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- catalog contributor b10818416.
- catalog created "c1998.".
- catalog date "1998".
- catalog date "c1998.".
- catalog dateCopyrighted "c1998.".
- catalog description "Includes filmography (p. 231-232).".
- catalog description "ch. 1. Abyss: the narrative spine needs a chiropractor -- ch. 2. Cutthroat island: shiver me structure -- ch. 3. Inherit the wind: Play's the first thing, the screenplay's the second -- ch. 4. Singin' in the rain: the perfect film that shouldn't work -- ch. 5. Pulp fiction: reinventing structure -- ch. 6. Usual suspects: the great script that could have been greater -- ch. 7. High noon: Aristotle goes out west -- ch. 8. Citizen Kane -- ch. 9. Bonfire of the vanities: third act suicide -- ch. 10. Last action hero: deconstruction self-destructs -- ch. 11. Fargo: satire isn't always what closes on Saturday night -- ch. 12. Jewel of the Nile: your subtext is showing, the problem of the false second act -- ch. 13. Groundhog day: the unexpected, expected structure -- ch. 14. Searchers: the third act hiccup -- ch. 15. Verdict: dialogue as litany -- ch. 16. Tender mercies: less is more, lots more -- ch. 17. Some like it hot: fewer scenes, bigger laughs -- ch. 18. Prizzi's honor: the passive second act protagonist -- ch. 19. Day of the jackal: the antagonist as protagonist -- ch. 20. Network: the catalytic monster -- ch. 21. Chinatown: the elusive antagonist -- ch. 22. Casablanca: the antihero as protagonist -- ch. 23. Havana: Casablanca lite -- ch. 24. Treasure of the Sierra Madre: the greatest adventure -- ch. 25. Falling in love: the good guys ought to be the bad guys.".
- catalog extent "xxii, 232 p. :".
- catalog identifier "0609801198 (alk. paper)".
- catalog issued "1998".
- catalog issued "c1998.".
- catalog language "eng".
- catalog publisher "New York : Three Rivers Press,".
- catalog subject "808.2/3 21".
- catalog subject "Motion picture authorship.".
- catalog subject "PN1996 .P66 1998".
- catalog tableOfContents "ch. 1. Abyss: the narrative spine needs a chiropractor -- ch. 2. Cutthroat island: shiver me structure -- ch. 3. Inherit the wind: Play's the first thing, the screenplay's the second -- ch. 4. Singin' in the rain: the perfect film that shouldn't work -- ch. 5. Pulp fiction: reinventing structure -- ch. 6. Usual suspects: the great script that could have been greater -- ch. 7. High noon: Aristotle goes out west -- ch. 8. Citizen Kane -- ch. 9. Bonfire of the vanities: third act suicide -- ch. 10. Last action hero: deconstruction self-destructs -- ch. 11. Fargo: satire isn't always what closes on Saturday night -- ch. 12. Jewel of the Nile: your subtext is showing, the problem of the false second act -- ch. 13. Groundhog day: the unexpected, expected structure -- ch. 14. Searchers: the third act hiccup -- ch. 15. Verdict: dialogue as litany -- ch. 16. Tender mercies: less is more, lots more -- ch. 17. Some like it hot: fewer scenes, bigger laughs -- ch. 18. Prizzi's honor: the passive second act protagonist -- ch. 19. Day of the jackal: the antagonist as protagonist -- ch. 20. Network: the catalytic monster -- ch. 21. Chinatown: the elusive antagonist -- ch. 22. Casablanca: the antihero as protagonist -- ch. 23. Havana: Casablanca lite -- ch. 24. Treasure of the Sierra Madre: the greatest adventure -- ch. 25. Falling in love: the good guys ought to be the bad guys.".
- catalog title "Good scripts, bad scripts : learning the craft of screenwriting through the 25 best and worst films in history / Thomas Pope.".
- catalog type "text".