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- catalog abstract "Arguing that panel painting, from its origins in the Early Renaissance, was a "self-aware image," Stoichita demonstrates that the artists and their art were often the theme of the painting. He also examines the mirror effect and other "splitting" strategies such as the mise en abyme and intertextual play. By analyzing these modalities of self-reflection, Stoichita offers a new and unexpected view of a period and the art it produced once considered to have been definitively classified.".
- catalog alternative "Instauration du tableau. English".
- catalog contributor b10549374.
- catalog created "1997.".
- catalog date "1997".
- catalog date "1997.".
- catalog dateCopyrighted "1997.".
- catalog description "Arguing that panel painting, from its origins in the Early Renaissance, was a "self-aware image," Stoichita demonstrates that the artists and their art were often the theme of the painting. He also examines the mirror effect and other "splitting" strategies such as the mise en abyme and intertextual play. By analyzing these modalities of self-reflection, Stoichita offers a new and unexpected view of a period and the art it produced once considered to have been definitively classified.".
- catalog description "Includes bibliographical references (p. 317-331) and index.".
- catalog description "pt. 1. The Surprised Eye. Ch. 1. Embrasures. Ch. 2. The Birth of Still-Life as an Intertextual Process. Ch. 3. Margins -- pt. 2. The Inquiring Eye. Ch. 4. Assemblage: How to Make a New Painting from an Old Image. Ch. 5. The Turning Point of Painting. Ch. 6. The Intertextual Machine -- pt. 3. The Methodical Eye. Ch. 7. Paintings, Maps, and Mirrors. Ch. 8. Two Images: The Painter/The Act of Painting. Ch. 9. The Reversed Painting.".
- catalog extent "xv, 345 p. :".
- catalog identifier "0521433932".
- catalog isPartOf "Cambridge studies in new art history and criticism".
- catalog issued "1997".
- catalog issued "1997.".
- catalog language "eng fre".
- catalog language "eng".
- catalog publisher "New York : Cambridge University Press,".
- catalog subject "750/.19 21".
- catalog subject "Metacognition.".
- catalog subject "ND1288 .S7613 1997".
- catalog subject "Painters Psychology.".
- catalog subject "Painting, Modern Themes, motives.".
- catalog subject "Painting, Renaissance Themes, motives.".
- catalog tableOfContents "pt. 1. The Surprised Eye. Ch. 1. Embrasures. Ch. 2. The Birth of Still-Life as an Intertextual Process. Ch. 3. Margins -- pt. 2. The Inquiring Eye. Ch. 4. Assemblage: How to Make a New Painting from an Old Image. Ch. 5. The Turning Point of Painting. Ch. 6. The Intertextual Machine -- pt. 3. The Methodical Eye. Ch. 7. Paintings, Maps, and Mirrors. Ch. 8. Two Images: The Painter/The Act of Painting. Ch. 9. The Reversed Painting.".
- catalog title "Instauration du tableau. English".
- catalog title "The self-aware image : an insight into early modern meta-painting / Victor I. Stoichita ; translated by Anne-Marie Glasheen".
- catalog type "text".