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- catalog abstract ""Genius, anti-artist, charlatan, guru, impostor? Since 1914 Marcel Duchamp has been called all these. No artist of the twentieth century has aroused more passion and controversy, nor exerted a greater influence on art, whose very nature Duchamp challenged and redefined as concept rather than product by questioning its traditionally privileged optical nature. At the same time, he never ceased to be engaged, openly or secretly, in provocative activities and works which transformed artmaking procedures. Written with the enthusiastic support of Duchamp's widow, this is one of the most original books ever written on this enigmatic artist, and challenges received ideas, misunderstanding and misinformation."--Jacket.".
- catalog contributor b11277068.
- catalog contributor b11277069.
- catalog contributor b11277070.
- catalog contributor b11277071.
- catalog contributor b11277072.
- catalog created "1999.".
- catalog date "1999".
- catalog date "1999.".
- catalog dateCopyrighted "1999.".
- catalog description ""Genius, anti-artist, charlatan, guru, impostor? Since 1914 Marcel Duchamp has been called all these. No artist of the twentieth century has aroused more passion and controversy, nor exerted a greater influence on art, whose very nature Duchamp challenged and redefined as concept rather than product by questioning its traditionally privileged optical nature. At the same time, he never ceased to be engaged, openly or secretly, in provocative activities and works which transformed artmaking procedures. Written with the enthusiastic support of Duchamp's widow, this is one of the most original books ever written on this enigmatic artist, and challenges received ideas, misunderstanding and misinformation."--Jacket.".
- catalog description "Ch. 1. Origins -- ch. 2. Catholicism and the symbolist inheritance -- ch. 3. Passages -- ch. 4. Dry art, 'The Retinal Shudder' and the planning of the large glass -- ch. 5. The bride stripped bare by her bachelors, even (the Large Glass) -- ch. 6. Anti-art, Rrose Selavy and surrealism -- ch. 7. The readymades and 'Life on Credit' -- ch. 8. Replicas, casts and the infra-thin -- ch. 9. Etant donnès -- Postscript. Duchamp after Duchamp.".
- catalog description "Includes bibliographical references (p. 215-217) and index.".
- catalog extent "224 p. :".
- catalog identifier "0500203229".
- catalog isPartOf "World of art".
- catalog issued "1999".
- catalog issued "1999.".
- catalog language "eng".
- catalog publisher "London ; New York : Thames and Hudson,".
- catalog spatial "France".
- catalog subject "759.4 21".
- catalog subject "Artists France Biography.".
- catalog subject "Duchamp, Marcel, 1887-1968 Criticism and interpretation.".
- catalog subject "N6853.D8 A83 1999".
- catalog tableOfContents "Ch. 1. Origins -- ch. 2. Catholicism and the symbolist inheritance -- ch. 3. Passages -- ch. 4. Dry art, 'The Retinal Shudder' and the planning of the large glass -- ch. 5. The bride stripped bare by her bachelors, even (the Large Glass) -- ch. 6. Anti-art, Rrose Selavy and surrealism -- ch. 7. The readymades and 'Life on Credit' -- ch. 8. Replicas, casts and the infra-thin -- ch. 9. Etant donnès -- Postscript. Duchamp after Duchamp.".
- catalog title "Marcel Duchamp / Dawn Ades, Neil Cox, and David Hopkins.".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "text".