject "Art, Renaissance Italy Congresses.".
- catalog subject "Creation (Literary, artistic, etc.)".
- catalog subject "Group work in art Italy Congresses.".
- catalog subject "N6915 .C73 1995".
- catalog tableOfContents "The Artist's hand / Paul Barolsky -- The Craftsman's genius: painters, patrons, and drawings in trecento Siena / Hayden B.J. Maginnis -- Sources and resources: the lost sketchbooks of Giovanni di Paolo / Andrew Ladis -- Titian and the idea of originality in the Renaissance / Bruce Cole -- Instruction and originality in Michelangelo's drawings / W.E. Wallace -- The Earliest collaborations of Pontormo and Bronzino: the Certosa, the Capponi chapel, and the Dead Christ with the virgin and Magdalen / Elizabeth Pilliod -- Drawings as means to an end: preparatory methods in the Carracci school / Diane de Grazia -- De Rossi and Falda: a successful collaboration in the print industry of seventeenth-century Rome / Francesca Consagra -- Volterrano and the role of Imitatio in the seventeenth-century practice of art in Florence / Malcolm Campbell.".
- catalog title "The Craft of art : originality and industry in the Italian Renaissance and baroque workshop / edited by Andrew Ladis and Carolyn Wood ; William U. Eiland, general editor.".
- catalog type "Conference proceedings. fast".
- catalog type "text".