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- catalog abstract "In the twenty years since his death, Pier Paolo Pasolini (1922-1975) has grown into a figure of defining importance in the history of post-war Italian literary and cinematographic culture. His extraordinary and continuing impact is explained by his capacity to appropriate and transform traditional genres, media, languages, and forms of art, and to bring them into stark confrontation with the deeply fractured social, political, and sexual landscape of modern Italy. Pasolini: Forms of Subjectivity aims at a global reassessment of Pasolini, examining in turn his journalism and essays, his poetry, his film theory and practice, and his sprawling, posthumously published narrative fragment Petrolio, all from the perspective of the complex workings of subjectivity which animate every aspect of his work. Gordon provides a conceptual and interpretative framework which redraws the boundaries of our understanding of Pasolini's work.".
- catalog contributor b10246632.
- catalog created "1996.".
- catalog date "1996".
- catalog date "1996.".
- catalog dateCopyrighted "1996.".
- catalog description "In the twenty years since his death, Pier Paolo Pasolini (1922-1975) has grown into a figure of defining importance in the history of post-war Italian literary and cinematographic culture. His extraordinary and continuing impact is explained by his capacity to appropriate and transform traditional genres, media, languages, and forms of art, and to bring them into stark confrontation with the deeply fractured social, political, and sexual landscape of modern Italy. Pasolini: Forms of Subjectivity aims at a global reassessment of Pasolini, examining in turn his journalism and essays, his poetry, his film theory and practice, and his sprawling, posthumously published narrative fragment Petrolio, all from the perspective of the complex workings of subjectivity which animate every aspect of his work. Gordon provides a conceptual and interpretative framework which redraws the boundaries of our understanding of Pasolini's work.".
- catalog description "Includes bibliographical references (p. [293]-311) and index.".
- catalog description "Introduction: The Work of Subjectivity -- pt. I. Pasolini's Public Work. 1. The Contours of a Career. 2. Projects in Journalism. 3. Vocations -- pt. II. Poetry: A Movement of Forms. 4. 'Who is me': The Impulse to Autobiography. 5. 'Pura luce': A Vision of History. 6. 'Un folle identificarsi': Figuring the Self. 7. 'Mio corpo insepolto': The Body and the Father. 8. Poetry into Cinema -- pt. III. Cinema: Tracking the Subject. 9. Authority and Inscription. 10. Style and Technique. 11. Genesis and Intertextuality. 12. Metaphor. 13. Being and Film-Time. 14. Spectatorship -- pt. IV. Unfinished Endings. 15. Petrolio: Self and Form.".
- catalog extent "x, 324 p., [4] p. of plates :".
- catalog identifier "0198159056 (cloth : acid-free paper)".
- catalog issued "1996".
- catalog issued "1996.".
- catalog language "eng".
- catalog publisher "Oxford : Clarendon Press ; New York : Oxford University Press,".
- catalog subject "858/.91409 20".
- catalog subject "PQ4835.A48 Z6885 1996".
- catalog subject "Pasolini, Pier Paolo, 1922-1975 Criticism and interpretation.".
- catalog tableOfContents "Introduction: The Work of Subjectivity -- pt. I. Pasolini's Public Work. 1. The Contours of a Career. 2. Projects in Journalism. 3. Vocations -- pt. II. Poetry: A Movement of Forms. 4. 'Who is me': The Impulse to Autobiography. 5. 'Pura luce': A Vision of History. 6. 'Un folle identificarsi': Figuring the Self. 7. 'Mio corpo insepolto': The Body and the Father. 8. Poetry into Cinema -- pt. III. Cinema: Tracking the Subject. 9. Authority and Inscription. 10. Style and Technique. 11. Genesis and Intertextuality. 12. Metaphor. 13. Being and Film-Time. 14. Spectatorship -- pt. IV. Unfinished Endings. 15. Petrolio: Self and Form.".
- catalog title "Pasolini : forms of subjectivity / Robert S.C. Gordon.".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "text".