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- catalog contributor b11250110.
- catalog created "2000.".
- catalog date "2000".
- catalog date "2000.".
- catalog dateCopyrighted "2000.".
- catalog description "Includes bibliographical references (p. 185-192) and index.".
- catalog description "pt. 1. Learning the Trade. Background. Entrance into the Afro-Cuban Religious World. Early Musical Experiences. Learning to Play Bata. History of the Drums -- pt. 2. Life as a Musician during the Revolution. Making Ends Meet. Becoming a "Cultural Worker" Performing Afro-Cuban Religious Music in Secular Public Contexts. Performing Afro-Cuban Religious Music in Private Ritual Contexts. Searching for Alternatives: Becoming a Craftsman of Religious Objects. Crafting a Bembe Drum: "Manufacturing" Material Culture to Obey the Orichas -- pt. 3. Life as a Diasporic Musician. Leaving Cuba. Building the Present: Exercising His Trade in His New Home. The Tools of the Trade. The Artisan Transformed into an Artist. Felipe's "There" Faces His "Here."".
- catalog extent "xx, 210 p. :".
- catalog identifier "1566397308 (alk. paper)".
- catalog identifier "1566397316 (alk. paper)".
- catalog isPartOf "Studies in Latin American and Caribbean music".
- catalog issued "2000".
- catalog issued "2000.".
- catalog language "eng".
- catalog publisher "Philadelphia : Temple University Press,".
- catalog spatial "Cuba".
- catalog subject "786.9/092 B 21".
- catalog subject "Blacks Cuba Religion.".
- catalog subject "Drummers (Musicians) Cuba Biography.".
- catalog subject "García Villamil, Felipe, 1931-".
- catalog subject "ML419.G363 V45 2000".
- catalog subject "Santeria Music History and criticism.".
- catalog tableOfContents "pt. 1. Learning the Trade. Background. Entrance into the Afro-Cuban Religious World. Early Musical Experiences. Learning to Play Bata. History of the Drums -- pt. 2. Life as a Musician during the Revolution. Making Ends Meet. Becoming a "Cultural Worker" Performing Afro-Cuban Religious Music in Secular Public Contexts. Performing Afro-Cuban Religious Music in Private Ritual Contexts. Searching for Alternatives: Becoming a Craftsman of Religious Objects. Crafting a Bembe Drum: "Manufacturing" Material Culture to Obey the Orichas -- pt. 3. Life as a Diasporic Musician. Leaving Cuba. Building the Present: Exercising His Trade in His New Home. The Tools of the Trade. The Artisan Transformed into an Artist. Felipe's "There" Faces His "Here."".
- catalog title "Drumming for the gods : the life and times of Felipe García Villamil, santero, palero, and abakuá / María Teresa Vélez.".
- catalog type "Biography. fast".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "text".