Data Portal @ linkeddatafragments.org

Matches in Harvard for { <http://id.lib.harvard.edu/aleph/006581842/catalog> ?p ?o. }

• catalog abstract "The Print in the Western World is a comprehensive history of the print from its origins in the fifteenth through the late twentieth century. A source of inspiration to many great painters, such as Titian, Rembrandt, and Manet, printmaking has established its own criteria of aesthetic excellence as well as its own expressive language, both of which are explored here. More than 700 illustrations, forty-nine of them in color, show the evolution of the relief, intaglio, planographic, and stencil processes through the centuries. Giving detailed treatment to the work of five master printmakers - Albrecht Durer, Rembrandt van Rijn, Francisco Goya, Pablo Picasso, and Jasper Johns - the book also discusses in depth numerous other artists such as Martin Schongauer, Andrea Mantegna, Hendrik Goltzius, Jacques Callot, Giovanni Battista Piranesi, William Hogarth, Honore Daumier, Edouard Manet, Paul Gaugin, Edvard Munch, Kathe Kollwitz, Max Ernst, and Andy Warhol. Although its primary focus is the fine art original print, The Print in the Western World also addresses in detail the reproductive tradition in printmaking that reached its peak in the eighteenth century and touches on book illustrations, posters, political satires, and vernacular print such as chromolithographs. Author Linda C. Hults emphasizes the meaning and historical context of prints, the consequences of the print's accessibility to many strata of society, and the relationship among artist, context, subject matter, and technique. The volume includes a glossary of basic printmaking terms, as well as full bibliographies at the end of each chapter, giving readers access to a wide range of recent scholarship on prints.".
• catalog contributor b9161689.
• catalog coverage "United States Wisconsin Madison.".
• catalog created "c1996.".
• catalog date "1996".
• catalog date "c1996.".
• catalog dateCopyrighted "c1996.".
• catalog description "Author Linda C. Hults emphasizes the meaning and historical context of prints, the consequences of the print's accessibility to many strata of society, and the relationship among artist, context, subject matter, and technique. The volume includes a glossary of basic printmaking terms, as well as full bibliographies at the end of each chapter, giving readers access to a wide range of recent scholarship on prints.".
• catalog description "Ch. 1. Early Relief and Intaglio Techniques: Northern Printmakers before Durer -- Ch. 2. Durer and Other Sixteenth-Century Northern Artists -- Ch. 3. Italian Renaissance Prints -- Ch. 4. Etching in the Seventeenth Century -- Ch. 5. Reproductive Printmaking and Related Developments from the Later Sixteenth through the Eighteenth Century -- Ch. 6. Original Etching and Engraving in the Eighteenth and Early Nineteenth Centuries -- Ch. 7. The Print and Socio-Political Reform: Hogarth and His Heirs and Goya -- Ch. 8. Lithography in the Nineteenth Century -- Ch. 9. The Nineteenth Century: The Etching Revival and New Technical Approaches -- Ch. 10. The German Expressionists and Related Artists -- Ch. 11. Picasso and Other European Printmakers to the 1940s -- Ch. 12. American and Mexican Printmaking to the Mid-1940s -- Ch. 13. Printmaking in Europe and America after World War II -- Selected Bibliography of Print Reference Catalogs.".
• catalog description "Includes bibliographical references and index.".
• catalog description "More than 700 illustrations, forty-nine of them in color, show the evolution of the relief, intaglio, planographic, and stencil processes through the centuries. Giving detailed treatment to the work of five master printmakers - Albrecht Durer, Rembrandt van Rijn, Francisco Goya, Pablo Picasso, and Jasper Johns - the book also discusses in depth numerous other artists such as Martin Schongauer, Andrea Mantegna, Hendrik Goltzius, Jacques Callot, Giovanni Battista Piranesi, William Hogarth, Honore Daumier, Edouard Manet, Paul Gaugin, Edvard Munch, Kathe Kollwitz, Max Ernst, and Andy Warhol. Although its primary focus is the fine art original print, The Print in the Western World also addresses in detail the reproductive tradition in printmaking that reached its peak in the eighteenth century and touches on book illustrations, posters, political satires, and vernacular print such as chromolithographs.".
• catalog description "The Print in the Western World is a comprehensive history of the print from its origins in the fifteenth through the late twentieth century. A source of inspiration to many great painters, such as Titian, Rembrandt, and Manet, printmaking has established its own criteria of aesthetic excellence as well as its own expressive language, both of which are explored here.".
• catalog extent "xx, 948 p. :".
• catalog hasFormat "Print in the western world.".
• catalog identifier "0299137007".
• catalog isFormatOf "Print in the western world.".
• catalog issued "1996".
• catalog issued "c1996.".
• catalog language "eng".
• catalog publisher "Madison, Wis. : University of Wisconsin Press,".
• catalog relation "Print in the western world.".
• catalog spatial "Europe".
• catalog spatial "United States Wisconsin Madison.".
• catalog spatial "United States".
• catalog subject "769.9 20".
• catalog subject "NE400 .H79 1995".
• catalog subject "Prints Europe History.".
• catalog subject "Prints History.".
• catalog subject "Prints United States History.".
• catalog tableOfContents "Ch. 1. Early Relief and Intaglio Techniques: Northern Printmakers before Durer -- Ch. 2. Durer and Other Sixteenth-Century Northern Artists -- Ch. 3. Italian Renaissance Prints -- Ch. 4. Etching in the Seventeenth Century -- Ch. 5. Reproductive Printmaking and Related Developments from the Later Sixteenth through the Eighteenth Century -- Ch. 6. Original Etching and Engraving in the Eighteenth and Early Nineteenth Centuries -- Ch. 7. The Print and Socio-Political Reform: Hogarth and His Heirs and Goya -- Ch. 8. Lithography in the Nineteenth Century -- Ch. 9. The Nineteenth Century: The Etching Revival and New Technical Approaches -- Ch. 10. The German Expressionists and Related Artists -- Ch. 11. Picasso and Other European Printmakers to the 1940s -- Ch. 12. American and Mexican Printmaking to the Mid-1940s -- Ch. 13. Printmaking in Europe and America after World War II -- Selected Bibliography of Print Reference Catalogs.".
• catalog title "The print in the western world : an introductory history / Linda C. Hults.".
• catalog type "History. fast".
• catalog type "text".