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- catalog abstract ""Black Music, White Business probes the principal contradiction in the jazz world: that between black artistry on the one hand and white ownership of the means of jazz distribution - the recording companies, booking agencies, festivals, nightclubs and magazines - on the other."--BOOK JACKET. "Drawing on a wide variety of sources as well as his own experiences, Frank Kofsky brings to light the exploitation to which jazz creators historically have been subjected and the racist contempt with which many industry executives view jazz."--Jacket.".
- catalog alternative "Illuminating the history and political economy of jazz".
- catalog contributor b11037651.
- catalog created "1998.".
- catalog date "1998".
- catalog date "1998.".
- catalog dateCopyrighted "1998.".
- catalog description ""Black Music, White Business probes the principal contradiction in the jazz world: that between black artistry on the one hand and white ownership of the means of jazz distribution - the recording companies, booking agencies, festivals, nightclubs and magazines - on the other."--BOOK JACKET. "Drawing on a wide variety of sources as well as his own experiences, Frank Kofsky brings to light the exploitation to which jazz creators historically have been subjected and the racist contempt with which many industry executives view jazz."--Jacket.".
- catalog description "Includes bibliographical references and index.".
- catalog description "pt. 1. The political economy of jazz then and now. 1. 'You don't own your own product': an introduction to the political economy of jazz. 2. Why let a little thing like death interfere with exploitation? 3. 'Selling records to colored people': white contempt for black art. 4. If you're black, get back: double standards in the recording industry -- pt. 2. Approaching jazz history. 5. You don't have to be intellectually dishonest to defend the status quo in jazz -- but it helps. 6. The 'jazz tradition': black music, white critic. 7. The Afro-American folk roots of innovation in jazz. App. A. Mark Levine's contract with Catalyst Records -- App. B. Royalty payments to Mark Levine from United Artists Records.".
- catalog extent "165 p. :".
- catalog hasFormat "Black music, white business.".
- catalog identifier "0873488598 (paper)".
- catalog identifier "0873488601 (cloth)".
- catalog isFormatOf "Black music, white business.".
- catalog issued "1998".
- catalog issued "1998.".
- catalog language "eng".
- catalog publisher "New York : Pathfinder,".
- catalog relation "Black music, white business.".
- catalog subject "781.65 21".
- catalog subject "African American musicians.".
- catalog subject "African Americans Music History and criticism.".
- catalog subject "Jazz History and criticism.".
- catalog subject "ML3508 .K62 1998".
- catalog tableOfContents "pt. 1. The political economy of jazz then and now. 1. 'You don't own your own product': an introduction to the political economy of jazz. 2. Why let a little thing like death interfere with exploitation? 3. 'Selling records to colored people': white contempt for black art. 4. If you're black, get back: double standards in the recording industry -- pt. 2. Approaching jazz history. 5. You don't have to be intellectually dishonest to defend the status quo in jazz -- but it helps. 6. The 'jazz tradition': black music, white critic. 7. The Afro-American folk roots of innovation in jazz. App. A. Mark Levine's contract with Catalyst Records -- App. B. Royalty payments to Mark Levine from United Artists Records.".
- catalog title "Black music, white business : illuminating the history and political economy of jazz / by Frank Kofsky.".
- catalog title "Illuminating the history and political economy of jazz".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "text".