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- catalog contributor b10710528.
- catalog created "1998.".
- catalog date "1998".
- catalog date "1998.".
- catalog dateCopyrighted "1998.".
- catalog description "Includes bibliographical references and index.".
- catalog description "Introduction: realism, contradiction and interpretation -- 1. Photography, the everyday and the Russian Revolution -- 2. Technique, technology and the everyday: German photographic culture in the 1920s and 1930s -- 3. The making of documentary: documentary after factography -- 4. The state, the everyday and the archive -- 5. Surrealism, photography and the everyday -- 6. Inside Modernism: American photography and post-war culture -- 7. John Berger and Jean Mohr: the return to communality -- 8. The rise of theory and the critique of realism: photography in Britain in the 1980s -- 9. Disfiguring the ideal: the body, photography and the everyday -- 10. Jeff Wall: the social pathology of everyday life -- 11. Jo Spence: photography, empowerment and the everyday -- 12. Digital imagery and the critique of realism.".
- catalog extent "xii, 241 p., [12] p. of plates :".
- catalog hasFormat "Art of interruption.".
- catalog identifier "0719035600 (cl)".
- catalog identifier "0719035619 (pb)".
- catalog isFormatOf "Art of interruption.".
- catalog isPartOf "The Critical image".
- catalog issued "1998".
- catalog issued "1998.".
- catalog language "eng".
- catalog publisher "Manchester [England] ; New York : Manchester University Press ; New York, NY, USA : Distributed exclusively in the USA by St. Martin's Press,".
- catalog relation "Art of interruption.".
- catalog subject "770/.1 21".
- catalog subject "Photography History 20th century.".
- catalog subject "Photography Philosophy.".
- catalog subject "Realism in art.".
- catalog subject "TR183 .R63 1997".
- catalog subject "TR183 .R63 1998".
- catalog tableOfContents "Introduction: realism, contradiction and interpretation -- 1. Photography, the everyday and the Russian Revolution -- 2. Technique, technology and the everyday: German photographic culture in the 1920s and 1930s -- 3. The making of documentary: documentary after factography -- 4. The state, the everyday and the archive -- 5. Surrealism, photography and the everyday -- 6. Inside Modernism: American photography and post-war culture -- 7. John Berger and Jean Mohr: the return to communality -- 8. The rise of theory and the critique of realism: photography in Britain in the 1980s -- 9. Disfiguring the ideal: the body, photography and the everyday -- 10. Jeff Wall: the social pathology of everyday life -- 11. Jo Spence: photography, empowerment and the everyday -- 12. Digital imagery and the critique of realism.".
- catalog title "The art of interruption : realism, photography, and the everyday / John Roberts.".
- catalog type "History. fast".
- catalog type "text".