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- catalog abstract ""Arguing against a persistent view of Romantic lyricism as an inherently introspective mode, this book examines how Charlotte Smith, William Wordsworth, and John Clare recognized end employed the mode's immense capacity for engaging reading audiences in reflections both personal and social. Zimmerman focuses new attention on the Romantic lyric's audiences--not the silent, passive auditor of canonical paradigms, but historical readers and critics who can tell us more than we have asked about the mode's rhetorical possibilities. She situates poems within the specific circumstances of their production and consumption, including the aftermath in England of the French Revolution, rural poverty, the processes of parliamentary enclosure, the biographical contours of poet's careers, and the myriad exchanges among poets, patrons, publishers, critics, and readers in the literary marketplace. Book jacket."--Jacket.".
- catalog contributor b11118957.
- catalog created "1999.".
- catalog date "1999".
- catalog date "1999.".
- catalog dateCopyrighted "1999.".
- catalog description ""Arguing against a persistent view of Romantic lyricism as an inherently introspective mode, this book examines how Charlotte Smith, William Wordsworth, and John Clare recognized end employed the mode's immense capacity for engaging reading audiences in reflections both personal and social. Zimmerman focuses new attention on the Romantic lyric's audiences--not the silent, passive auditor of canonical paradigms, but historical readers and critics who can tell us more than we have asked about the mode's rhetorical possibilities. She situates poems within the specific circumstances of their production and consumption, including the aftermath in England of the French Revolution, rural poverty, the processes of parliamentary enclosure, the biographical contours of poet's careers, and the myriad exchanges among poets, patrons, publishers, critics, and readers in the literary marketplace. Book jacket."--Jacket.".
- catalog description "Includes bibliographical references and index.".
- catalog description "The history of an aura: romantic lyricism and the millennium that didn't come -- "Dost thou not know my voice?": Charlotte Smith and the lyric's audience -- William Wordsworth and the uses of lyricism -- Dorothy Wordsworth and the liabilities of literary production -- John Clare's poetics and politics of loss.".
- catalog extent "xxii, 233 p. :".
- catalog identifier "0791441091 (hc. : alk. paper)".
- catalog identifier "0791441105 (pbk. : alk. paper)".
- catalog issued "1999".
- catalog issued "1999.".
- catalog language "eng".
- catalog publisher "New York : State University of New York Press,".
- catalog spatial "Great Britain".
- catalog spatial "Great Britain.".
- catalog subject "821/.709145 21".
- catalog subject "Clare, John, 1793-1864 Criticism and interpretation.".
- catalog subject "English poetry 19th century History and criticism.".
- catalog subject "Literature and history Great Britain History 18th century.".
- catalog subject "Literature and history Great Britain History 19th century.".
- catalog subject "PR590 .Z37 1999".
- catalog subject "Romanticism Great Britain.".
- catalog subject "Smith, Charlotte Turner, 1749-1806 Poetic works.".
- catalog subject "Smith, Charlotte, 1749-1806 Poetic works.".
- catalog subject "Wordsworth, Dorothy, 1771-1855.".
- catalog subject "Wordsworth, William, 1770-1850 Criticism and interpretation.".
- catalog tableOfContents "The history of an aura: romantic lyricism and the millennium that didn't come -- "Dost thou not know my voice?": Charlotte Smith and the lyric's audience -- William Wordsworth and the uses of lyricism -- Dorothy Wordsworth and the liabilities of literary production -- John Clare's poetics and politics of loss.".
- catalog title "Romanticism, lyricism, and history / Sarah M. Zimmerman.".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "History. fast".
- catalog type "text".