Matches in Harvard for { <http://id.lib.harvard.edu/aleph/007357827/catalog> ?p ?o. }
Showing items 1 to 36 of
36
with 100 items per page.
- catalog abstract "In Imagining Indians in the Southwest, Leah Dilworth examines the creation and enduring potency of the early twentieth-century myth of the primitive Indian. She shows how visions of Indians - created not only by tourism but also by anthropologists, collectors of Indian crafts, and modernist writers - have reflected white anxieties about such issues as the value of labor in an industrialized society, racial assimilation, and the perceived loss of cultural authenticity. Dilworth explores diverse expressions of mainstream society's primitivist impulse - from the Fred Harvey Company's guided tours of Indian pueblos supposedly untouched by modern life to enthnographic descriptions of the Hopi Snake dance as alien and exotic. She shows how magazines touted the preindustrial simplicity of Indian artisanal occupations and how Mary Austin's 1923 book, The American Rhythm, urged poets to emulate the cadences of Native American song and dance. Contending that Native Americans of the Southwest still are seen primarily as living relics, Dilworth describes the ways in which they have resisted cultural colonialism. She concludes with a consideration of two contemporary artists who, by infusing their works with history and complexity, are recasting the practices and politics of primitivism.".
- catalog contributor b10156743.
- catalog created "c1996.".
- catalog date "1996".
- catalog date "c1996.".
- catalog dateCopyrighted "c1996.".
- catalog description "1. Representing the Hopi Snake Dance. Textualizing the Snake Dance. The Snake Dance in Ethnographic Exhibits. The Snake Dance as a Tourist Attraction. Cultural Incorporation of the Snake Dance. The Snake Dance as a Spectacle -- 2. Discovering Indians in Fred Harvey's Southwest. The Rise of the Fred Harvey Company. The Spectale of Fred Harvey's Southwest. Appearing and Disappearing in Fred Harvey's Southwest. The Machinery of the Tourist Spectacle. The Touristic Exchange. Re-presenting the Touristic Encounter -- 3. The Spectacle of Indian Artisanal Labor. The Development of Markets for Indian Crafts. The Collector-Connoisseur. The Indian Artisan. Imagining Primitive Labor. Artisanal Craft as a Tool of Reform. Limitations of the Artisan Stereotype -- 4. Modernism, Primitivism, and the American Rhythm. Modernist Primitivism. Cultural Nationalism and Regionalism. Primitivism as a Cultural Cure. The Indian and Aesthetic Authenticity. The Semiotics of Playing Indian.".
- catalog description "In Imagining Indians in the Southwest, Leah Dilworth examines the creation and enduring potency of the early twentieth-century myth of the primitive Indian. She shows how visions of Indians - created not only by tourism but also by anthropologists, collectors of Indian crafts, and modernist writers - have reflected white anxieties about such issues as the value of labor in an industrialized society, racial assimilation, and the perceived loss of cultural authenticity. Dilworth explores diverse expressions of mainstream society's primitivist impulse - from the Fred Harvey Company's guided tours of Indian pueblos supposedly untouched by modern life to enthnographic descriptions of the Hopi Snake dance as alien and exotic. She shows how magazines touted the preindustrial simplicity of Indian artisanal occupations and how Mary Austin's 1923 book, The American Rhythm, urged poets to emulate the cadences of Native American song and dance. Contending that Native Americans of the Southwest still are seen primarily as living relics, Dilworth describes the ways in which they have resisted cultural colonialism. She concludes with a consideration of two contemporary artists who, by infusing their works with history and complexity, are recasting the practices and politics of primitivism.".
- catalog description "Includes bibliographical references and index.".
- catalog extent "xiv, 274 p. :".
- catalog hasFormat "Imagining Indians in the Southwest.".
- catalog identifier "1560986417 (alk. paper)".
- catalog isFormatOf "Imagining Indians in the Southwest.".
- catalog issued "1996".
- catalog issued "c1996.".
- catalog language "eng".
- catalog publisher "Washington, DC : Smithsonian Institution Press,".
- catalog relation "Imagining Indians in the Southwest.".
- catalog spatial "Southwest, New".
- catalog spatial "Southwest, New.".
- catalog spatial "United States.".
- catalog subject "979/.00497 20".
- catalog subject "E78.S7 D525 1996".
- catalog subject "Fred Harvey (Firm) History.".
- catalog subject "Indians in literature.".
- catalog subject "Indians of North America Industries Southwest, New.".
- catalog subject "Indians of North America Southwest, New Industries.".
- catalog subject "Indians of North America Southwest, New Pictorial works.".
- catalog subject "Indians of North America Southwest, New Public opinion.".
- catalog subject "Public opinion United States.".
- catalog subject "Tourism Southwest, New History.".
- catalog tableOfContents "1. Representing the Hopi Snake Dance. Textualizing the Snake Dance. The Snake Dance in Ethnographic Exhibits. The Snake Dance as a Tourist Attraction. Cultural Incorporation of the Snake Dance. The Snake Dance as a Spectacle -- 2. Discovering Indians in Fred Harvey's Southwest. The Rise of the Fred Harvey Company. The Spectale of Fred Harvey's Southwest. Appearing and Disappearing in Fred Harvey's Southwest. The Machinery of the Tourist Spectacle. The Touristic Exchange. Re-presenting the Touristic Encounter -- 3. The Spectacle of Indian Artisanal Labor. The Development of Markets for Indian Crafts. The Collector-Connoisseur. The Indian Artisan. Imagining Primitive Labor. Artisanal Craft as a Tool of Reform. Limitations of the Artisan Stereotype -- 4. Modernism, Primitivism, and the American Rhythm. Modernist Primitivism. Cultural Nationalism and Regionalism. Primitivism as a Cultural Cure. The Indian and Aesthetic Authenticity. The Semiotics of Playing Indian.".
- catalog title "Imagining Indians in the Southwest : persistent visions of a primitive past / Leah Dilworth.".
- catalog type "History. fast".
- catalog type "Pictorial works. fast".
- catalog type "text".