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- catalog abstract "Sarah Burns tells the story of artists in American society during a period of critical transition from Victorian to modern values, examining how culture shaped the artists and how artists shaped their culture. Focusing on such important painters as James McNeill Whistler, William Merritt Chase, Cecilia Beaux, Winslow Homer, and Albert Pinkham Ryder, she investigates how artists reacted to the growing power of the media, to an expanding consumer society, to the need for a specifically American artist type, and to the problem of gender.".
- catalog alternative "Art and culture in Gilded Age America".
- catalog contributor b10075300.
- catalog created "c1996.".
- catalog date "1996".
- catalog date "c1996.".
- catalog dateCopyrighted "c1996.".
- catalog description "Includes bibliographical references (p. [329]-371) and index.".
- catalog description "Introduction : Templates for modernity -- Part 1. The traffic in images. Finding the "real" American artist ; The artist in the age of surfaces : the culture of display and the taint of trade -- Part 2. Sickness and health. Fighting infection : aestheticism, degeneration, and the regulation of artistic masculinity ; Painting as rest cure -- Part 3. Gender on the market. Outselling the feminine ; Being big : Winslow Homer and the American business spirit -- Part 4. The artist in the realm of spectacle. Performing the self ; Performing Bohemia -- Part 5. Oculus populi. Dabble, daub, and dauber : cartoons and artistic identity ; Populist versus plutocratic aesthetics.".
- catalog description "Sarah Burns tells the story of artists in American society during a period of critical transition from Victorian to modern values, examining how culture shaped the artists and how artists shaped their culture. Focusing on such important painters as James McNeill Whistler, William Merritt Chase, Cecilia Beaux, Winslow Homer, and Albert Pinkham Ryder, she investigates how artists reacted to the growing power of the media, to an expanding consumer society, to the need for a specifically American artist type, and to the problem of gender.".
- catalog extent "viii, 380 p. :".
- catalog identifier "0300064454 (cloth : alk. paper)".
- catalog issued "1996".
- catalog issued "c1996.".
- catalog language "eng".
- catalog publisher "New Haven : Yale University Press,".
- catalog spatial "United States".
- catalog subject "701/.03/0973 20".
- catalog subject "Art and society United States History 19th century.".
- catalog subject "Art and society United States History 20th century.".
- catalog subject "Art, American 19th century.".
- catalog subject "Art, American 20th century.".
- catalog subject "Art, American.".
- catalog subject "Artists Psychology.".
- catalog subject "N6510 .B87 1996".
- catalog tableOfContents "Introduction : Templates for modernity -- Part 1. The traffic in images. Finding the "real" American artist ; The artist in the age of surfaces : the culture of display and the taint of trade -- Part 2. Sickness and health. Fighting infection : aestheticism, degeneration, and the regulation of artistic masculinity ; Painting as rest cure -- Part 3. Gender on the market. Outselling the feminine ; Being big : Winslow Homer and the American business spirit -- Part 4. The artist in the realm of spectacle. Performing the self ; Performing Bohemia -- Part 5. Oculus populi. Dabble, daub, and dauber : cartoons and artistic identity ; Populist versus plutocratic aesthetics.".
- catalog title "Art and culture in Gilded Age America".
- catalog title "Inventing the modern artist : art and culture in Gilded Age America / Sarah Burns.".
- catalog type "History. fast".
- catalog type "text".