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- catalog abstract "Defining Modernism investigates the intellectual connections among three leading nineteenth-century European modernists - Baudelaire, Nietzsche, and Richard Wagner. Through a close reading of Baudelaire's and Nietzsche's essays on art and culture, Wagner's role in the two writers' attempts to define the radically new concept of "modernism" is elucidated. Gogrof-Voorhees explores the affinity between the two writers, which emerges from a juxtaposition of their formulations of the idea of a fractured, contradictory modernity that at once embraces, scatters, and reevaluates an entire constellation of ideas, including romanticism, pessimism, decadence, and nihilism.".
- catalog contributor b11253648.
- catalog created "c1999.".
- catalog date "1999".
- catalog date "c1999.".
- catalog dateCopyrighted "c1999.".
- catalog description "Baudelaire. Ch. 1. Romanticism and Modernity. I. "Salon of 1845" and the Search for Originality. II. "Salon of 1846" and Poetic Criticism. III. Toward a New Romanticism. IV. Capturing Modernity: Some Theories. V. Impact of Stendhal. VI. Artist as the Painter of Modern Life. Ch. 2. Decadence. I. Dandyism: Baudelaire, Foucault, and Camus. II. Critique of Progress in the Realm of the Arts: "The Universal Exhibition of 1855" III. Attempt at a Re-evaluation of Decadence. IV. Against the Grain: Edgar Allen Poe. V. Artificiality. Ch. 3. Richard Wagner. I. Wagner's Situation in France in 1860. II. Baudelaire's Letter. III. Essay on the Tannhauser -- Nietzsche. Ch. 4. Romanticism and Modernity.".
- catalog description "Defining Modernism investigates the intellectual connections among three leading nineteenth-century European modernists - Baudelaire, Nietzsche, and Richard Wagner. Through a close reading of Baudelaire's and Nietzsche's essays on art and culture, Wagner's role in the two writers' attempts to define the radically new concept of "modernism" is elucidated. Gogrof-Voorhees explores the affinity between the two writers, which emerges from a juxtaposition of their formulations of the idea of a fractured, contradictory modernity that at once embraces, scatters, and reevaluates an entire constellation of ideas, including romanticism, pessimism, decadence, and nihilism.".
- catalog description "Includes bibliographical references (p. [189]-197) and index.".
- catalog extent "x, 201 p. ;".
- catalog hasFormat "Defining modernism.".
- catalog identifier "082043793X".
- catalog isFormatOf "Defining modernism.".
- catalog isPartOf "Studies in literary criticism and theory ; v. 8".
- catalog issued "1999".
- catalog issued "c1999.".
- catalog language "eng".
- catalog publisher "New York : P. Lang,".
- catalog relation "Defining modernism.".
- catalog subject "809/.9112 21".
- catalog subject "Baudelaire, Charles, 1821-1867 Criticism and interpretation.".
- catalog subject "Decadence (Literary movement)".
- catalog subject "Modernism (Literature)".
- catalog subject "Nietzsche, Friedrich Wilhelm, 1844-1900.".
- catalog subject "PN56.M54 G64 1999".
- catalog subject "Romanticism.".
- catalog subject "Wagner, Richard, 1813-1883.".
- catalog tableOfContents "Baudelaire. Ch. 1. Romanticism and Modernity. I. "Salon of 1845" and the Search for Originality. II. "Salon of 1846" and Poetic Criticism. III. Toward a New Romanticism. IV. Capturing Modernity: Some Theories. V. Impact of Stendhal. VI. Artist as the Painter of Modern Life. Ch. 2. Decadence. I. Dandyism: Baudelaire, Foucault, and Camus. II. Critique of Progress in the Realm of the Arts: "The Universal Exhibition of 1855" III. Attempt at a Re-evaluation of Decadence. IV. Against the Grain: Edgar Allen Poe. V. Artificiality. Ch. 3. Richard Wagner. I. Wagner's Situation in France in 1860. II. Baudelaire's Letter. III. Essay on the Tannhauser -- Nietzsche. Ch. 4. Romanticism and Modernity.".
- catalog title "Defining modernism : Baudelaire and Nietzsche on romanticism, modernity, decadence, and Wagner / Andrea Gogröf-Voorhees.".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "text".