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• catalog abstract ""Born in the Lebanon, Palestinian artist Mona Hatoum was exiled to London, where she has lived and worked since the mid 1970s and where, in 1995, she was nominated for the prestigious Turner Prize. Through performance, video, sculpture and installation she creates architectonic spaces which relate to the body, language and the condition of exile. One of her most spellbinding and best known works is a video installation titled Corps etranger, where the spectator enters a small pavilion and takes a visual journey through all the orifices of the artist's body. Such works combine states of emotion and longing with the formal simplicity of Minimalism, creating powerful evocations of displacement, denial and otherness. Hatoum's many international exhibitions include the Centre Georges Pompidou, in Paris (1994); her work tours extensively to museums throughout the United States in 1997." "The distinguished British critic Guy Brett, explores key themes around a sense of place, the body and communication which emerge from Hatoum's range of work. The artist describes a chronology of practice in conversation with Michael Archer, writer, curator and co-founder of London's Audio Arts sound archive. Catherine de Zegher makes a complex and provocative analysis of Recollection, a work she commissioned for a sixteenth-century beguinage. Hatoum has chosen a text by the influential Palestinian author Edward Said as well as a statement from the noted Italian post-war sculptor and performance artist, Piero Manzoni. The book also includes Hatoum's own notes, statements and previous interviews."--Jacket.".
• catalog contributor b10562924.
• catalog contributor b10562925.
• catalog contributor b10562926.
• catalog contributor b10562927.
• catalog contributor b10562928.
• catalog created "1997.".
• catalog date "1997".
• catalog date "1997.".
• catalog dateCopyrighted "1997.".
• catalog description ""Born in the Lebanon, Palestinian artist Mona Hatoum was exiled to London, where she has lived and worked since the mid 1970s and where, in 1995, she was nominated for the prestigious Turner Prize. Through performance, video, sculpture and installation she creates architectonic spaces which relate to the body, language and the condition of exile. One of her most spellbinding and best known works is a video installation titled Corps etranger, where the spectator enters a small pavilion and takes a visual journey through all the orifices of the artist's body. Such works combine states of emotion and longing with the formal simplicity of Minimalism, creating powerful evocations of displacement, denial and otherness. Hatoum's many international exhibitions include the Centre Georges Pompidou, in Paris (1994); her work tours extensively to museums throughout the United States in 1997." "The distinguished British critic Guy Brett, explores key themes around a sense of place, the body and communication which emerge from Hatoum's range of work. The artist describes a chronology of practice in conversation with Michael Archer, writer, curator and co-founder of London's Audio Arts sound archive. Catherine de Zegher makes a complex and provocative analysis of Recollection, a work she commissioned for a sixteenth-century beguinage. Hatoum has chosen a text by the influential Palestinian author Edward Said as well as a statement from the noted Italian post-war sculptor and performance artist, Piero Manzoni. The book also includes Hatoum's own notes, statements and previous interviews."--Jacket.".
• catalog description "Includes bibliographical references (p. 158).".
• catalog description "Interview. Michael Archer in conversation with Mona Hatoum -- Survey. Itinerary / Guy Brett -- Focus. Hatoum's Recollection: about losing and being lost / Catherine de Zegher -- Artist's choice. For a discovery of a zone of images, 1957 / Piero Manzoni ; Reflections on exile, 1984 / Edward Said -- Artist's writings. Proposal for new contemporaries, Waterworks, 1981 ; Slade School of Art, Waterworks, 1981 ; Look no body!, 1981 ; Do-it, home version, 1996 ; Under siege, 1982 / Mona Hatoum ; Interview with Sara Diamond ; Interview Claudia Spinelli -- Chronology.".
• catalog extent "159 p. :".
• catalog hasFormat "Mona Hatoum.".
• catalog identifier "0714836605".
• catalog isFormatOf "Mona Hatoum.".
• catalog isPartOf "Contemporary artists".
• catalog issued "1997".
• catalog issued "1997.".
• catalog language "eng".
• catalog publisher "London : Phaidon Press,".
• catalog relation "Mona Hatoum.".
• catalog spatial "England.".
• catalog subject "Hatoum, Mona, 1952- Criticism and interpretation.".
• catalog subject "Hatoum, Mona, 1952- Interviews.".
• catalog subject "Installations (Art) England.".
• catalog subject "NX547.6.H38 A93 1997".
• catalog subject "Performance art England.".
• catalog tableOfContents "Interview. Michael Archer in conversation with Mona Hatoum -- Survey. Itinerary / Guy Brett -- Focus. Hatoum's Recollection: about losing and being lost / Catherine de Zegher -- Artist's choice. For a discovery of a zone of images, 1957 / Piero Manzoni ; Reflections on exile, 1984 / Edward Said -- Artist's writings. Proposal for new contemporaries, Waterworks, 1981 ; Slade School of Art, Waterworks, 1981 ; Look no body!, 1981 ; Do-it, home version, 1996 ; Under siege, 1982 / Mona Hatoum ; Interview with Sara Diamond ; Interview Claudia Spinelli -- Chronology.".
• catalog title "Mona Hatoum / Michael Archer, Guy Brett, Catherine de Zegher.".
• catalog type "Criticism, interpretation, etc. fast".
• catalog type "text".