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- catalog abstract "Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.".
- catalog alternative "Modernist art and popular entertainment in Jazz-Age Paris, 1900-1930".
- catalog contributor b11113790.
- catalog created "c1999.".
- catalog date "1999".
- catalog date "c1999.".
- catalog dateCopyrighted "c1999.".
- catalog description "Includes bibliographical references (p. [191]-202) and index.".
- catalog description "Introduction: Sitting In on a Popular Revolution -- 1. Taking the Cake: The First Steps of Primitivism in Modernist Art -- 2. Tam-Tam in the Urban Jungle: Orphism, Unanimism, Futurism -- 3. Ragging the War: Dada -- 4. Bamboula in the Temple of Auguste Perret: The Call to Order -- 5. Jamming on the Rue Fontaine: Surrealism -- 6. Toeing the Line: Purism -- Postscript: Playing Down le Tumulte noir.".
- catalog description "Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.".
- catalog extent "viii, 207 p., 8 p. of plates :".
- catalog hasFormat "Tumulte noir.".
- catalog identifier "0271017538 (alk. paper)".
- catalog isFormatOf "Tumulte noir.".
- catalog issued "1999".
- catalog issued "c1999.".
- catalog language "eng".
- catalog publisher "University Park, Pa. : Pennsylvania State University Press,".
- catalog relation "Tumulte noir.".
- catalog spatial "France Paris".
- catalog spatial "France Paris.".
- catalog subject "700/.944361/09041 21".
- catalog subject "Arts, French France Paris 20th century.".
- catalog subject "Arts, French France Paris African influences.".
- catalog subject "Arts, Modern 20th century France Paris.".
- catalog subject "Jazz in art.".
- catalog subject "NX549.P2 B57 1999".
- catalog subject "Popular culture France Paris History 20th century.".
- catalog tableOfContents "Introduction: Sitting In on a Popular Revolution -- 1. Taking the Cake: The First Steps of Primitivism in Modernist Art -- 2. Tam-Tam in the Urban Jungle: Orphism, Unanimism, Futurism -- 3. Ragging the War: Dada -- 4. Bamboula in the Temple of Auguste Perret: The Call to Order -- 5. Jamming on the Rue Fontaine: Surrealism -- 6. Toeing the Line: Purism -- Postscript: Playing Down le Tumulte noir.".
- catalog title "Le tumulte noir : modernist art and popular entertainment in Jazz-Age Paris, 1900-1930 / Jody Blake.".
- catalog title "Modernist art and popular entertainment in Jazz-Age Paris, 1900-1930".
- catalog type "text".