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• catalog abstract "A print can sometimes tell us more than a painting about the history of art. Michel Melot illustrates his thesis in this book, analysing relationships between artists, the art market, the critics, collectors and political institutions. This fresh approach reveals Impressionism not as a sort of miracle, but as a response to economic and social upheaval. This original view of a key movement in the history of art allows the reader to understand its decisive effect on all the subsequent generations who have contributed to maintaining the tradition of the belle epreuve.".
• catalog alternative "Estampe impressionniste. English".
• catalog contributor b10184139.
• catalog created "c1996.".
• catalog date "1996".
• catalog date "c1996.".
• catalog dateCopyrighted "c1996.".
• catalog description "A print can sometimes tell us more than a painting about the history of art. Michel Melot illustrates his thesis in this book, analysing relationships between artists, the art market, the critics, collectors and political institutions. This fresh approach reveals Impressionism not as a sort of miracle, but as a response to economic and social upheaval.".
• catalog description "Includes bibliographical references (p. 288-292) and index.".
• catalog description "This original view of a key movement in the history of art allows the reader to understand its decisive effect on all the subsequent generations who have contributed to maintaining the tradition of the belle epreuve.".
• catalog description "pt. 1. On the eve, 1850-70. Introduction ; The impetus of industry ; The persistence of the print ; A painter between two worlds: Charles-François Daubigny ; Mechanical reproduction ; 1850-2: Delâtre and Meryon ; 1852-7: Bracquemond, Millet, Legros ; Whistler and Seymour Haden ; Degas's self portrait ; 1859: the new art market ; 1861: the Society of Etchers ; Manet and the etching ; 1862: the artist's lithograph ; Manet and the lithographer ; 1863: the Salon des Refusés ; Jongkind ; Appian and the School of Lyon ; Constantin Guys ; The eleventh subscriber ; The discovery of Japan -- pt. 2. Day and night. War and revolution ; 1873: the Anvers Group ; The revival of the artist's lithograph ; 1874: the first Impressionist exhibition ; Henri Guérard ; Lepic and the Mobile Etching ; Desboutin and De Nittis ; Félix Buhot and 'La belle épreuve' ; Modern book-collecting ; Degas and his group ; Le Jour et la Nuit ; Pissarro and Degas: industrial progress ; The confection of rarity ; The value of the times ; The obliteration of the object ; Scenes from private life ; 1888: revival ; Whistler's Venetian suite ; 1883: the rôle of the rebels ; 1886: the last Impressionist exhibition -- pt. 3. The next day, 1886-1900. After Impressionism ; 1889: the Society of Painter-Printmakers ; Rodin ; Sisley ; Berthe Morisot ; Renoir ; Degas's Women in the bath ; Mary Cassatt ; The arrival of colour ; The monotypes of Degas ; Other monotype artists: Pissarro and Gauguin ; Gauguin and Primitivism ; Van Gogh ; Toulouse-Lautrec ; Pissarro's Bathers ; The success of the original print ; Vollard and the Impressionists ; The vogue for colour lithography ; Forain, the last Impressionist ; Conclusion.".
• catalog extent "296 p. :".
• catalog identifier "0300067925 (cloth)".
• catalog issued "1996".
• catalog issued "c1996.".
• catalog language "eng fre".
• catalog language "eng".
• catalog publisher "New Haven, CT : Yale University Press,".
• catalog spatial "France".
• catalog spatial "France.".
• catalog subject "769.944/09/034 20".
• catalog subject "Art and society France History 19th century.".
• catalog subject "Impressionism (Art) France.".
• catalog subject "NE647.6.I4 M4413 1996".
• catalog subject "Prints 19th century France.".
• catalog subject "Prints, French 19th century.".
• catalog subject "Prints, French.".
• catalog tableOfContents "pt. 1. On the eve, 1850-70. Introduction ; The impetus of industry ; The persistence of the print ; A painter between two worlds: Charles-François Daubigny ; Mechanical reproduction ; 1850-2: Delâtre and Meryon ; 1852-7: Bracquemond, Millet, Legros ; Whistler and Seymour Haden ; Degas's self portrait ; 1859: the new art market ; 1861: the Society of Etchers ; Manet and the etching ; 1862: the artist's lithograph ; Manet and the lithographer ; 1863: the Salon des Refusés ; Jongkind ; Appian and the School of Lyon ; Constantin Guys ; The eleventh subscriber ; The discovery of Japan -- pt. 2. Day and night. War and revolution ; 1873: the Anvers Group ; The revival of the artist's lithograph ; 1874: the first Impressionist exhibition ; Henri Guérard ; Lepic and the Mobile Etching ; Desboutin and De Nittis ; Félix Buhot and 'La belle épreuve' ; Modern book-collecting ; Degas and his group ; Le Jour et la Nuit ; Pissarro and Degas: industrial progress ; The confection of rarity ; The value of the times ; The obliteration of the object ; Scenes from private life ; 1888: revival ; Whistler's Venetian suite ; 1883: the rôle of the rebels ; 1886: the last Impressionist exhibition -- pt. 3. The next day, 1886-1900. After Impressionism ; 1889: the Society of Painter-Printmakers ; Rodin ; Sisley ; Berthe Morisot ; Renoir ; Degas's Women in the bath ; Mary Cassatt ; The arrival of colour ; The monotypes of Degas ; Other monotype artists: Pissarro and Gauguin ; Gauguin and Primitivism ; Van Gogh ; Toulouse-Lautrec ; Pissarro's Bathers ; The success of the original print ; Vollard and the Impressionists ; The vogue for colour lithography ; Forain, the last Impressionist ; Conclusion.".
• catalog title "Estampe impressionniste. English".
• catalog title "The impressionist print / Michel Melot ; translated from the French by Caroline Beamish.".
• catalog type "History. fast".
• catalog type "text".