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- catalog abstract ""Beginning in the Third Century with frescoes in the catacombs of Rome, public art began to illustrate the doctrine of supersessionism. This analysis of a millennium of Christian art outlines the path by which Christians reinterpreted the Hebrew Scriptures to prove they foretold the ascendancy of Christianity. Starting with a solid introduction to the origins of Christianity and the beginnings of Christian art in the catacombs of Rome, Henry Claman skillfully demonstrates the development of the anti-Jewish message of Christian art. The study culminates with analyses of the majestic cathedral at Chartres, the public burning of the Talmud in Paris in 1248, and the expulsion of the Jews from France and England."--BOOK JACKET.".
- catalog contributor b11931237.
- catalog created "2000.".
- catalog date "2000".
- catalog date "2000.".
- catalog dateCopyrighted "2000.".
- catalog description ""Beginning in the Third Century with frescoes in the catacombs of Rome, public art began to illustrate the doctrine of supersessionism. This analysis of a millennium of Christian art outlines the path by which Christians reinterpreted the Hebrew Scriptures to prove they foretold the ascendancy of Christianity. Starting with a solid introduction to the origins of Christianity and the beginnings of Christian art in the catacombs of Rome, Henry Claman skillfully demonstrates the development of the anti-Jewish message of Christian art. The study culminates with analyses of the majestic cathedral at Chartres, the public burning of the Talmud in Paris in 1248, and the expulsion of the Jews from France and England."--BOOK JACKET.".
- catalog description "Includes bibliographical references (p. [205]-210) and index.".
- catalog description "Judaism and the first two centuries of Christianity. -- Emergent Christianity and redefined Judaism (200-313 C.E.). -- The maturation of Christianity and the position of Judaism (313-800 C.E.). -- Brilliant art in Carolingian and Ottonian epochs (800-1050 C.E.). -- The millennium: the Crusader era and the coming of the Romanesque (1000-1200 C.E.). -- The climax of supersessionism and the eclipse of Judaism (1100-1250 C.E.)".
- catalog extent "xi, 212 p., [16] p. of plates :".
- catalog hasFormat "Jewish images in the Christian church.".
- catalog identifier "0865546959".
- catalog isFormatOf "Jewish images in the Christian church.".
- catalog issued "2000".
- catalog issued "2000.".
- catalog language "eng".
- catalog publisher "Macon, Ga. : Mercer University Press,".
- catalog relation "Jewish images in the Christian church.".
- catalog subject "246/.2 21".
- catalog subject "Antisemitism in art.".
- catalog subject "Art, Early Christian.".
- catalog subject "Christian art and symbolism Medieval, 500-1500.".
- catalog subject "Christian art and symbolism To 500.".
- catalog subject "Christianity and antisemitism History.".
- catalog subject "Jews in art.".
- catalog subject "N7831 .C53 2000".
- catalog subject "N7831 .C53 2000X".
- catalog tableOfContents "Judaism and the first two centuries of Christianity. -- Emergent Christianity and redefined Judaism (200-313 C.E.). -- The maturation of Christianity and the position of Judaism (313-800 C.E.). -- Brilliant art in Carolingian and Ottonian epochs (800-1050 C.E.). -- The millennium: the Crusader era and the coming of the Romanesque (1000-1200 C.E.). -- The climax of supersessionism and the eclipse of Judaism (1100-1250 C.E.)".
- catalog title "Jewish images in the Christian church : art as the mirror of the Jewish-Christian conflict, 200-1250 C.E. / Henry N. Claman.".
- catalog type "History. fast".
- catalog type "text".