Matches in Harvard for { <http://id.lib.harvard.edu/aleph/007797932/catalog> ?p ?o. }
Showing items 1 to 33 of
33
with 100 items per page.
- catalog abstract "Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafe-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall. He traces the many connections between Satie and artists in other domains - not just major figures like Cocteau, Picasso, and the Dadaists, but also cabaret humorists, musical performers, esoteric writers, and less familiar painters like Desboutin, Rusinol, and Casas.".
- catalog contributor b10790202.
- catalog coverage "Montmartre (Paris, France)".
- catalog created "1999.".
- catalog date "1999".
- catalog date "1999.".
- catalog dateCopyrighted "1999.".
- catalog description "Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafe-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall.".
- catalog description "He traces the many connections between Satie and artists in other domains - not just major figures like Cocteau, Picasso, and the Dadaists, but also cabaret humorists, musical performers, esoteric writers, and less familiar painters like Desboutin, Rusinol, and Casas.".
- catalog description "Includes bibliographical references (p. [563]-578) and indexes.".
- catalog description "pt. I. Cafe-Concert, Music-Hall, Cabaret. 1. The Cafe-Concert. 2. From Caf'Conc' to Music-Hall. 3. The Cabaret artistique -- pt. II. Satie's Involvement in Popular Milieux. 4. Satie at the Chat Noir. 5. Satie and the Divan Japonais. 6. Satie at the Auberge du Clou. 7. From the Auberge du Clou to Arcueil. 8. Satie and Hyspa. 9. Of Pantomimes and Pears. 10. Waltz, Cakewalk, Theatre Song -- pt. III. From Cabaret to Concert Hall. 11. Satie's Humoristic Works for Piano. 12. From Chanson to Melodie and Back. 13. The Composer as Playwright. 14. Autour de Cocteau, or the Uses of Popular Music. 15. On revient toujours: Satie's Last Ballets.".
- catalog extent "596 p., [1] p. of plates :".
- catalog identifier "0198164580".
- catalog isPartOf "Oxford monographs on music".
- catalog issued "1999".
- catalog issued "1999.".
- catalog language "eng".
- catalog publisher "Oxford ; New York : Oxford University Press,".
- catalog spatial "France Paris".
- catalog spatial "Montmartre (Paris, France)".
- catalog subject "780/.92 21".
- catalog subject "ML410.S196 W55 1999".
- catalog subject "Music France Paris History and criticism.".
- catalog subject "Music-halls (Variety-theaters, cabarets, etc.) France Paris History 19th century.".
- catalog subject "Music-halls (Variety-theaters, cabarets, etc.) France Paris History.".
- catalog subject "Popular music France Paris History and criticism.".
- catalog subject "Popular music France Paris To 1901 History and criticism.".
- catalog subject "Satie, Erik, 1866-1925.".
- catalog tableOfContents "pt. I. Cafe-Concert, Music-Hall, Cabaret. 1. The Cafe-Concert. 2. From Caf'Conc' to Music-Hall. 3. The Cabaret artistique -- pt. II. Satie's Involvement in Popular Milieux. 4. Satie at the Chat Noir. 5. Satie and the Divan Japonais. 6. Satie at the Auberge du Clou. 7. From the Auberge du Clou to Arcueil. 8. Satie and Hyspa. 9. Of Pantomimes and Pears. 10. Waltz, Cakewalk, Theatre Song -- pt. III. From Cabaret to Concert Hall. 11. Satie's Humoristic Works for Piano. 12. From Chanson to Melodie and Back. 13. The Composer as Playwright. 14. Autour de Cocteau, or the Uses of Popular Music. 15. On revient toujours: Satie's Last Ballets.".
- catalog title "Satie the bohemian : from cabaret to concert hall / Steven Moore Whiting.".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "History. fast".
- catalog type "text".