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• catalog abstract ""This book, published in conjunction with an exhibition drawn from the collection of The Museum of Modern Art, New York, explores the antimodernist impulse and, in so doing, presents a new vision of the complexities of modern art. In an in-depth study, Robert Storr, Senior Curator in the Museum's Department of Painting and Sculpture, traces the development of what he calls the anti-avant-garde, from its first appearance as the widespread "return to order" in European art after World War I through the reemergence of figuration in international work of the 1980s." "Storr discusses the social, political, and historical forces affecting paintings, sculpture, drawings, and prints, along with the influence of such major figures as Pablo Picasso, Otto Dix, and Philip Guston on the ascendancy of classicizing, narrative, and so-called traditional art at various times in the twentieth century. The fact that artists often crossed the boundary between modernism and the anti-avant garde - and that their aesthetic choices were not necessarily aligned with their political views - may surprise readers. Storr also looks at changing notions of taste and the reception of avant-garde art in the United States, a process in which The Museum of Modern Art played a key role."--Jacket.".
• catalog alternative "Making choices".
• catalog alternative "MoMA 2000".
• catalog alternative "MoMA2000".
• catalog contributor b11724813.
• catalog contributor b11724814.
• catalog created "c2000.".
• catalog date "2000".
• catalog date "c2000.".
• catalog dateCopyrighted "c2000.".
• catalog description ""This book, published in conjunction with an exhibition drawn from the collection of The Museum of Modern Art, New York, explores the antimodernist impulse and, in so doing, presents a new vision of the complexities of modern art. In an in-depth study, Robert Storr, Senior Curator in the Museum's Department of Painting and Sculpture, traces the development of what he calls the anti-avant-garde, from its first appearance as the widespread "return to order" in European art after World War I through the reemergence of figuration in international work of the 1980s." "Storr discusses the social, political, and historical forces affecting paintings, sculpture, drawings, and prints, along with the influence of such major figures as Pablo Picasso, Otto Dix, and Philip Guston on the ascendancy of classicizing, narrative, and so-called traditional art at various times in the twentieth century. The fact that artists often crossed the boundary between modernism and the anti-avant garde - and that their aesthetic choices were not necessarily aligned with their political views - may surprise readers. Storr also looks at changing notions of taste and the reception of avant-garde art in the United States, a process in which The Museum of Modern Art played a key role."--Jacket.".
• catalog description "Drawing Lesson I -- Foreword -- Preface & acknowledgments -- Modern art despite modernism. Pt. 1. Typologies & twists ; Heads ; Pt. 2. Backward march! ; Femmes fatales ; Pt. 3. Fences Down -- Plates. The School of Paris ; Surrealism ; Metaphysical painting & Valori plastici ; Neue Sachlichkeit & German figuration ; Neo-romanticism ; British figuration ; Latin American figuration ; Depression era realism & the American scene ; Postwar European figuration ; Postwar figuration in the Americas ; Post modernism ; Drawing Lession II -- Index of illustrations -- Credits.".
• catalog description "Includes bibliographical references and index.".
• catalog extent "247 p. :".
• catalog hasFormat "Modern art despite modernism.".
• catalog identifier "0810962071 (Abrams : cloth)".
• catalog identifier "0870700316 (MoMA, Thames & Hudson : cloth)".
• catalog identifier "0870700340 (MoMA : pbk.)".
• catalog isFormatOf "Modern art despite modernism.".
• catalog issued "2000".
• catalog issued "c2000.".
• catalog language "eng".
• catalog publisher "New York : Museum of Modern Art : Distributed by Harry N. Abrams,".
• catalog relation "Modern art despite modernism.".
• catalog subject "Art, Modern 20th century Exhibitions.".
• catalog subject "Bacon, Francis, 1909-1992.".
• catalog subject "De Chirico, Giorgio, 1888-1978.".
• catalog subject "Dix, Otto, 1891-1969.".
• catalog subject "Grosz, George, 1893-1959.".
• catalog subject "Human beings in art Exhibitions.".
• catalog subject "Léger, Fernand, 1881-1955.".
• catalog subject "Matisse, Henri, 1869-1954.".
• catalog subject "Modernism (Art) Exhibitions.".
• catalog subject "Museum of Modern Art (New York, N.Y.) Exhibitions.".
• catalog subject "N620.M9 S76 2000".
• catalog subject "Picasso, Pablo, 1881-1973.".
• catalog subject "Richter, Gerhard, 1932-".
• catalog tableOfContents "Drawing Lesson I -- Foreword -- Preface & acknowledgments -- Modern art despite modernism. Pt. 1. Typologies & twists ; Heads ; Pt. 2. Backward march! ; Femmes fatales ; Pt. 3. Fences Down -- Plates. The School of Paris ; Surrealism ; Metaphysical painting & Valori plastici ; Neue Sachlichkeit & German figuration ; Neo-romanticism ; British figuration ; Latin American figuration ; Depression era realism & the American scene ; Postwar European figuration ; Postwar figuration in the Americas ; Post modernism ; Drawing Lession II -- Index of illustrations -- Credits.".
• catalog title "Making choices".
• catalog title "MoMA 2000".
• catalog title "MoMA2000".
• catalog title "Modern art despite modernism / Robert Storr.".
• catalog type "Exhibition catalogs. fast".
• catalog type "text".