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- catalog abstract "In The Dramatic Monologue, Elisabeth A. Howe defines the characteristics of the subject as a genre, clearly differentiating it from the lyric poem. One feature she discusses is the double voice of the dramatic monologue - the reader hears simultaneously the voices of the poet and the speaker. This dialogical effect distinguishes the dramatic monologue both from lyric poetry and from narrative poems written in the first person. The use of a persona allows the poet to distance himself or herself from the poem. Howe investigates the origins of the dramatic monologue before examining poems by Browning and Tennyson, both masters of the form and both largely responsible for its popularity with late-nineteenth-century readers and poets. She offers close readings of Browning's "The Bishop Orders His Tomb at Saint Praxed's Church" and Tennyson's "Tithonus." Later chapters include detailed analyses of dramatic monologues by twentieth-century poets, including Ezra Pound's "Marvoil," T.S. Eliot's "Portrait of a Lady," and poems by Robert Frost, Randall Jarrell, and the contemporary poet Richard Howard.".
- catalog contributor b10071435.
- catalog coverage "English-speaking countries Intellectual life.".
- catalog created "c1996.".
- catalog date "1996".
- catalog date "c1996.".
- catalog dateCopyrighted "c1996.".
- catalog description "Howe investigates the origins of the dramatic monologue before examining poems by Browning and Tennyson, both masters of the form and both largely responsible for its popularity with late-nineteenth-century readers and poets. She offers close readings of Browning's "The Bishop Orders His Tomb at Saint Praxed's Church" and Tennyson's "Tithonus." Later chapters include detailed analyses of dramatic monologues by twentieth-century poets, including Ezra Pound's "Marvoil," T.S. Eliot's "Portrait of a Lady," and poems by Robert Frost, Randall Jarrell, and the contemporary poet Richard Howard.".
- catalog description "In The Dramatic Monologue, Elisabeth A. Howe defines the characteristics of the subject as a genre, clearly differentiating it from the lyric poem. One feature she discusses is the double voice of the dramatic monologue - the reader hears simultaneously the voices of the poet and the speaker. This dialogical effect distinguishes the dramatic monologue both from lyric poetry and from narrative poems written in the first person. The use of a persona allows the poet to distance himself or herself from the poem.".
- catalog description "Includes bibliographical references and index.".
- catalog description "Overview -- The Victorians -- The age of modernism -- Other twentieth-century practitioners.".
- catalog extent "xix, 166 p. ;".
- catalog identifier "080570969X (cloth)".
- catalog isPartOf "Studies in literary themes and genres ; no. 10".
- catalog issued "1996".
- catalog issued "c1996.".
- catalog language "eng".
- catalog publisher "New York : Twayne Publishers,".
- catalog spatial "English-speaking countries Intellectual life.".
- catalog subject "821/.02 20".
- catalog subject "American poetry 20th century History and criticism.".
- catalog subject "Browning, Robert, 1812-1889 Criticism and interpretation.".
- catalog subject "Dramatic monologues History and criticism.".
- catalog subject "Eliot, T. S. (Thomas Stearns), 1888-1965 Criticism and interpretation.".
- catalog subject "English poetry 19th century History and criticism.".
- catalog subject "PS309.D73 H69 1996".
- catalog subject "Pound, Ezra, 1885-1972 Criticism and interpretation.".
- catalog subject "Tennyson, Alfred Tennyson, Baron, 1809-1892 Criticism and interpretation.".
- catalog tableOfContents "Overview -- The Victorians -- The age of modernism -- Other twentieth-century practitioners.".
- catalog title "The dramatic monologue / Elisabeth A. Howe.".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "text".