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- catalog abstract "Melville has long been regarded as an author of raw genius who knew, or cared, little about the art of the novel, and even harbored hostility toward its conventions. In The Weaver-God, He Weaves, Christopher Sten sets out to correct this widespread view, showing not only what Melville knew about the novelist's craft but how he appropriated and transformed a whole series of distinct genres: Typee is presented in the context of the popular romance, with its paired themes of sex and violence; Omoo is viewed in the framework of early Spanish and later French examples of the picaresque novel; and Mardi is seen as an instance of the once widely popular genre of the imaginary voyage. Sten also reveals how Melville radically transformed certain existing genres - the epic novel in Moby-Dick and the historical novel in Israel Potter - or forged profound new directions for genres still in their early stages - the psychological novel in Pierre and the experimental novel in The Confidence-Man. Sten speculates that it is because Melville was so idiosyncratic and inventive that so few critics have understood his close relationship to the various novelistic forms.".
- catalog contributor b9368573.
- catalog created "c1996.".
- catalog date "1996".
- catalog date "c1996.".
- catalog dateCopyrighted "c1996.".
- catalog description "Includes bibliographical references (p. 339-349) and index.".
- catalog description "Melville has long been regarded as an author of raw genius who knew, or cared, little about the art of the novel, and even harbored hostility toward its conventions. In The Weaver-God, He Weaves, Christopher Sten sets out to correct this widespread view, showing not only what Melville knew about the novelist's craft but how he appropriated and transformed a whole series of distinct genres: Typee is presented in the context of the popular romance, with its paired themes of sex and violence; Omoo is viewed in the framework of early Spanish and later French examples of the picaresque novel; and Mardi is seen as an instance of the once widely popular genre of the imaginary voyage. Sten also reveals how Melville radically transformed certain existing genres - the epic novel in Moby-Dick and the historical novel in Israel Potter - or forged profound new directions for genres still in their early stages - the psychological novel in Pierre and the experimental novel in The Confidence-Man. Sten speculates that it is because Melville was so idiosyncratic and inventive that so few critics have understood his close relationship to the various novelistic forms.".
- catalog description "The flesh made word, the word made flesh: Typee as romance -- "On the move" in Polynesia: Omoo as picaresque novel -- Breaking away: Mardi as imaginary voyage -- "Gentleman forger": Redburn as bildungsroman -- Power and dignity in a man-of-war world: White-Jacket as political novel -- Sounding the self: Moby-Dick as epic novel -- The divided self: Pierre as psychological novel -- Rewriting America's past: Israel Potter as historical novel -- Dialogue of crisis: The Confidence-Man as experimental novel -- The dilemma of nature and culture: Billy Budd as problem novel.".
- catalog extent "xii, 361 p. ;".
- catalog hasFormat "Weaver-god, he weaves.".
- catalog identifier "0873385373 (hc : alk. paper)".
- catalog isFormatOf "Weaver-god, he weaves.".
- catalog issued "1996".
- catalog issued "c1996.".
- catalog language "eng".
- catalog publisher "Kent, Ohio : Kent State University Press,".
- catalog relation "Weaver-god, he weaves.".
- catalog subject "813/.3 20".
- catalog subject "Fiction Technique.".
- catalog subject "Literary form History 19th century.".
- catalog subject "Literary form.".
- catalog subject "Melville, Herman, 1819-1891 Technique.".
- catalog subject "Narration (Rhetoric) History 19th century.".
- catalog subject "Narration (Rhetoric)".
- catalog subject "PS2388.T4 S74 1996".
- catalog subject "Poetics History 19th century.".
- catalog subject "Poetics.".
- catalog subject "Popular literature Technique.".
- catalog tableOfContents "The flesh made word, the word made flesh: Typee as romance -- "On the move" in Polynesia: Omoo as picaresque novel -- Breaking away: Mardi as imaginary voyage -- "Gentleman forger": Redburn as bildungsroman -- Power and dignity in a man-of-war world: White-Jacket as political novel -- Sounding the self: Moby-Dick as epic novel -- The divided self: Pierre as psychological novel -- Rewriting America's past: Israel Potter as historical novel -- Dialogue of crisis: The Confidence-Man as experimental novel -- The dilemma of nature and culture: Billy Budd as problem novel.".
- catalog title "The weaver-god, he weaves : Melville and the poetics of the novel / Christopher Sten.".
- catalog type "History. fast".
- catalog type "text".