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- catalog abstract ""Contemporary Cinema is a major study of key developments in the cinema of the last thirty years. Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. Poetic cinemas are seen as creating a distinctive match in their own cultures between critical social engagement and the delirium of form."--Jacket.".
- catalog contributor b10727660.
- catalog created "c1998.".
- catalog date "1998".
- catalog date "c1998.".
- catalog dateCopyrighted "c1998.".
- catalog description ""Contemporary Cinema is a major study of key developments in the cinema of the last thirty years. Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. Poetic cinemas are seen as creating a distinctive match in their own cultures between critical social engagement and the delirium of form."--Jacket.".
- catalog description "1. A Cinema of Poetry -- 2. The Sacrificial Unconscious: The Red Desert to Three Colours: Blue -- 3. The Screen as Split Subject 1: Persona's Legacy -- 4. The Screen as Split Subject 2: Into the 1990s -- 5. The Camera as Double Vision: Blow-Up to La Belle Noiseuse -- 6. American Reveries: Altman, Lynch, Malick, Scorsese -- 7. Anxieties of the Masculine Sublime -- 8. The Road to Nowhere: 1990s Noir.".
- catalog description "Includes bibliographical references (p. 231-234) and index.".
- catalog extent "xi, 243 p. :".
- catalog identifier "0748608362 (pbk.)".
- catalog issued "1998".
- catalog issued "c1998.".
- catalog language "eng".
- catalog publisher "Edinburgh : Edinburgh University Press,".
- catalog subject "791.43 21".
- catalog subject "Cinéma Esthétique.".
- catalog subject "Cinéma Histoire.".
- catalog subject "Motion pictures History.".
- catalog subject "PN1994 .O77 1998".
- catalog tableOfContents "1. A Cinema of Poetry -- 2. The Sacrificial Unconscious: The Red Desert to Three Colours: Blue -- 3. The Screen as Split Subject 1: Persona's Legacy -- 4. The Screen as Split Subject 2: Into the 1990s -- 5. The Camera as Double Vision: Blow-Up to La Belle Noiseuse -- 6. American Reveries: Altman, Lynch, Malick, Scorsese -- 7. Anxieties of the Masculine Sublime -- 8. The Road to Nowhere: 1990s Noir.".
- catalog title "Contemporary cinema / John Orr.".
- catalog type "History. fast".
- catalog type "text".