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• catalog abstract "Martin Heidegger's 1942 lecture course interprets Friedrich Holderlin's hymn "The Ister" within the context of Holderlin's poetic and philosophical work, with particular emphasis on Holderlin's dialogue with Greek tragedy. Delivered in summer 1942 at the University of Freiburg, this course was first published in German in 1984 as volume 53 of Heidegger's Collected Works. Revealing for Heidegger's thought of the period are his discussions of the meaning of "the political" and "the national," in which he emphasizes the difficulty, as well as the necessity, of finding "one's own" in and through a dialogue with "the foreign." In this context Heidegger reflects on the nature of translation and interpretation. A detailed reading of the famous chorus from Sophocles' Antigone, known as the "ode to man," is a key feature of the course.".
• catalog contributor b9744909.
• catalog created "c1996.".
• catalog date "1996".
• catalog date "c1996.".
• catalog dateCopyrighted "c1996.".
• catalog description "Includes bibliographical references (p. 171-175).".
• catalog description "Martin Heidegger's 1942 lecture course interprets Friedrich Holderlin's hymn "The Ister" within the context of Holderlin's poetic and philosophical work, with particular emphasis on Holderlin's dialogue with Greek tragedy. Delivered in summer 1942 at the University of Freiburg, this course was first published in German in 1984 as volume 53 of Heidegger's Collected Works. Revealing for Heidegger's thought of the period are his discussions of the meaning of "the political" and "the national," in which he emphasizes the difficulty, as well as the necessity, of finding "one's own" in and through a dialogue with "the foreign." In this context Heidegger reflects on the nature of translation and interpretation. A detailed reading of the famous chorus from Sophocles' Antigone, known as the "ode to man," is a key feature of the course.".
• catalog description "The historically grounding spirit. Explication of the lines : "namely at home is spirit not at the commencement, not at the source. The home consumes it. Colony, and bold forgetting spirit loves. Our flowers and the shades of our woods gladden the one who languishes. The besouler would amost be scorched" -- Poetizing the essence of poetry -- the poetic spirit as the spirit of the river. The holy as that which is to be poetized -- The rivers as the poets who found the poetic, upon whose ground human beings dwell -- The poet as the enigmatic "sign" who lets appear that which is to be shown. The holy as the fire that ignites the poet. The meaning of naming the gods -- Poetizing founding builds the stairs upon which the heavenly descend.".
• catalog description "The meaning of [characters omitted]. (Explication of the commencement of the choral ode) -- The uncanny as the ground of human beings. (Continued explication of [characters omitted]) -- Further essential determinations of the human being -- Continued explication of the essence of the [characters omitted] -- The expulsion of the human being as the most uncanny being. (The relation of the closing words to the introductory words of the choral song) -- The introductory dialogue between Antigone and Ismene -- The hearth as being. (Renewed meditation on the commencement of the choral ode and on the closing words) -- Continued discussion of the hearth as being -- Becoming homely in being unhomely -- the ambiguity of being unhomely. The truth of the choral ode as the innermost middle of the tragedy -- Hölderlin's river poetry and the choral ode from Sophocles -- a historical becoming homely in each case -- ".
• catalog description "The theme of the lecture course : remarks on Hölderlin's hymnal poetry -- Hymnal poetry as poetizing the essence of the rivers -- The metaphysical interpretation of art -- Hölderlin's poetry as not concerned with images in a symbolic or metaphysical sense. The concealed essence of the river -- The river as the locality of human abode -- The rivers as "vanishing" and "full of intimation" in "Voice of the people" -- The river as the locality of journeying and the journeying of locality -- The questionableness of the metaphysical representation of space and time -- Becoming homely as the care of Hölderlin's poetry -- the encounter between the foreign and one's own as the fundamental truth of history -- Hölderlin's dialogue with Pindar and Sophocles -- The human being : the uncanniest of the uncanny. (The entry song of the chorus of elders and the first stationary song) -- The poetic dialogue between Hölderlin and Sophocles -- ".
• catalog description "pt. 1. Poetizing the essence of the rivers : the Ister hymn -- pt. 2. The Greek interpretation of human beings in Sophocles' Antigone -- pt. 3. Hölderlin's poetizing of the essence of the poet as demigod.".
• catalog extent "xi, 185 p. ;".
• catalog hasFormat "Hölderlin's hymn "The Ister".".
• catalog identifier "0253330645 (alk. paper)".
• catalog isFormatOf "Hölderlin's hymn "The Ister".".
• catalog isPartOf "Studies in Continental thought".
• catalog issued "1996".
• catalog issued "c1996.".
• catalog language "eng".
• catalog language "engger ger".
• catalog publisher "Bloomington : Indiana University Press,".
• catalog relation "Hölderlin's hymn "The Ister".".
• catalog subject "831/.6 20".
• catalog subject "Hölderlin, Friedrich, 1770-1843. Ister.".
• catalog subject "PT2359.H2 A74334 1996".
• catalog tableOfContents "The historically grounding spirit. Explication of the lines : "namely at home is spirit not at the commencement, not at the source. The home consumes it. Colony, and bold forgetting spirit loves. Our flowers and the shades of our woods gladden the one who languishes. The besouler would amost be scorched" -- Poetizing the essence of poetry -- the poetic spirit as the spirit of the river. The holy as that which is to be poetized -- The rivers as the poets who found the poetic, upon whose ground human beings dwell -- The poet as the enigmatic "sign" who lets appear that which is to be shown. The holy as the fire that ignites the poet. The meaning of naming the gods -- Poetizing founding builds the stairs upon which the heavenly descend.".
• catalog tableOfContents "The meaning of [characters omitted]. (Explication of the commencement of the choral ode) -- The uncanny as the ground of human beings. (Continued explication of [characters omitted]) -- Further essential determinations of the human being -- Continued explication of the essence of the [characters omitted] -- The expulsion of the human being as the most uncanny being. (The relation of the closing words to the introductory words of the choral song) -- The introductory dialogue between Antigone and Ismene -- The hearth as being. (Renewed meditation on the commencement of the choral ode and on the closing words) -- Continued discussion of the hearth as being -- Becoming homely in being unhomely -- the ambiguity of being unhomely. The truth of the choral ode as the innermost middle of the tragedy -- Hölderlin's river poetry and the choral ode from Sophocles -- a historical becoming homely in each case -- ".
• catalog tableOfContents "The theme of the lecture course : remarks on Hölderlin's hymnal poetry -- Hymnal poetry as poetizing the essence of the rivers -- The metaphysical interpretation of art -- Hölderlin's poetry as not concerned with images in a symbolic or metaphysical sense. The concealed essence of the river -- The river as the locality of human abode -- The rivers as "vanishing" and "full of intimation" in "Voice of the people" -- The river as the locality of journeying and the journeying of locality -- The questionableness of the metaphysical representation of space and time -- Becoming homely as the care of Hölderlin's poetry -- the encounter between the foreign and one's own as the fundamental truth of history -- Hölderlin's dialogue with Pindar and Sophocles -- The human being : the uncanniest of the uncanny. (The entry song of the chorus of elders and the first stationary song) -- The poetic dialogue between Hölderlin and Sophocles -- ".
• catalog tableOfContents "pt. 1. Poetizing the essence of the rivers : the Ister hymn -- pt. 2. The Greek interpretation of human beings in Sophocles' Antigone -- pt. 3. Hölderlin's poetizing of the essence of the poet as demigod.".
• catalog title "Hölderlin's hymn "The Ister" / Martin Heidegger ; translated by William McNeill and Julia Davis.".
• catalog type "text".