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• catalog abstract ""The book is published to accompany the second of three cycles of exhibitions at The Museum of Modern Art. The first cycle, ModernStarts, explored the period from 1880 to 1920; Making Choices considers the years between 1920 and 1960; the third cycle, Open Ends, will concentrate on art since 1960." "More than 300 works are reproduced in Making Choices, representing all of the Museum's curatorial departments: architecture and design, drawings, film and video, painting and sculpture, photography, and prints and illustrated books. By selecting four years from a span of four decades, the authors were able for each year to delve deeply into the Museum's rich collection, assembling many fascinating but unfamiliar works along with justly famous masterpieces. The resulting groupings and juxtapositions reflect the simultaneous convergence and divergence of a wide range of creative endeavors at any one moment. For example: Christina's World, an outstanding example of Andrew Wyeth's realist dissent from modernist innovation, and Number 1, 1948, Jackson Pollock's landmark experiment in abstraction, were both painted in 1948. In this lively book, they face each other on opposite pages, challenging the reader to grapple with the vital multiplicity of modern art."--Jacket.".
• catalog contributor b11724776.
• catalog contributor b11724777.
• catalog contributor b11724778.
• catalog contributor b11724779.
• catalog created "2000.".
• catalog date "2000".
• catalog date "2000.".
• catalog dateCopyrighted "2000.".
• catalog description ""The book is published to accompany the second of three cycles of exhibitions at The Museum of Modern Art. The first cycle, ModernStarts, explored the period from 1880 to 1920; Making Choices considers the years between 1920 and 1960; the third cycle, Open Ends, will concentrate on art since 1960." "More than 300 works are reproduced in Making Choices, representing all of the Museum's curatorial departments: architecture and design, drawings, film and video, painting and sculpture, photography, and prints and illustrated books. By selecting four years from a span of four decades, the authors were able for each year to delve deeply into the Museum's rich collection, assembling many fascinating but unfamiliar works along with justly famous masterpieces. The resulting groupings and juxtapositions reflect the simultaneous convergence and divergence of a wide range of creative endeavors at any one moment. For example: Christina's World, an outstanding example of Andrew Wyeth's realist dissent from modernist innovation, and Number 1, 1948, Jackson Pollock's landmark experiment in abstraction, were both painted in 1948. In this lively book, they face each other on opposite pages, challenging the reader to grapple with the vital multiplicity of modern art."--Jacket.".
• catalog extent "348 p. :".
• catalog hasFormat "Making choices.".
• catalog identifier "0810962136 (cloth, Abrams)".
• catalog identifier "0870700294 (paper, MOMA)".
• catalog identifier "0870700308 (cloth, Thames & Hudson)".
• catalog isFormatOf "Making choices.".
• catalog issued "2000".
• catalog issued "2000.".
• catalog language "eng".
• catalog publisher "New York : Museum of Modern Art : Distributed by Harry N. Abrams,".
• catalog relation "Making choices.".
• catalog spatial "New York (State) New York".
• catalog subject "709/.04/00747471 21".
• catalog subject "Art New York (State) New York Exhibitions.".
• catalog subject "Arts, Modern 20th century Exhibitions.".
• catalog subject "Museum of Modern Art (New York, N.Y.) Exhibitions.".
• catalog subject "NX456 .G265 2000".
• catalog title "Making choices, 1929, 1939, 1948, 1955 / Peter Galassi, Robert Storr, Anne Umland.".
• catalog type "Exhibition catalogs. fast".
• catalog type "text".