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- catalog abstract "This study examines the role of indeterminacy - what Chesterton called "the final skepticism which can find no floor to the universe"--In nineteenth-century British art. Beginning in 1806 with Wordsworth's questioning of the essential ground and companion-ableness of things and concluding with Hardy's dramatization in Wessex Poems of the treacherous relationship between the word and the image, 'If Mine Had Been the Painter's Hand' chronicles the growing sense of the antagonism of things as evidenced in the irreconcilable tension between the visual and the verbal. The writers examined here rely in varying degrees and at critical junctures in their artistic careers on the pictorial to forge analogs as evidence of the kindredness of things. Their failure testifies to their sense that all is, as De Quincey observed, "irrelate," indeterminate.".
- catalog contributor b11211050.
- catalog created "c1999.".
- catalog date "1999".
- catalog date "c1999.".
- catalog dateCopyrighted "c1999.".
- catalog description "Beginning in 1806 with Wordsworth's questioning of the essential ground and companion-ableness of things and concluding with Hardy's dramatization in Wessex Poems of the treacherous relationship between the word and the image, 'If Mine Had Been the Painter's Hand' chronicles the growing sense of the antagonism of things as evidenced in the irreconcilable tension between the visual and the verbal. The writers examined here rely in varying degrees and at critical junctures in their artistic careers on the pictorial to forge analogs as evidence of the kindredness of things.".
- catalog description "Includes bibliographical references (p. 229-243) and index.".
- catalog description "Introduction: 'Vacancy Scoop'd Out' -- Ch. 1. Wordsworth: The Fond Illusion of the Heart -- Ch. 2. Tennyson: 'The Tender-Penciled Shadow Play' -- Ch. 3. Browning: 'Training for the Sight' -- Ch. 4. Arnold: 'Be Painter and Musician Too' -- Ch. 5. Lizzie Siddal: 'The Proper Quality of Echo' -- Ch. 6. Thomas Hardy: 'Tis a Mere Piece of Duplicity'.".
- catalog description "Their failure testifies to their sense that all is, as De Quincey observed, "irrelate," indeterminate.".
- catalog description "This study examines the role of indeterminacy - what Chesterton called "the final skepticism which can find no floor to the universe"--In nineteenth-century British art.".
- catalog extent "xii, 299 p. :".
- catalog hasFormat "'If mine had been the painter's hand'.".
- catalog identifier "0820440639".
- catalog isFormatOf "'If mine had been the painter's hand'.".
- catalog isPartOf "Literature and the visual arts ; vol. 13".
- catalog issued "1999".
- catalog issued "c1999.".
- catalog language "eng".
- catalog publisher "New York : Peter Lang,".
- catalog relation "'If mine had been the painter's hand'.".
- catalog spatial "Great Britain".
- catalog subject "821/.709357 21".
- catalog subject "Art and literature Great Britain History 19th century.".
- catalog subject "Description (Rhetoric) History 19th century.".
- catalog subject "Description (Rhetoric)".
- catalog subject "English poetry 19th century History and criticism.".
- catalog subject "Nothing (Philosophy) in literature.".
- catalog subject "Nothing (Philosophy)".
- catalog subject "PR585.A78 S73 1999".
- catalog subject "Painting, English.".
- catalog tableOfContents "Introduction: 'Vacancy Scoop'd Out' -- Ch. 1. Wordsworth: The Fond Illusion of the Heart -- Ch. 2. Tennyson: 'The Tender-Penciled Shadow Play' -- Ch. 3. Browning: 'Training for the Sight' -- Ch. 4. Arnold: 'Be Painter and Musician Too' -- Ch. 5. Lizzie Siddal: 'The Proper Quality of Echo' -- Ch. 6. Thomas Hardy: 'Tis a Mere Piece of Duplicity'.".
- catalog title "'If mine had been the painter's hand' : the indeterminate in nineteenth-century poetry and painting / Lawrence J. Starzyk.".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "History. fast".
- catalog type "text".