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- catalog abstract ""This book presents a literary analysis of the meanings inherent in the costomes of Chaucer's secular pilgrims, illuminating their (non)conformity in their dress to fourteenth-century occupational, socio-political and religious norms. The author discusses the significance of individual fabrics, dyes, accessories, garments, and assembled costumes, and explains technical details and specialist vocabularies for cloth-making, clothing, accessories and armor, drawing on a wealth of contemporary evidence including wills, household inventories, wardrobe accounts, manuscript illuminations and church decoration."--BOOK JACKET.".
- catalog contributor b11794833.
- catalog created "2000.".
- catalog date "2000".
- catalog date "2000.".
- catalog dateCopyrighted "2000.".
- catalog description ""This book presents a literary analysis of the meanings inherent in the costomes of Chaucer's secular pilgrims, illuminating their (non)conformity in their dress to fourteenth-century occupational, socio-political and religious norms. The author discusses the significance of individual fabrics, dyes, accessories, garments, and assembled costumes, and explains technical details and specialist vocabularies for cloth-making, clothing, accessories and armor, drawing on a wealth of contemporary evidence including wills, household inventories, wardrobe accounts, manuscript illuminations and church decoration."--BOOK JACKET.".
- catalog description "1. Introduction: Chaucer's Costume Rhetoric -- 2. Costume Rhetoric in the Knight's Portrait: Chaucer's Every-Knight and his 'bismotered' 'gypon' -- 3. Chaucer's Squire: 'Embrouded was he' -- 4. 'Mottelee' for the Merchant No One Knew -- 5. The Sergeant's Misunderstood 'medlee cote' and Missing Accessories -- 6. A Hierarchy of Blades and Bags: The Franklin, Yeoman, Guildsmen, Shipman, Miller, Reeve, and the Pardoner -- 7. Fabric as Sign: The Yeoman's 'grene' and the Shipman's 'faldyng' -- 8. The Wife of Bath's Costumes: Reading the Subtexts -- 9. Costume Rhetoric for the Rising Peasant Class: The Miller, Knight Manque, and the Plowman, Miles Christi -- 10. Conclusion: Chaucer the Conteor: Clothed in Good Works.".
- catalog description "Includes bibliographical references and index.".
- catalog extent "xiv, 285 p. :".
- catalog identifier "0859915778 (alk. paper)".
- catalog isPartOf "Chaucer studies, 0261-9822 ; 26".
- catalog issued "2000".
- catalog issued "2000.".
- catalog language "eng".
- catalog publisher "Rochester, NY : D.S. Brewer,".
- catalog spatial "England".
- catalog subject "821/.1 21".
- catalog subject "Chaucer, Geoffrey, -1400 Knowledge Costume.".
- catalog subject "Chaucer, Geoffrey, -1400. Canterbury tales. Prologue.".
- catalog subject "Christian pilgrims and pilgrimages in literature.".
- catalog subject "Clothing and dress in literature.".
- catalog subject "Costume England History Medieval, 500-1500.".
- catalog subject "PR1868.P9 H63 2000".
- catalog subject "Prologues and epilogues History and criticism.".
- catalog tableOfContents "1. Introduction: Chaucer's Costume Rhetoric -- 2. Costume Rhetoric in the Knight's Portrait: Chaucer's Every-Knight and his 'bismotered' 'gypon' -- 3. Chaucer's Squire: 'Embrouded was he' -- 4. 'Mottelee' for the Merchant No One Knew -- 5. The Sergeant's Misunderstood 'medlee cote' and Missing Accessories -- 6. A Hierarchy of Blades and Bags: The Franklin, Yeoman, Guildsmen, Shipman, Miller, Reeve, and the Pardoner -- 7. Fabric as Sign: The Yeoman's 'grene' and the Shipman's 'faldyng' -- 8. The Wife of Bath's Costumes: Reading the Subtexts -- 9. Costume Rhetoric for the Rising Peasant Class: The Miller, Knight Manque, and the Plowman, Miles Christi -- 10. Conclusion: Chaucer the Conteor: Clothed in Good Works.".
- catalog title "Chaucer and costume : the secular pilgrims in the General Prologue / Laura F. Hodges.".
- catalog type "text".