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- catalog abstract "Between 1830 and 1880, oil sketches by American landscape painters gradually emerged from the privacy of the studio as desirable and marketable works of art in their own right. Landscape painting was of prime importance in America during the mid-nineteenth century, and artists such as Thomas Cole, Frederic Edwin Church, Albert Bierstadt, and Sanford Robinson Gifford traveled to distant, often inaccessible places in search of new images. The hazards accompanying such ventures added to the public's interest in the on-the-spot sketches, which also became marketing tools for the carefully composed paintings that would later be created in a studio setting. The Painted Sketch is the first volume to focus on the sketches of major American artists of the period. Eleanor Jones Harvey, author and consulting curator of American Art for the Dallas Museum of Art, follows the artists from field to studio, examining the changing perception and growing public appreciation for these small works. Her study is based on much new research as well as on her close analysis of existing resources.".
- catalog contributor b11002497.
- catalog contributor b11002498.
- catalog contributor b11002499.
- catalog contributor b11002500.
- catalog created "c1998.".
- catalog date "1998".
- catalog date "c1998.".
- catalog dateCopyrighted "c1998.".
- catalog description "Between 1830 and 1880, oil sketches by American landscape painters gradually emerged from the privacy of the studio as desirable and marketable works of art in their own right. Landscape painting was of prime importance in America during the mid-nineteenth century, and artists such as Thomas Cole, Frederic Edwin Church, Albert Bierstadt, and Sanford Robinson Gifford traveled to distant, often inaccessible places in search of new images. The hazards accompanying such ventures added to the public's interest in the on-the-spot sketches, which also became marketing tools for the carefully composed paintings that would later be created in a studio setting.".
- catalog description "Includes bibliographical references (p. 278-288) and index.".
- catalog description "The Painted Sketch is the first volume to focus on the sketches of major American artists of the period. Eleanor Jones Harvey, author and consulting curator of American Art for the Dallas Museum of Art, follows the artists from field to studio, examining the changing perception and growing public appreciation for these small works. Her study is based on much new research as well as on her close analysis of existing resources.".
- catalog description "The artist in the field -- The alchemy of the studio -- The oil sketch on display -- Collecting the painted sketch -- The oil sketch as art.".
- catalog extent "299 p. :".
- catalog hasFormat "Painted sketch.".
- catalog identifier "0810963647 (Abrams)".
- catalog identifier "0936227249 (Dallas Museum : pbk)".
- catalog isFormatOf "Painted sketch.".
- catalog issued "1998".
- catalog issued "c1998.".
- catalog language "eng".
- catalog publisher "[Dallas, Tex.] : Dallas Museum of Art in association with H.N. Abrams,".
- catalog relation "Painted sketch.".
- catalog spatial "United States".
- catalog subject "758/.173/07473 21".
- catalog subject "Landscape painting 19th century United States Exhibitions.".
- catalog subject "Landscape painting, American 19th century Exhibitions.".
- catalog subject "Landscape painting, American Exhibitions.".
- catalog subject "ND1351.5 .H27 1998".
- catalog subject "Oil sketches United States Exhibitions.".
- catalog tableOfContents "The artist in the field -- The alchemy of the studio -- The oil sketch on display -- Collecting the painted sketch -- The oil sketch as art.".
- catalog title "The painted sketch : American impressions from nature, 1830-1880 / by Eleanor Jones Harvey.".
- catalog type "Exhibition catalogs. fast".
- catalog type "text".