Matches in Harvard for { <http://id.lib.harvard.edu/aleph/007383002/catalog> ?p ?o. }
Showing items 1 to 25 of
25
with 100 items per page.
- catalog contributor b10193293.
- catalog created "c1997.".
- catalog date "1997".
- catalog date "c1997.".
- catalog dateCopyrighted "c1997.".
- catalog description "Composition II: sounds, silences, and "cognitive naming": Towards a genealogy of the counter-composition. Abstract expressionism: "something[s] extra". Neo-Dada, assemblage, happenings: making "in spite of composition". Tropic writing: rethinking the titular metaphors of late modernism. Conclusion: titles after composition -- "Labelless labels": notes on the postmodern title: Switching from the 1960s: Smithson, Morris, and conceptual art. Naming through institutions and expressions. "On the other side of the proper name": untitling, anonymity, gender, and power.".
- catalog description "Includes bibliographical references (p. [368]-419) and index.".
- catalog description "Nominalist order and disorder: form, violence, and revisionism: Paul Cézanne: "do not remain a creature without a name". Cubic language and the philosophical brothel. Suprematism, Unovis, and "5 x 5 = 25" -- Composition I: naming the non-iconic in the work of Piet Mondrian and Wassily Kandinsky: Piet Mondrian: "it is above all composition that must suppress the individual. Life and death sentences: compositional theory in Matisse, Malevich, and the United States. Wassily Kandinsky: "reason, the conscious, the deliberate, and the purposeful" -- Dada and surrealism: alchemies of the word: Max Ernst: titles and the "no longer" of painting. Marcel Duchamp: "prime words" and inscriptions. Francis Picabia: names, bodies, diagrams, and counter-identities. Notes on surrealist titling: Magritte, Miró, Tanguy, Matta.".
- catalog description "Reckoning with the title and its sites: Poetic intensity and social extension: expanded fields for the title. Zero names: "absences and over-nourishing signs". Titular transformations: "beyond recognition" -- Monet and the development of a nominative effectualism: "Explanations," poems, and "real allegory". Claude Monet: "A succession of astonishing effects" -- Symbolism I: Redon, Gauguin, Signac: Introduction: titles, institutions, and analogues. Odilon Redon: "vagueness, indeterminacy, equivocation". Paul Gauguin: "not a title, but a signature". Paul Signac and Alphonse Allais: exhibitions, numbers, and "incoherents" -- Symbolism II: James McNeill Whistler: the elaboration and contraction of the title.".
- catalog extent "x, 452 p. :".
- catalog identifier "0300065302 (cloth : alk. paper)".
- catalog issued "1997".
- catalog issued "c1997.".
- catalog language "eng".
- catalog publisher "New Haven, Conn. : Yale University Press,".
- catalog subject "701/.4 20".
- catalog subject "Art, Modern 19th century.".
- catalog subject "Art, Modern 20th century.".
- catalog subject "N7560 .W45 1997".
- catalog subject "Titles of works of art.".
- catalog tableOfContents "Composition II: sounds, silences, and "cognitive naming": Towards a genealogy of the counter-composition. Abstract expressionism: "something[s] extra". Neo-Dada, assemblage, happenings: making "in spite of composition". Tropic writing: rethinking the titular metaphors of late modernism. Conclusion: titles after composition -- "Labelless labels": notes on the postmodern title: Switching from the 1960s: Smithson, Morris, and conceptual art. Naming through institutions and expressions. "On the other side of the proper name": untitling, anonymity, gender, and power.".
- catalog tableOfContents "Nominalist order and disorder: form, violence, and revisionism: Paul Cézanne: "do not remain a creature without a name". Cubic language and the philosophical brothel. Suprematism, Unovis, and "5 x 5 = 25" -- Composition I: naming the non-iconic in the work of Piet Mondrian and Wassily Kandinsky: Piet Mondrian: "it is above all composition that must suppress the individual. Life and death sentences: compositional theory in Matisse, Malevich, and the United States. Wassily Kandinsky: "reason, the conscious, the deliberate, and the purposeful" -- Dada and surrealism: alchemies of the word: Max Ernst: titles and the "no longer" of painting. Marcel Duchamp: "prime words" and inscriptions. Francis Picabia: names, bodies, diagrams, and counter-identities. Notes on surrealist titling: Magritte, Miró, Tanguy, Matta.".
- catalog tableOfContents "Reckoning with the title and its sites: Poetic intensity and social extension: expanded fields for the title. Zero names: "absences and over-nourishing signs". Titular transformations: "beyond recognition" -- Monet and the development of a nominative effectualism: "Explanations," poems, and "real allegory". Claude Monet: "A succession of astonishing effects" -- Symbolism I: Redon, Gauguin, Signac: Introduction: titles, institutions, and analogues. Odilon Redon: "vagueness, indeterminacy, equivocation". Paul Gauguin: "not a title, but a signature". Paul Signac and Alphonse Allais: exhibitions, numbers, and "incoherents" -- Symbolism II: James McNeill Whistler: the elaboration and contraction of the title.".
- catalog title "Invisible colors : a visual history of titles / John C. Welchman.".
- catalog type "text".