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• catalog abstract ""In Narcissus Sous Rature, Jody Norton argues that Contemporary American poetry's characteristic problematic is the subject's contestation of hir discursive condition. While self-comprehension is a central, recurrent concern in post-literate poetry, most poetries in English since the Enlightenment have conceived their lyric subjects in accordance with the foundational Western philosophical assumption of the rationality of being. However, after Freud, Heisenberg, Saussure, Derrida, and Lacan, conceptions of the lyric "I" as representative of a more or less permanent, self-conscious, and self-possessed personality, inhabiting an ontologically dependable natural and historical world in a consistent way are no longer credible." "The problems of how to conceptualize the psycho-linguistic structuration of the male (putatively masculine) subject and hir relation to hir cultural environment, and of how to represent both the subject and hir relations in a medium - language - that is complexly involved in the construction of both the subject and hir representation (and, in a certain sense, of the subject as representation) emerge, for Contemporary poets, out of an historic moment particularly strongly marked by theoretical developments in extra-literary fields. Norton asserts that the lyric speaker in Contemporary American poetry cannot be understood unless the explicit and implicit dialogic relations between religious, philosophical, psychological, linguistic, aesthetic, critical and poetic texts are made central to the interpretive project."--Jacket.".
• catalog contributor b11620722.
• catalog created "c2000.".
• catalog date "2000".
• catalog date "c2000.".
• catalog dateCopyrighted "c2000.".
• catalog description ""In Narcissus Sous Rature, Jody Norton argues that Contemporary American poetry's characteristic problematic is the subject's contestation of hir discursive condition. While self-comprehension is a central, recurrent concern in post-literate poetry, most poetries in English since the Enlightenment have conceived their lyric subjects in accordance with the foundational Western philosophical assumption of the rationality of being. However, after Freud, Heisenberg, Saussure, Derrida, and Lacan, conceptions of the lyric "I" as representative of a more or less permanent, self-conscious, and self-possessed personality, inhabiting an ontologically dependable natural and historical world in a consistent way are no longer credible."".
• catalog description ""The problems of how to conceptualize the psycho-linguistic structuration of the male (putatively masculine) subject and hir relation to hir cultural environment, and of how to represent both the subject and hir relations in a medium - language - that is complexly involved in the construction of both the subject and hir representation (and, in a certain sense, of the subject as representation) emerge, for Contemporary poets, out of an historic moment particularly strongly marked by theoretical developments in extra-literary fields.".
• catalog description "1. Mid-Twentieth-Century American Poetry: Modern, Retromodern, Contemporary -- 2. Contemporary and Postmodern -- 3. Male Subjectivity in Contemporary American Poetry: Theory and Critical Practice -- 4. The Ta-chang-fu, the Way of Language, and the Poetry of Gary Snyder -- 5. Shall We Gather at the Break? James Wright's Re-fraction of the Jungian Self -- 6. Narcissus Against Himself: The Surrealist Subject in the Poetry of Philip Lamantia -- 7. Love and the Law of the Name-of-the-Father in Spicer, Freud, and Lacan -- 8. "Whispers out of Time": The Syntax of Being in the Poetry of John Ashbery.".
• catalog description "Includes bibliographical references (p. 209-237) and index.".
• catalog description "Norton asserts that the lyric speaker in Contemporary American poetry cannot be understood unless the explicit and implicit dialogic relations between religious, philosophical, psychological, linguistic, aesthetic, critical and poetic texts are made central to the interpretive project."--Jacket.".
• catalog extent "256 p. :".
• catalog hasFormat "Narcissus sous rature.".
• catalog identifier "0838753566 (alk. paper)".
• catalog isFormatOf "Narcissus sous rature.".
• catalog issued "2000".
• catalog issued "c2000.".
• catalog language "eng".
• catalog publisher "Lewisburg [Pa.] : Bucknell University Press ; London : Associated University Presses,".
• catalog relation "Narcissus sous rature.".
• catalog subject "811/.5409353 21".
• catalog subject "American poetry 20th century History and criticism.".
• catalog subject "American poetry Male authors History and criticism.".
• catalog subject "American poetry Psychological aspects.".
• catalog subject "Men in literature.".
• catalog subject "Narcissism in literature.".
• catalog subject "PS310.S85 N67 2000".
• catalog subject "Self in literature.".
• catalog subject "Subjectivity in literature.".
• catalog tableOfContents "1. Mid-Twentieth-Century American Poetry: Modern, Retromodern, Contemporary -- 2. Contemporary and Postmodern -- 3. Male Subjectivity in Contemporary American Poetry: Theory and Critical Practice -- 4. The Ta-chang-fu, the Way of Language, and the Poetry of Gary Snyder -- 5. Shall We Gather at the Break? James Wright's Re-fraction of the Jungian Self -- 6. Narcissus Against Himself: The Surrealist Subject in the Poetry of Philip Lamantia -- 7. Love and the Law of the Name-of-the-Father in Spicer, Freud, and Lacan -- 8. "Whispers out of Time": The Syntax of Being in the Poetry of John Ashbery.".
• catalog title "Narcissus sous rature : male subjectivity in contemporary American poetry / Jody Norton.".
• catalog type "text".