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- catalog abstract ""This book shows how and why the painted domestic interior, with figures positioned in provocative, and even disturbing, manners figured so prominently in contemporary visual culture. In these expressive images, the notion and limits of identity were debated rather than resolved. Body, Place, and Self in Nineteenth-Century Painting begins in the 1840s and examines the new ways of imagining and describing interior spaces. It ends in the years around World War I, when the devastations of the war left countless people with their private interiors either nakedly exposed or totally destroyed. Wide-ranging analyses of key individual works, including Edgar Degas's Interior, John Singer Sargent's Daughters of Edward Darley Boit, Edouard Vuillard's Mother and Sister of the Artist, and Walter Sickert's Ennui form the core of this study."--Jacket.".
- catalog alternative "Body, place, and self in 19th-century painting".
- catalog contributor b11891662.
- catalog created "2000.".
- catalog date "2000".
- catalog date "2000.".
- catalog dateCopyrighted "2000.".
- catalog description ""This book shows how and why the painted domestic interior, with figures positioned in provocative, and even disturbing, manners figured so prominently in contemporary visual culture. In these expressive images, the notion and limits of identity were debated rather than resolved. Body, Place, and Self in Nineteenth-Century Painting begins in the 1840s and examines the new ways of imagining and describing interior spaces. It ends in the years around World War I, when the devastations of the war left countless people with their private interiors either nakedly exposed or totally destroyed.".
- catalog description "Body into space: Lecoq de Boisbaudran and the rhetoric of embodiment -- Degas and the sexuality of the interior -- John Singer Sargent's interior abysses: The Daughters of Edward Darley Boit -- The "surface of existence": Edouard Vuillard's Mother and sister of the artist -- Walter Sickert's Ennui: interiority without self, and place without body.".
- catalog description "Includes bibliographical references (p. 151-221) and index.".
- catalog description "Wide-ranging analyses of key individual works, including Edgar Degas's Interior, John Singer Sargent's Daughters of Edward Darley Boit, Edouard Vuillard's Mother and Sister of the Artist, and Walter Sickert's Ennui form the core of this study."--Jacket.".
- catalog extent "xvi, 230 p., 8 p. of plates :".
- catalog identifier "0521770246 (hb)".
- catalog issued "2000".
- catalog issued "2000.".
- catalog language "eng".
- catalog publisher "Cambridge [England] ; New York : Cambridge University Press,".
- catalog subject "759.05 21".
- catalog subject "Identity (Psychology) in art.".
- catalog subject "ND190 .S475 2000".
- catalog subject "Painting, Modern 19th century Themes, motives.".
- catalog subject "Personal space.".
- catalog subject "Space (Art)".
- catalog tableOfContents "Body into space: Lecoq de Boisbaudran and the rhetoric of embodiment -- Degas and the sexuality of the interior -- John Singer Sargent's interior abysses: The Daughters of Edward Darley Boit -- The "surface of existence": Edouard Vuillard's Mother and sister of the artist -- Walter Sickert's Ennui: interiority without self, and place without body.".
- catalog title "Body, place, and self in 19th-century painting".
- catalog title "Body, place, and self in nineteenth-century painting / Susan Sidlauskas.".
- catalog type "text".