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- catalog abstract ""This study focuses on the literal, symbolic, and metaphorical dimensions of The Philosophy of Modern Music. It explains Adorno's cryptical style of writing and reveals how he uses the works of Schoenberg and Stravinsky to discuss kitsch and avant-garde art during the rise of fascism in Germany. It also highlights Adorno's subtle critique of the aesthetic ideas of Benjamin, Hegel, Freud, Jung, and others. Adorno intended The Philosophy of Modern Music to be a Flaschenpost, a message in a bottle, able to maintain its analytical rigor through time. This study shows that when one applies his insights from The Philosophy of Modern Music to present-day cultural practices, they seem more relevant than ever."--Jacket.".
- catalog contributor b11250102.
- catalog created "c2000.".
- catalog date "2000".
- catalog date "c2000.".
- catalog dateCopyrighted "c2000.".
- catalog description ""This study focuses on the literal, symbolic, and metaphorical dimensions of The Philosophy of Modern Music. It explains Adorno's cryptical style of writing and reveals how he uses the works of Schoenberg and Stravinsky to discuss kitsch and avant-garde art during the rise of fascism in Germany. It also highlights Adorno's subtle critique of the aesthetic ideas of Benjamin, Hegel, Freud, Jung, and others.".
- catalog description "Adorno intended The Philosophy of Modern Music to be a Flaschenpost, a message in a bottle, able to maintain its analytical rigor through time. This study shows that when one applies his insights from The Philosophy of Modern Music to present-day cultural practices, they seem more relevant than ever."--Jacket.".
- catalog description "Ch. 1. Introduction -- Ch. 2. Adorno's Discursive Style. Adorno's Homage to Benjamin. Adorno and the Rhetorical Styles of Hegel and Lukacs. The Influence of Nietzsche and Kraus on Adorno. Psychoanalytic Discourse. Adorno's Expressionistic Style. Jewish Self-Identification. Stylistic Evaluation -- Ch. 3. Introduction to the Socio-Cultural Concepts in the Philosophy of Modern Music. Western Hegelian Marxism. Social Psychology. Nietzsche, Wagner, and the Overman. Culture and the German Jewish Polemic -- Ch. 4. Stravinsky and Restoration. Conservative Culture Contextualized. Outsiders in Europe. Petrouchka: A Ballet about Outsiders. Adorno's Depiction of Petrouchka Qualified. Stravinsky's Ties to Fascism. Parallels between Petrouchka and The Rite of Spring. Modern Primitivism in The Rite of Spring. Social Pathologies in The Rite of Spring. L'Histoire Du Soldat. Adorno's Early Critique of Neoclassical Music. Stravinsky's Neoclassical Compositions.".
- catalog description "Includes bibliographical references (p. [191]-210) and index.".
- catalog extent "xii, 215 p. ;".
- catalog hasFormat "Music and culture in the age of mechanical reproduction.".
- catalog identifier "0820445169 (hardcover)".
- catalog isFormatOf "Music and culture in the age of mechanical reproduction.".
- catalog isPartOf "New studies in aesthetics ; vol. 31".
- catalog issued "2000".
- catalog issued "c2000.".
- catalog language "eng".
- catalog publisher "New York : Peter Lang,".
- catalog relation "Music and culture in the age of mechanical reproduction.".
- catalog subject "780/.9/04 21".
- catalog subject "Adorno, Theodor W., 1903-1969. Philosophie der neuen Musik.".
- catalog subject "ML197 .S545 2000".
- catalog subject "Music 20th century History and criticism.".
- catalog subject "Music 20th century Philosophy and aesthetics.".
- catalog tableOfContents "Ch. 1. Introduction -- Ch. 2. Adorno's Discursive Style. Adorno's Homage to Benjamin. Adorno and the Rhetorical Styles of Hegel and Lukacs. The Influence of Nietzsche and Kraus on Adorno. Psychoanalytic Discourse. Adorno's Expressionistic Style. Jewish Self-Identification. Stylistic Evaluation -- Ch. 3. Introduction to the Socio-Cultural Concepts in the Philosophy of Modern Music. Western Hegelian Marxism. Social Psychology. Nietzsche, Wagner, and the Overman. Culture and the German Jewish Polemic -- Ch. 4. Stravinsky and Restoration. Conservative Culture Contextualized. Outsiders in Europe. Petrouchka: A Ballet about Outsiders. Adorno's Depiction of Petrouchka Qualified. Stravinsky's Ties to Fascism. Parallels between Petrouchka and The Rite of Spring. Modern Primitivism in The Rite of Spring. Social Pathologies in The Rite of Spring. L'Histoire Du Soldat. Adorno's Early Critique of Neoclassical Music. Stravinsky's Neoclassical Compositions.".
- catalog title "Music and culture in the age of mechanical reproduction / Bhesham R. Sharma.".
- catalog type "text".