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• catalog abstract "This is the first study to reconstruct the political origins of English women's poetry between the execution of Charles I and the death of Queen Anne. Carol Barash's book shows that, between Katherine Philips (1632-64) and Anne Finch, Countess of Winchilsea (1661-1720), an English women's poetic tradition developed as a part of the larger political shifts in these years, and particularly in women writers' fascination with the figure of the female monarch. Writers discussed include Aphra Behn, Katherine Philips, Anne Killigrew, Jane Barker, and Anne Finch. Based on extensive archival research in England and the United States, English Women's Poetry, 1649-1714 argues that ideas about women's voices and women's communities were crucial to the shaping of an English national literature after the civil wars. Women enter print culture - as poets and as women - by situating their writing in defence of embattled monarchy. Women poets are especially fascinated with the figure of the female monarch (both real and mythic). Their sense of poetic legitimacy derives from the communities they generate around figures of female authority, particularly James II's second wife, Mary of Modena, and later Queen Anne.".
• catalog contributor b9637320.
• catalog created "1996.".
• catalog date "1996".
• catalog date "1996.".
• catalog dateCopyrighted "1996.".
• catalog description "Commands from underground: Barker's manuscript poems -- Queen Anne among the poets -- The glorious revolution as bourgeois marriage -- Queen Anne's two bodies -- Anne's dutiful daughters -- The limits of feminist imperialism -- Anne Finch: gender, politics, and myths of the private self -- Anne Finch and the Catholic Stuarts -- The publicly private Finch and miscellany poems -- Female community and female authority -- Finch's female poetic genealogy.".
• catalog description "English and continental origins: queens, heroes, prophets -- Gender, prophecy, and women's place in the Restoration -- The heroic woman -- Gender and the Restoration stage -- The marriage of king and people -- The performance of gender at the late Stuart court -- The female war -- Women's community and the exiled king: Katherine Philips's society of friendship -- Royalism and the heroic woman -- The self-fashioning of the Restoration woman writer -- Narratives of love and warfare in Philips's 1650s manuscript -- Courting political favour -- The publication of poems (1664) -- Marriage, friendship, and honour.".
• catalog description "Eros, myth, and monarchy in Aphra Behn -- Gender, myth, and translation -- Gender, authority, and the female sexual subject -- Desire and the uncoupling of myth in Behn's erotic poems -- The woman poet and the female monarch -- The female monarch and the woman poet: Mary of Modena, Anne Killigrew, and Jane Barker -- The imaginary underworld of Mary of Modena's court -- The woman painter and the female hero -- Anne Killigrew as linguistic and political subject at court -- Jane Barker's genres and the late Stuart court -- Poetical recreations -- Barker's landscape of the female body -- Female linguistic authority and the coronation of Orinda.".
• catalog description "Includes bibliographical references (p. [314]-335) and index.".
• catalog description "This is the first study to reconstruct the political origins of English women's poetry between the execution of Charles I and the death of Queen Anne. Carol Barash's book shows that, between Katherine Philips (1632-64) and Anne Finch, Countess of Winchilsea (1661-1720), an English women's poetic tradition developed as a part of the larger political shifts in these years, and particularly in women writers' fascination with the figure of the female monarch. Writers discussed include Aphra Behn, Katherine Philips, Anne Killigrew, Jane Barker, and Anne Finch. Based on extensive archival research in England and the United States, English Women's Poetry, 1649-1714 argues that ideas about women's voices and women's communities were crucial to the shaping of an English national literature after the civil wars. Women enter print culture - as poets and as women - by situating their writing in defence of embattled monarchy. Women poets are especially fascinated with the figure of the female monarch (both real and mythic). Their sense of poetic legitimacy derives from the communities they generate around figures of female authority, particularly James II's second wife, Mary of Modena, and later Queen Anne.".
• catalog extent "xii, 345 p. :".
• catalog identifier "0198119739".
• catalog issued "1996".
• catalog issued "1996.".
• catalog language "eng".
• catalog publisher "Oxford : Clarendon Press ; New York : Oxford University Press,".
• catalog spatial "Great Britain".
• catalog subject "821.009/9287 20".
• catalog subject "Authority in literature.".
• catalog subject "English poetry 18th century History and criticism.".
• catalog subject "English poetry Early modern, 1500-1700 History and criticism.".
• catalog subject "English poetry Women authors History and criticism.".
• catalog subject "Feminism and literature Great Britain History.".
• catalog subject "Feminist poetry, English History and criticism.".
• catalog subject "Language and culture Great Britain History.".
• catalog subject "PR545.W6 B37 1996".
• catalog subject "Politics and literature Great Britain History.".
• catalog subject "Queens in literature.".
• catalog subject "Sex role in literature.".
• catalog subject "Women and literature Great Britain History 17th century.".
• catalog subject "Women and literature Great Britain History 18th century.".
• catalog tableOfContents "Commands from underground: Barker's manuscript poems -- Queen Anne among the poets -- The glorious revolution as bourgeois marriage -- Queen Anne's two bodies -- Anne's dutiful daughters -- The limits of feminist imperialism -- Anne Finch: gender, politics, and myths of the private self -- Anne Finch and the Catholic Stuarts -- The publicly private Finch and miscellany poems -- Female community and female authority -- Finch's female poetic genealogy.".
• catalog tableOfContents "English and continental origins: queens, heroes, prophets -- Gender, prophecy, and women's place in the Restoration -- The heroic woman -- Gender and the Restoration stage -- The marriage of king and people -- The performance of gender at the late Stuart court -- The female war -- Women's community and the exiled king: Katherine Philips's society of friendship -- Royalism and the heroic woman -- The self-fashioning of the Restoration woman writer -- Narratives of love and warfare in Philips's 1650s manuscript -- Courting political favour -- The publication of poems (1664) -- Marriage, friendship, and honour.".
• catalog tableOfContents "Eros, myth, and monarchy in Aphra Behn -- Gender, myth, and translation -- Gender, authority, and the female sexual subject -- Desire and the uncoupling of myth in Behn's erotic poems -- The woman poet and the female monarch -- The female monarch and the woman poet: Mary of Modena, Anne Killigrew, and Jane Barker -- The imaginary underworld of Mary of Modena's court -- The woman painter and the female hero -- Anne Killigrew as linguistic and political subject at court -- Jane Barker's genres and the late Stuart court -- Poetical recreations -- Barker's landscape of the female body -- Female linguistic authority and the coronation of Orinda.".
• catalog title "English women's poetry, 1649-1714 : politics, community, and linguistic authority / Carol Barash.".
• catalog type "Criticism, interpretation, etc. fast".
• catalog type "History. fast".
• catalog type "text".