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- catalog abstract "This book fills in what isn't so familiar: Memphis, it reveals, is our great cultural mixing board, where all the black and white folk have met and done musical business for two centuries or more. Larry Nager, former music editor of the Memphis Commercial Appeal, offers more than a casual history. His chronicle reaches back into the nineteenth century, when Memphis was a wild frontier town full of whiskey, fiddle players, and minstrelsy. It hits cruising speed at the turn of the century, as W.C. Handy discovered the blues, women like Lil Armstrong and Memphis Minnie kept up with the men, and a Memphis deejay dreamed up the Grand Ole Opry. It chronicles the strange alchemy by which local rhythm 'n' blues, hard country, and black and white gospel got remade into powerful rock and roll in Sam Phillips's Sun Records studio on Union Avenue. The beat goes on into the '60s and the era of Stax and Hi Records - when the first integrated generations, raised on Sun 45s, started waxing their own sounds. And it follows Memphis even into contemporary times, through Big Star's adventures at Ardent Records, the difficult revival of Beale Street, and the birth of the House of Blues. There is triumph and tragedy here, and much in between - from the stalwart presence of lifelong musicians like Gus Cannon and Furry Lewis, through the horrific accident that killed Otis Redding, the Bar-Kays, and years and years of musical dreams.".
- catalog contributor b10767042.
- catalog created "c1998.".
- catalog date "1998".
- catalog date "c1998.".
- catalog dateCopyrighted "c1998.".
- catalog description "Includes bibliographical references (p. [247]-251), discography (p. [253]-268) and index.".
- catalog description "Larry Nager, former music editor of the Memphis Commercial Appeal, offers more than a casual history. His chronicle reaches back into the nineteenth century, when Memphis was a wild frontier town full of whiskey, fiddle players, and minstrelsy. It hits cruising speed at the turn of the century, as W.C. Handy discovered the blues, women like Lil Armstrong and Memphis Minnie kept up with the men, and a Memphis deejay dreamed up the Grand Ole Opry. It chronicles the strange alchemy by which local rhythm 'n' blues, hard country, and black and white gospel got remade into powerful rock and roll in Sam Phillips's Sun Records studio on Union Avenue.".
- catalog description "The beat goes on into the '60s and the era of Stax and Hi Records - when the first integrated generations, raised on Sun 45s, started waxing their own sounds. And it follows Memphis even into contemporary times, through Big Star's adventures at Ardent Records, the difficult revival of Beale Street, and the birth of the House of Blues. There is triumph and tragedy here, and much in between - from the stalwart presence of lifelong musicians like Gus Cannon and Furry Lewis, through the horrific accident that killed Otis Redding, the Bar-Kays, and years and years of musical dreams.".
- catalog description "This book fills in what isn't so familiar: Memphis, it reveals, is our great cultural mixing board, where all the black and white folk have met and done musical business for two centuries or more.".
- catalog extent "xv, 287, [16] p. of plates :".
- catalog identifier "0312155875".
- catalog issued "1998".
- catalog issued "c1998.".
- catalog language "eng".
- catalog publisher "New York : St. Martin's Press,".
- catalog spatial "Tennessee Memphis".
- catalog subject "781.64/09768/19 21".
- catalog subject "ML3477.8.M46 N34 1998".
- catalog subject "Popular music Tennessee Memphis History and criticism.".
- catalog title "Memphis beat : the lives and times of America's musical crossroads / Larry Nager.".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "text".